Contessina finished tying the clothes on a line and walked over to the baby. She was passionately fond of it. She had three of her own at home but they were all dark little girls with brown eyes. The golden hair and blue-grey pupils of the man child hanging on the wall seemed to her to belong to another and better world. She made certain feminine sounds to the baby, the elliptical grammar of which conveyed to him a sense of her complete approval and a decided encouragement to continue to exist. In his own manner he replied. Contessina then walked away again.
He held out his arms to her but only tentatively. For he had already learned that affection was not always returned.
Contessina on her part was waiting for the nuns to depart to the chapel for matins. A number of the old women garbed in white with wide head-dresses were now sitting upon a marble bench in the sunlight pattering and murmuring their morning prayers with a sound as etemal as the waterspout itself.
Presently the convent bell rang. The nuns rose, formed In procession, and disappeared down a corridor in the direction of the chapel, raising a quavering morning chant. The pigeons resettled about the fountain and began to walk and talk expectantly. More and more kept coming down out of the air with the sound of tearing silk. The child cried out with delight.
Contessina now took him down from the wall, and unwrapping him from the board, carried him over to the brim of the fountain upon which she sat holding him upon her knee. He stretched and moved his Hmbs gratefully. The pigeons gathered about her, lit on her shoulders and covered the pavement with a plaque of iridescent bronze.
She produced a bag from her skirt and began to toss them some barley. Waves of excitement ran through the living metal. Contessina and the baby laughed. He began to seek her breasts. She opened her dress and gave him suck. The sound of the falling water and the soft talk of the pigeons filled the courtyard as with one contented voice.
Contessina looked at the bronze boy on the other side of the basin under the tree and began to make a little conversational prayer to him in her heart. Her lips did not move and into her features crept the game eternal, blind expression that slept on the face of the statue.
"Dear Christ who also fed the pigeons when thou wast a boy, thou wast also once a baby, as thou art now in the chapel lying upon blessed Mary's breast, Contessina is poor and can bring to thine altar only a little wine from Jacopo's vineyards. Nevertheless, it is blessed by Father Xavier and becomes thy blood. Have mercy upon me. Accept also the milk of thy maid-servant's breast, which I share now between my own baby and this thine orphan. Remember them, thy helpless children. Remember also my old mother who Father Xavier says is still in purgatory and who suckled nine. Ah, dear Child, for thy own mother's sweet sake remember her."
Contessina's eyes filled with tears. She removed the baby from her breast, crossed herself, and dashed some water on her face.
The child was still hungry.
From the same bag in which she kept the grain for the pigeons she now brought out a little cloth package and spread it out on the rim of the fountain. The pigeons which now approached she drove away. The cloth contained some fragments of sausage boiled tender, some goat's cheese seethed with flour, mashed pieces of carrots, garlic and parsley all made into a kind of cake. She crumbled these finely, and mixing the meal with the fountain water in a clean hollow of the stone to the consistency of sticky gruel, she let it warm for a while in the sun. Then she fed it to the baby with her finger. It was a dangerous food. On it most of Caesar's veterans had been fed in infancy as a supplement to what flowed naturally from the teats of the Roman wolf.
Contessina now returned to her more usual tasks. She laid the baby On a pile of dirty clothes in the sun where he soon went to sleep. The nuns always remained out of the courtyard till about noon. Contes-sina pounded their linen garments with a paddle and soused them in the fountain till they were spotless. Then she laid them out in the sun to dry. By the time she came to the pile on which the baby still lay asleep she was hot and tired, and it was almost time for the old women to return.
She took the child up in her arms and went over to the fountain. Glancing hastily at the shadow on the wall-dial, to be sure she would not be disturbed, she slipped hastily into the pool with the child in her arms and sank slowly into the shell-shaped bowl. The water displaced by her body rose and overflowed. The baby gasped and clung to her. Then he relaxed and splashed comfortably as the liquid atmosphere washed delightfully over his frame. The pigeons, the woman, and the child all made similar noises. After a minute or two Contessina hastily resumed her clothes while the baby dried off in the sun. She then wrapped him in clean linen bandages, binding him to his back-board as far up as his chest. Only his arms remained free. When the nuns returned he was hanging under the arch on the wall again.
From the refectory the nuns brought him a piece of bacon on a string which they tied to his wrist. They took care of him through the afternoon until Contessina returned in the evening. She then fed him again and put him to bed.
As he grew older he began to creep about the courtyard. He played with pebbles and twigs in the sunlight. He began to stand up and dabble in the fountain. He shouted at the bronze boy across the pool. But that taciturn youth continued staring into the basin and made no reply. The days of the little boy who stood looking up at him so hopefully flowed away like the water with an unbroken joyous monotony.
Contessina would have liked to take the child home with her to the farm. As he grew older she saw that he was lonely. And she would have liked nothing better than to have had him trotting around the farmyard with her baby daughter during the afternoons. But her diffident suggestions were firmly vetoed by the mother superior.
Several curious circumstances had combined both for good and for evil to keep the boy, who had arrived so mysteriously and inopportunely, confined to the cloister. Indeed, it was largely his own doing that he finally escaped at all and acquired a worldly name.
The first thing he could distinctly remember was seeing his own face in the fountain. Someone like himself had at last come to play with, him. He followed the "other boy" around and around the basin.
"Anthony," said one of the old nuns who had smiled and stopped to watch him in passing. So the boy in the fountain became "Anthony," his best, and for a while his only friend. The boy in the court watched the boy in the water and spent hours talking to him.
It was more successful than trying to talk to the bronze boy whose expression never changed. The lips of the boy in the water moved, and he laughed back at you. He was alive.
Presently when the child in the courtyard moved his own lips he said nothing aloud. "Anthony" in the pool was talking. Anthony in the court listened. And it was not long before he distinctly heard what the voice of the boy in the fountain had to say. They talked about everything. Their conversations continued for hours. They would even laugh together, a long rippling laughter.
The old nuns who sat in the court turning their breviaries or doing embroidery nudged each other and smiled. Their own conversation was always more subdued than that of the water. Unconsciously, in order to be heard, they had fallen into a lower register than the constant babble of the fountain. Occasionally the pigeons and the water accidentally harmonized like a musical accompaniment.
How long these talks by the fountain with the other boy went on it would be hard to tell. At last what Anthony had always fondly wished for occurred. The bronze boy joined in, too.