I liked it better the way things were before. I liked it better when the feeling of a stone between my legs was more real than memory or love. One night I come home from work and open the door and step in and find the floor beneath my feet gone. I look up and the ceiling is gone. I look around and the walls are gone, far away I can see into the other rooms and halls and doors. Wade is there naked waiting for me like always, like always he has that look on his face. His thing is hard. We’re there hanging in the middle of nothing, everything’s vanished. I scream and he nods. I scream again and he keeps nodding.
22
WHEN MONA OPENED the door of her flat and stepped in, she found herself falling.
Wade employed the short, squat artist who transformed the halls of the Arboretum to paint Mona’s flat as what one would see if there were no walls, nor any walls beyond them, to the ends of the Arboretum. To paint the ceiling as what one would see if there was no ceiling, to the heights of the Arboretum. To paint the floor as what one would see if there was no floor, to the Arboretum’s depths. Now in Mona’s flat Wade could look in any direction and see to the far reaches of the Arboretum all the catacombs and corridors, the empty TV arcades and casinos and galleries and stages and bars and clubs, abandoned of borders and supports and people. Everything around and beneath Mona was gone, including the very door she’d just come through; all that was left, besides the furniture of Mona’s flat — a couple of chairs and a table, a broken-down vanity dresser — floating amid the beams of the neighborhood high above its cellars, was herself and Wade, naked and erect and strangely serene.
She held out her hands to catch herself but even the furniture implied treachery, as though she might grab a chair and the weight of it would only hasten the plunge to oblivion. So Mona felt she had no choice but to reach to Wade, who was there to take her; and when he took her the two of them became suspended in space, and the growl that came from Wade sounded as though it leaked through an abrasion in that space, perhaps the very sound of the rip itself. He entered her and she clung to him, and in the oblivion’s cold she let go of him, having decided long ago she would never let anyone keep her warm again. He continued with her until she reached down and yanked him out of her at the moment of his explosion. The white of his ejaculation danced in the air.
In the middle of the night Mona would lurch from unconsciousness, awakened by the sound and speed of her plummet. She would attach herself to the floor like a golden spider, riding it downward until she fell back to sleep.
Lying on his back with her face in his lap and her yellow hair in his fist, gazing up at his living map of the Arboretum, which is to say the universe of his dream, he could see the Vog. He watched it move through the passages of the Arboretum and billow across the terrain. It was the only thing he couldn’t eliminate from his vision, the only thing that didn’t defer to his elimination of walls and ceilings and floors; it was the uncontrolled thing of his dream and it moved where it wanted. Following it with his gaze, his eyes riding its untamed rampage, Wade became the greatest Vog Traveler of all, until there was nothing left for him but to rise and leap into its dense heart. When he did this, he hurled himself into his own blackness. He hurled himself into the ash of his own flesh, as though it were the black mouth of a volcano. Inside his blackness he heard the sound of years and chains. In his blackness he knew that it wasn’t a miracle Sally had said when she awoke that noon in the hotel room, it wasn’t a miracle she had said when the knife dropped from her hand. He knew it was a name, the name of both the man she had killed and the act of killing him; and it was a name he’d known forever, though he’d never heard it before. At that moment he knew a thousand nights in the Arboretum had stretched into one.
In the midst of his blackness, he couldn’t be sure when he’d stopped taking her and when she’d begun taking him, but it was sometime after he entered his blackness and found she’d been there all along, just like the other one and the name she’d spoken. He found her drinking it, his blackness; as he lay among the pillows and cushions of the flat, feeling himself grow as black as the Vog itself, his little blonde nymph mounted him and drew into her his every drop. On through the night she rode Wade into the distant vapor of his dream laced with her opium and cognac. Her head back and eyes shut, mouth parted with the tip of her tongue between her lips, she loosed a weird rattle from her depths that told him the darkness behind her closed eyes wasn’t his and the man she fucked wasn’t him. “Open your eyes!” he heard himself bellow at her, though he couldn’t be certain it came out as anything but a grunt or a squeak. When he climaxed, a luscious smile burst on her lips. It was a different smile than he’d ever seen from her before, a smile for all the orgasms of all the men she’d known because they were small deaths of those men, life pathetically blurting into her. “Open your eyes!” he demanded again, terror-stricken at how, in her submission to his will, her own blackness ravished his. But she didn’t open her eyes, and she rode him down and down into the dark.
Far away, when the Vog cleared, Wade could see the other man.
Wade looked past the walls of Mona’s flat into the Arboretum’s empty core, looked past all the empty catacombs and corridors and could see the sole figure of the other man sitting in the dark of Fleurs d’X watching his Mona. And when she returned from dancing he could tell she was no longer the simple vessel of Wade’s dream, she was no longer the transport of what Wade deposited in her, sloshing against the walls of her womb, but the vessel of another dream: it may have been the other man’s dream. It may have even been Mona’s dream, since the baby-teeth smile wasn’t so vacant anymore, its exquisite emptiness now marred by a meaning. When she smiled there was something else in the smile, a longing that was not Wade’s, the wriggling into Wade’s dream of an alien aspiration like a virus. It was more than intolerable, it was incomprehensible. It went on for many hours of the long Arboretum night until finally Wade put on the clothes he hadn’t worn in a long time and went to Fleurs d’X to see for himself.
As he sat at one of the tables to the side of the club, it took Wade a long time to remember where he’d seen the other man. In his mind Wade traveled down every corridor he’d ever walked in the Arboretum, peered into every chamber where he might have seen the man before. The short, squat painter had blotted out everything that ever happened to Wade outside and before the Arboretum, and if Wade hadn’t seen the other man just hours before smashing Mallory’s face in the alley and shoving the car over the cliffs into the sea, he never would have remembered. When it came to him, when he recognized the man with the black hair and the glasses as the archives clerk who had walked past Wade and Mallory in the lobby of Church Central, it was the biggest intrusion of all, the most unseemly of violations; at that moment Wade almost got up from his table and left the club. If he had, he thought later, Mona might still be with him. But he stayed and, as the minutes went by, his calm gradually became more and more frayed. His serenity was undone by the way the man watched Mona dance, by the way he smiled at Mona and the way she smiled back. When she smiled there was something in her little baby teeth that Wade had never seen all the times she smiled at him; there was a response in her smile to the way the man with the black hair and the thick glasses appeared so sad, the way he smiled at her so halfheartedly, the way he seemed lost and not there at all, his attention arrested time and again only by Mona’s fleeting lovely secrets. Then the man began to follow Mona from stage to stage as Wade had done the first night he watched her. Mona’s smile became more transformed, from dance to dance, by the sad man’s relentless audience. Only when Mona saw Wade sitting in the dark did her smile vanish, and it was then Wade knew he didn’t own her anymore.