". . . and that's all I know and the rest is uncanny," he finally ended. A short silence ensued between them.
"An orphan, eh, and from the old place on the hill?" she said. He nodded dubiously.
"I'll have to sleep on it," he sighed rising. "I'm worn out, watching, and waiting for you. You can take your turn now at being a nurse again. For a lad this time."
"He'll be staying on in this room?" she asked, laying her hand on his arm so eagerly that he looked surprised.
"Yes," he said.
"Wait, then. 1'll mix some hot milk and wine for you. You'll need it."
He sat down again and waited while she crossed the big hall to the kitchen and returned. As he looked at the boy Mr. Bonnyfeather's satisfaction with his decision increased. His eyes travelled from the figure on the bed to the figure in the niche. He crossed himself and remained for some minutes in prayer.
Faith returned with the posset cup. He drank silently.
"You'll leave this light here?" she asked as he rose again. "Ill get some more candles. He's sleeping soundly enough now."
The old man nodded and left. A few seconds later she heard his door close. The woman took off her bonnet and gathering her wrap closer about her began her vigil.
The candles were still blazing brightly in Mr. Bonnyfeather's room. He looked about him with keen satisfaction. A certain pride and hauteur was visible in his countenance as he did so. If, when he entered the corridor which led to this retreat, he dropped the merchant and became the man; when he finally crossed the threshold of his own chamber and closed the door, a further transformation took place. He then, in his own mind at least, became a nobleman. Nor was this a mere aberration on his part. If Prince Charles Edward Stuart had only been able to pass on from Derby to London and had his father proclaimed at Westminster as well as at Holyrood, Mr. John Bonnyfeather, merchant, would have been the Marquis of Aberfoil. Since George and not James III or his son was now king, all that was left of the hypothetical Marquisate of Aberfoil was a proud memory in an old man's heart, and a room in a mouldering palace in Italy.
Unlike the other chambers in Mr. Bonnyfeather's immediate apartment, his own room had been originally part of the old building. It extended clear across the end of the ancient ballroom and had once been used as a retiring room. At one end there was an immense monumental fireplace where several hundred cupids went swarming through the Carrara helping themselves to several thousand bunches of gilded grapes. The fruit appeared to be dripping like gilded icicles from the mantelpiece itself. Just above this, propped out at a considerable angle to avoid a fat satyr carved on the chimney behind, was a large oil portrait of James II in periwig, sword, and very high-heeled shoes. It had been done at St.-Germain's in the latter days of the monarch when he had become a "healing saint." The lines by the nose were almost cavernous, the corners of the mouth turned down, and the eyes looked puzzled and weary. At the apartment before him, King James squinted with an implacably sullen and gloomy look. Nevertheless, the picture was cherished by Mr. Bonnyfeather. It had been given to his grandfather who had followed his king into exile.
On the mantel itself there was nothing but a handsomely wrought silver casket immediately below the portrait with a heavy candelabrum at either side. In these were exceptionally large wax candles that burned with a fine, clear light. In the mind of Mr. Bonnyfeather, here was the family hearth of his castle in Scotland. It, with the portrait, the casket, and the candles, had attained in his inherited affections and loyalties the status of a lay shrine. Nor was the shrine without its relics. In the casket before the picture reposed his grandfather's useless patent of nobility, a miniature of his daughter as a little girl, and an ivory crucifix. When Mr. Bonnyfeather prayed, as he still did occasionally, he placed the crucifix against the casket and knelt down on the hearth.
The rest of the room had somehow taken on the air of that chamber in nowhere that it actually was. It was furnished with a kind of blurred magnificence. In one corner there was a painted bed with a canopy over it. There had at one time even been a railing about it, but as this had caused amusement to the servants, Mr. Bonnyfeather had had it removed. Next to the bed was an immense wardrobe, the panelled doors of which led upward like a cliff to an urn on the top.
Seen from the door, set off by the gilded parallelogram of the base of the vanished railing, the bed and the wardrobe resembled nothing so much as a catafalque waiting beside the closed doors of a family tomb.
Certain lugubrious, and ludicrous, aspects of this bedroom had in early years impinged themselves even upon the mind of Mr. Bonnyfeather to whom it was home. For one thing a heaven full of adipose goddesses romping with cupids through a rack of plaster clouds had been ruthlessly scraped from the ceiling, and the oval, to which for some esoteric reason their sporting had been confined, had been painted a deep blue. As a consequence, at night the centre of the room seemed to rise into a dome. The walls which had once been the scene of dithyrambic landscapes had also been painted over. But this coat was now wearing thin and the original, wild pastoral vistas were faintly visible in outline and subdued colour as if seen through a light Scotch mist. The effect was to exaggerate greatly the size of the apartment. It was like looking in the morning into the vanishing dreams of the night before.
In this mysterious and all but mystical atmosphere, the old merchant nourished his dreams both of the past and of the future. In the daytime with the bright, Tuscan sun streaming through the high, oval windows, not unlike the portholes of some gargantuan ship, the place was warm, dimly green, with half-obliterated forests and cascades slumbering on the wall; glinting with old gilt, and withal cheerful. But with the descent of night all this was changed. The catafalque of the bed seemed to thrust itself forward. The dome rose into the ceiling again. King James glowered. And the family tomb in the cornet seemed waiting determinedly for John Bonnyfeather, the last of his race. It was not without a shudder that he could prevail upon himself to hang his breeches there after eight o'clock at night.
To offset the Jacobean melancholy that threatened to engulf the place at dusk, the old man had many years before covered the floor with a bright red, Turkey carpet. He set cheerful brass firedogs to ramping in the fireplace under piles of old ship timbers always ready to blaze merrily, and provided himself with several mirrors and an endless number of silver candlesticks, candelabra of noble proportions, and sconces. Since the death of his daughter he might be said to have developed a passion for light. Mr. Bonnyfeather's weekly consumption of candles would have furnished forth a requiem mass for a grandee of Spain. This room with its nightly illumination together with some fiery old port which produced the same result constituted the chief indulgences of his amiable soul.
Here he retired, laid aside his wig, and put on a velvet dressing gown. Here he pored over his accounts spread out on a huge teak-wood desk under a ship's lantern; planned out a profitable voyage for one of his several ships, or answered especially important correspondence. A large globe which he turned often, running his keen Scotch eye with a canny glance over many seas and lands, stood by the desk. There was a drawer for maps and charts. There were compasses and dividers apt to his hand, and down one side of the room a long bookcase was insufficient to hold his tomes. Atlases, almanacs, and port guides of recent dates had begun to accumulate in little towers along the floor.
To stand at the door, as he was doing now, and to run his eyes over the apartment with the candles burning, always had about it the elements of a cheerful surprise. The change from the dimly lit corridor was an abrupt one. A wash of silver light reflected by mirrors, sconces, and other silver objects flooded from the walls of the room. The George flashed on the breast of King James. The comfortable, large, gilt furniture and the books twinkled. Only in the corner the bed remained in mysterious shadow with his slippers beside it like two crouching cats.