In the very monotony of the changes which the bright fountain so constantly mirrored was a certain hypnotic fascination. All those who entered the courtyard were forced by a subtle trick of architectural perspective to look at the pool before noticing the roots of the tree. Perhaps the constant interplay of light and shadow upon the water accounted for the fixed and dreamless expression upon the face of the bronze boy, who had watched it since the gods began. Indeed, it was hard to tell, after regarding them steadily even for a few moments at a time, whether the changes in the fountain arose internally or were caused by something working upon it from without. In this its waters might be said to resemble the flowing stream of events themselves. To be sure, it shadowed forth a perpetual interplay of reflected patches of blue Etruscan sky and the verdant glooms and gleams of the plane tree soaring above. But the tree itself was obviously the prime example of still-life in eternity. And then the water, which at a first glance appeared to be stagnant in its green basin, was soon seen and heard to be flowing away at a rapid rate.
To anyone coming suddenly out of the gloom of the cloisters into the honeyed light of the courtyard the huge trunk of the tree was not at first to be discovered in the comparative darkness of its own central shadow. Raise the eyes above the line of its roots, and the tree seemed to be let down into the place; positively to be hanging in atmosphere as though aerially supported on the great fanlike vanes of its own wide-spreading foliage, or drooping from the flaring parachute of leaves at the top. It was this effect in particular which gave to the whole courtyard that peculiar, paradoxical aspect of something immutable forever occurring without cause or reason, which is as near perhaps to a true vision of reality as the eyes of man can attain.
Most people were merely momentarily confused or idly amused by these manifestations, but during the course of centuries one or two sages and several simple-minded persons who had entered the courtyard had been suddenly shocked back into their own original and naturally mystical vision by their first glimpse of the place. All the habitual nonsense by which their minds forced them to construct a reasonable basis for reality was shattered at one blow by the amazing miracle of the hanging tree.
Yet the world remained; the fountain giggled, and the tree hung.
For a lucky moment or two only, they saw it wholly with their own eyes again. It was as if like gods, or infants, they had stumbled suddenly into a cloudy nursery where the forms of matter were toy fully assuming various astounding outlines for the amusement of the inmates.
And it was exactly in that mood or condition that a pair of eyes, hung on a convenient wall peg, were looking at the courtyard on a certain morning while Contessina walked about it quietly, hanging up some baby clothes which she had just finished washing.
The pair of eyes in question were very bright ones In the head of a boy something over a year old who was hanging strapped in swaddling clothes to a back-board suspended from a peg in the wall under an arch of the cloister. He was quite used to hanging there for hours at a time. And as no one had ever paid any attention either to his cries of indignation or wails of boredom—except at precise and stated intervals when he was taken down—he had already learned the futility of protest in an indifferent universe composed apparently of vast, glimmering faces and shifting light and shade.
The world as he found it nevertheless permitted him to exist rather satisfactorily. With considerable internal discomfort at times it was true, but then he was not as yet much cursed with either memory or anticipation. And he had early discovered, was in fact fascinated by, the remarkable manifestations in the region of his eyes.
He already used those valuable organs well; that is to say, he used them both together. Through tTiem the world was already accurately focused upon him, and he upon it; and he must, even in the course of a few hundred days since his emergence from the waters of darkness, have made many more profound inferences about it than some adult philosophers would be prepared to admit. His eyes no longer merely followed something moving or stared, they were, as often as not, directed from within and in such a manner as to indicate that he felt he was in the courtyard and not it in him. In fact, he was already quite sure of it.
It had taken several months and certain alterations in the shape of his eyes to enable him to arrive at this stupendous and not entirely logical conclusion.
The light and shade had at first been wholly in him. He was submerged in it. Then the light had brightened. As he hung on the wall and opened his eyes from the blank of infancy it was the first thing that had awakened his mind. And it had awakened it accompanied with a sense of well-being and joy. The golden trembling of the leaf-filtered light in the courtyard had washed in ripples of happiness over the closed head-of-consciousness while it had responded slowly like the submerged bud of a water-lily in a clear, sunny lake. That bud had at last come to the surface, differentiated itself from the surrounding waters, and opened its matured and sensitive flower to find what was in the light.
At first there were only shadows that moved in it like clouds over the waters of chaos. Then greyly, gigantic static outlines began to loom up in the mist. The mist itself became mottled. Patches of colours stood out; mysteriously and disappointingly disappeared. Spots of light dazzled; moved here and there like beams of a torch on a wall; vanished. Darkness resumed. He slept. Then the process would go on again—always a little farther removed; each day more distinct; not quite so deeply inside him.
And all these sights were for the most part accompanied by noises in the head, taps and thumps as shadows approached and withdrew, gurglings, chortlings, hisses, and strings of vowels. An occasional stupendous roaring or crash made him cry out. Then, lapped in his own voice, everything dissolved in sound. As he hung day after day under the arch he began to know that with the sunlight other things always happened or were part of it. These were a continuous low gurgling sound, and warmth. Sometimes the gurglings grew louder and were accompanied by certain white flutterings. This excited him pleasantly and he imitated the sound. As for all the sensations that alternately soothed or tortured him, as the wheel of life upon which he was bound and destined to be broken began to revolve, there are no names for them except legion.
Suddenly—for the instrument having prepared itself, he now blundered upon the use of it as if by accident—all this chaos was swiftly resolved. His eyes came to a focus one day as he hung on the wall. And there lay the courtyard before him, basking in the sunlight, awash with shade. The fountain glittered and the tree hung. The pigeons fluttered. Contessina, whose voice he recognized, and other forms in white moved to and fro accompanied by sound. Once having realized space, the directions of sounds next attracted his notice. Time began to glimmer upon him. Meanwhile the world beyond was every day more glittering, fresh, and beautiful. He lapsed into sleep regretfully and returned to the light with joy. He lived only in the light. Let there be light and there was light. Out of it all the forms of things had also been created from chaos for him as his own act of creation recapitulated the great original. The baby and the fountain sang together in the beautiful first morning of life.
For months this sound of pure human joy like the distant crowing of roosters had from time to time echoed from the walls of the courtyard to be re-echoed apparently by the fountain and carried off. Contessina and the nuns had unconsciously thrilled to it. It was a voice they had forgotten but still recognized. For the second time since the child had come to them the great plane tree was in full leaf again.