Sonja stood in the doorway of the large sunny room at the end of the hallway, the place where patients snacked or talked between scheduled activities, watching the thin-as-a-rail nurse flicking her fingers on a tambourine. Other tambourines had been passed out to the patients. As children tumbled through cartwheels or various contortions on a big rubber mat, under the direction of their preschool teacher, tambourines jingled out of sync, shaken by a woman in a wheelchair and a tall man who sat on a sofa, methodically patting another man’s hand, his free hand madly jingling the tambourine, his knee jumping nervously. Evie sat in a small chair — small Evie in her small chair — and Sonja was happy to see that today Evie had sufficient strength to sit there without being tied in. There were about twelve patients in the room, half seeming to enjoy the children’s tumbling, the other half sleeping or staring somewhere else. Evie was one of the patients staring somewhere else. For a few seconds, before she took a deep breath and walked into the room, Sonja reflected that Evie’s look of hazy concentration had been constant throughout her life: the slight frown, the stigmatic gaze, her mouth the only sure giveaway as to whether she was happy or sad. Today Evie was sad. Droop-lipped, she looked at the action, frowned, and looked away — though who wouldn’t intensify her wince in the cacophony of the tambourines? Sonja made her way carefully around the room’s perimeter, smiling in response to the thin nurse’s half smile, stopping to shake the hand of a man in a wheelchair who extended a bony hand in greeting. “I’m not senile,” the man said, as they shook hands. Loud jingling drowned out her response of “I’m sure you’re not.” “It’s music and tumbling,” he said.
Evie saw her coming, and her mouth eased into a surprised smile. Her speech had been thick since the last stroke, so Sonja’s name sounded like “Toada.” Sonja smiled at the idea of herself as a toad-woman, some absurd creature in a sci-fi movie — Toada, with supernatural abilities to … what? Swim through air, webbed feet kicking behind her, swimming for the distance. No amount of kicking would change this fact: after half an hour Sonja would leave and Evie wouldn’t; it was Evie who should have the supernatural powers, Evie who needed empowerment to escape. After she asked how Sonja was, the second question would inevitably be about Marshall. She had stopped asking about Gordon, but she always inquired about Marshall. Why did he call but not visit? Was he still so dissatisfied with academic life? Was he taking care of himself?
From the pocket of her housedress, Evie brought out a card. It was from a childhood friend, who now lived in California — a card meant to be humorous that depicted two old crones with fur coats over their pajamas and Barbarella hair, each drinking champagne, the message easily paraphrasable as “You’re only as old as you feel.” “Hairy,” Evie said. She meant “very,” but at first Sonja thought Evie was wryly commenting on the hairdos. Sonja left Evie to get a wheelchair so they could talk privately in Evie’s room. The wheelchairs were lined up just outside the door: new wheelchairs with red leather seats, all marked on the back FLOOR 2, quite a few with bumper stickers on the back: I’D RATHER BE WRITING MY NOVEL; I SKIED POTRERO HILL.
As they left the room, the children were holding hands and circling, beginning to sing. Their shrill voices, reciting a poem they’d memorized, seemed grating — and what did the poem, about the coming of spring, have to do with going in a circle? The nurse and the teacher recited the poem: something about crocus popping up with pink heads.… Sonja was glad she and Evie could escape the room. As she wheeled her down the hallway, Evie inspected the contents of her gift bag, took out the cookies, planning a hiding place for the cookies once they got to the room. Underpants and cookies always disappeared. Maybe it was the Tooth Fairy gone mad, become the Underpants and Cookies Fairy, a malevolent goblin who stole instead of giving. Sonja discussed the possibility with Evie; Evie told her she wouldn’t joke if she had to spend as much time as she did listening to senile imaginings. They settled themselves in the room, which had a hospital bed, but which was furnished with Evie’s own furniture. Though it wasn’t a depressing room, Sonja was depressed to think that, for Evie, it had come to this — a little room down a little corridor, where she would swallow little pills from little cups that would be of little help.
“I thought about our talk last time,” Evie said. “Thought” came out “taught.”
“About Tony? Whether I should tell Marshall?” Sonja said.
“I still think what I thought last time. I don’t think you can gain anything by telling him. He wouldn’t show his emotions, and that would be hard to accept.”
“Maybe he’d go crazy. First he’d slug me, then he’d buy me candy and flowers.”
“He’d miss when he took a swing at you, and he’d buy the flowers but leave them somewhere. That’s what he’d do. He’d come home with his books.”
This was the way Evie usually talked about Marshall when he was absent. When he was there, though, she doted on him. Sonja took her hand, nodding in silent agreement, and changed the subject. She told Evie what she hoped were amusing stories about how neurotic some people had been recently as she’d shown them houses. “You know what the kids say now? ‘Get a life.’ They say it if somebody’s fixated on something stupid. ‘Get a life.’ I was getting gas a few days ago, during the storm, and a guy who was paying for his gas was insisting on telling a joke to the attendant. Cars everywhere, wind blowing, snow coming down, and this jerk was trying to buttonhole the attendant to tell him a joke about the Pope and Frank Perdue, and finally the attendant just walked away, saying, ‘Get a life.’ ”
“Everybody’s so rude,” Evie said. “It would be funny if everybody wasn’t already so rude.”
“Nobody’s rude to you here, are they, Evie?”
“Marshall,” Evie said. “He could visit more often.” She bit into a cookie. “I wonder what it was about the Pope and Frank Perdue,” she said. “Remember that joke the nurse told me? ‘He doesn’t write, he doesn’t call.’ ”
Sonja did remember the joke — it involved a woman raped by a gorilla, bemoaning the fact that afterward, “He never writes, he never calls”—but she wasn’t much in the mood for jokes. She had talked to Tony just before she left the house that morning, about a house sale that was slipping away, and interspersed with that morning’s sexual fantasies, he had communicated his own anxiety about relaying bad news by telling one inappropriate joke after another. And Evie — what must the world seem like to Evie, now that nothing was taboo and there were so many jokes, told by everyone from the nurses to the cleaning crew? She felt stuffy — stuffier than Evie, by far. She was also sorry that Marshall did not pay more attention to his stepmother, though if anyone could understand his habitual preoccupation, it would be Evie. The week before, when Sonja visited, Evie had quizzed her about Marshall. Did he help her with housework? She had taught him how to make a bed, how to iron, how to bake. Did he do any of those things to help out? “You know Marshall,” Sonja had said. “He’s very distractible.” “Well, are the beds even half-made, then?” Evie had wanted to know. Some part of Sonja took secret delight in Evie’s high estimation of her. If she had answered honestly, she would have said she’d stopped making the bed herself. Not only that, but she’d been cavorting in beds in motel rooms with Tony. On the last visit, she had given Evie the impression that the affair was winding down, though that was untrue. She had misled her, hedging her bets: she’d confessed in order to be forgiven, though in case Evie didn’t seem inclined that way, she’d tried to deemphasize the importance of the affair, hoping that would also result in her feeling less pain if Evie did censure her.