Joe Spork has no idea what the right answer may be, so he tries very hard to ask what it is that he has done to make his interlocutor so angry, and how he can make amends, but his mouth betrays him and he chokes, and spits slightly. The man takes this as a challenge, and a moment later Mr. Ordinary comes back and says he is very disappointed.
Joe tries to slip away and remember good things, but good things are far away and very pale, and there are sharks in his mind with him, memories he does not want and cannot avoid any longer.
On the occasion of Joshua Joseph’s fifteenth birthday, the young man opened the door to find his father on the step in a splendid suit, with a present under his arm. This was a surpassingly impressive feat, because Mathew was serving time in one of Her Majesty’s prisons for grand (even “grandiose,” the wits had it) theft.
“Hello, Joe,” Mathew Spork said genially, “thought I’d drop in, hope you don’t mind.”
“You’re out?” Joshua Joseph demanded.
“As you see, Joe. As you see. I am a free man—for the day, at least.”
“Just for a day?”
“Longer, if I can manage it.” This very drily, and the quirk of wickedness which is his father’s trademark alerts young Joe to an alarming possibility.
“You’ve broken out!”
“Yes, I have. Rather well, too, I must say. I had to see a man in Harley Street, you see, about my health. Prison food is terrible, my boy, it tastes of fat and is bad for the digestion. So I thought, well, why not? I’ll drop in on my son and hug my loving wife, and then I shall leg it for the bosom of Argentina, and you can pop out and join me from time to time. How does that sound?”
“You’re mad!” Joshua Joseph cries, delighted, “You can’t stay here, they’ll find you!”
“Your father, Joshua Joseph Spork, may be an old man and a decrepit one, but he is no fool and this is not his first fandango. There is even now a fine fellow by the name of Brigsdale, wearing a Mathew costume, waiting in the queue for the ferry to Ireland. Mr. Brigsdale has done no one any wrong in his life, Josh, but he greatly resembles your old man. He will go to the ferry and he will be apprehended, and Lily Law will falsely believe for several days that I have been caught, at which point Mr. Brigsdale will explain that there’s been a terrible misunderstanding and sue them for false arrest, not that he’ll need to because I’ve set him up somewhat… But by the time it’s all sorted out I shall have buggered off to Buenos Aires and all will be well.” Mathew Spork beams.
And to Joshua Joseph’s amazement, the door does not come crunching down, the Flying Squad does not arrive. Father and son sit there on the sofa (“I’m a bit puffed, Josh, I had to climb a very high wall, you know. This prison breaking is best left to younger men—I shall put that in my memoirs!”) and they drink tea, and wait for Harriet to come home. In honour of the old days, when Joshua Joseph used to slumber like a puppy, curled up on his father’s lap, the gawky teen rests his head on Mathew’s chest as they watch John Craven’s Newsround to see if it will tell them about the escaped felon, Mathew “Tommy Gun” Spork, and list his many iniquitous acts, but fame is fleeting and there’s a swimming rabbit instead.
“Will you teach me how to fire the gun in Argentina, Dad?” Because the day is coming, undeniably, when he will be old enough to learn.
Mathew sighs.
“Do me a favour, Joe, all right?”
“Of course.”
“Don’t be like me. Be a judge, be a rock star. Be a carpenter. Just… find a better way. Leave the gun to someone else if you can.”
“I want to be like you.”
“No, you don’t. You think you do, but this is what it comes to. It’s rubbish. Hiding in my own house. Promise me, you’ll be better than this.”
“I promise.”
“Gangster’s oath?”
“Gangster’s oath!” And if the backwardness of that is apparent to either of them, they don’t say.
“All right, then.”
They fall asleep that way, and it is only when Harriet Spork comes through the door from her yoga class and shrieks that Joshua Joseph awakes, and realises that his father has died, very quietly, with a smile on his face.
In the aftermath, it turns out that Mr. Brigsdale was a figment of Mathew’s outrageous imagination, and that there was no plan to get to Argentina. When Mathew Spork visited the prison doctor and learned that his life was coming to an end, he secured permission to visit his son on his birthday, and then he did, in fact, find a way to elude the clutches of the law for evermore.
Two shrouded faces watch Joe through a panel in the door. They jockey for position at the narrow hole, bobbing around one another. The room fills with a stink so vile he begins to vomit. When he reaches the point where his stomach is quite empty, and even the bile has stopped coming, they pipe more of the stink in, so that he arches convulsively, forehead and toes touching the ground and nothing else, as his body tries to get rid of things which are not there.
In his mind, he holds onto his father’s hand, that last day. Mathew would have known what to do.
“Where is it?”
They have been asking him the same question, over and over. When he objects that he does not know what “it” may be, they are particularly harsh. It is not their job to explain. It is his to offer possible locations of any object they might be looking for. He is to cultivate a habit of mind which opens to their inquisition. “Where have you hidden it?”
He tells them he keeps it in the sugar jar. He wants to tell them that whatever it is they already have it. They have everything he owns. Or owned.
You’ve got it. You’ve got everything I had. You took it all from my house, from Ted’s.
“Did Daniel hide it? Did he explain to you what it was? Who else is aware of it?”
Yes. Daniel hid it. He hid it so well you will never find it. And nor will I. In a library. In a bookshop. In a church. He burned it. He sold it.
“Where is it?”
It exists only in your mind. My mind. Our minds. We are all one.
Joe’s own mind is wandering, and he knows it, and knows that the wandering is a relief from pain. He fights against it, all the same, because he is frightened he will never come back.
“You cannot continue to resist us. In the end, you will tell us everything. Everyone does. In the end, we will become bored listening to you share your secrets in tedious detail. Where is the calibration drum, Mr. Spork?”
I have absolutely no fucking idea.
This is true, but at the same time he realises that the question tells him something. The calibration drum is used to change the settings on Frankie’s machine. Brother Sheamus wants to use the Apprehension Engine for something other than what Frankie had in mind.
He squashes this understanding, lest he blurt it out. He is sure that knowing too much is as bad as knowing too little.
“Where is the calibration drum?”
It occurs to him that they really do not know that he does not know. He is in the hands of incompetent torturers—and from this he conceives a new fear, that their physical skills are as limited as their analytical ones, and they will let him die by accident, by a moment’s inattention.
He finds himself in the bizarre position of hoping they are better at this than they seem to be.
He dreams that Rodney Titwhistle comes to visit him. He wishes he could dream something less grey and equivocal.
“They’re torturing me,” Joe Spork says through numb lips. Rodney Titwhistle shakes his head.