"October 19th.—Nothing new. Yesterday over again."
"October 20th.—One piece of news. Midwinter is suffering from nervous headache; and is working in spite of it, to make time for his holiday with his friend."
"October 21st.—Midwinter is worse. Angry and wild and unapproachable, after two bad nights, and two uninterrupted days at his desk. Under any other circumstances he would take the warning and leave off. But nothing warns him now. He is still working as hard as ever, for Armadale's sake. How much longer will my patience last?"
"October 22d.—Signs, last night, that Midwinter is taxing his brains beyond what his brains will bear. When he did fall asleep, he was frightfully restless; groaning and talking and grinding his teeth. From some of the words I heard, he seemed at one time to be dreaming of his life when he was a boy, roaming the country with the dancing dogs. At another time he was back again with Armadale, imprisoned all night on the wrecked ship. Toward the early morning hours he grew quieter. I fell asleep; and, waking after a short interval, found myself alone. My first glance round showed me a light burning in Midwinter's dressing-room. I rose softly, and went to look at him.
"He was seated in the great, ugly, old-fashioned chair, which I ordered to be removed into the dressing-room out of the way when we first came here. His head lay back, and one of his hands hung listlessly over the arm of the chair. The other hand was on his lap. I stole a little nearer, and saw that exhaustion had overpowered him while he was either reading or writing, for there were books, pens, ink, and paper on the table before him. What had he got up to do secretly, at that hour of the morning? I looked closer at the papers on the table. They were all neatly folded (as he usually keeps them), with one exception; and that exception, lying open on the rest, was Mr. Brock's letter.
"I looked round at him again, after making this discovery, and then noticed for the first time another written paper, lying under the hand that rested on his lap. There was no moving it away without the risk of waking him. Part of the open manuscript, however, was not covered by his hand. I looked at it to see what he had secretly stolen away to read, besides Mr. Brock's letter; and made out enough to tell me that it was the Narrative of Armadale's Dream.
"That second discovery sent me back at once to my bed—with something serious to think of.
"Traveling through France, on our way to this place, Midwinter's shyness was conquered for once, by a very pleasant man—an Irish doctor—whom we met in the railway carriage, and who quite insisted on being friendly and sociable with us all through the day's journey. Finding that Midwinter was devoting himself to literary pursuits, our traveling companion warned him not to pass too many hours together at his desk. 'Your face tells me more than you think,' the doctor said: 'If you are ever tempted to overwork your brain, you will feel it sooner than most men. When you find your nerves playing you strange tricks, don't neglect the warning—drop your pen.'
"After my last night's discovery in the dressing-room, it looks as if Midwinter's nerves were beginning already to justify the doctor's opinion of them. If one of the tricks they are playing him is the trick of tormenting him again with his old superstitious terrors, there will be a change in our lives here before long. I shall wait curiously to see whether the conviction that we two are destined to bring fatal danger to Armadale takes possession of Midwinter's mind once more. If it does, I know what will happen. He will not stir a step toward helping his friend to find a crew for the yacht; and he will certainly refuse to sail with Armadale, or to let me sail with him, on the trial cruise."
"October 23d.—Mr. Brock's letter has, apparently, not lost its influence yet. Midwinter is working again to-day, and is as anxious as ever for the holiday-time that he is to pass with his friend.
"Two o'clock.—Armadale here as usual; eager to know when Midwinter will be at his service. No definite answer to be given to the question yet, seeing that it all depends on Midwinter's capacity to continue at his desk. Armadale sat down disappointed; he yawned, and put his great clumsy hands in his pockets. I took up a book. The brute didn't understand that I wanted to be left alone; he began again on the unendurable subject of Miss Milroy, and of all the fine things she was to have when he married her. Her own riding-horse; her own pony-carriage; her own beautiful little sitting-room upstairs at the great house, and so on. All that I might have had once Miss Milroy is to have now—if I let her."
"Six o'clock.—More of the everlasting Armadale! Half an hour since, Midwinter came in from his writing, giddy and exhausted. I had been pining all day for a little music, and I knew they were giving 'Norma' at the theater here. It struck me that an hour or two at the opera might do Midwinter good, as well as me; and I said: 'Why not take a box at the San Carlo to-night?' He answered, in a dull, uninterested manner, that he was not rich enough to take a box. Armadale was present, and flourished his well-filled purse in his usual insufferable way. 'I'm rich enough, old boy, and it comes to the same thing.' With those words he took up his hat, and trampled out on his great elephant's feet to get the box. I looked after him from the window as he went down the street. 'Your widow, with her twelve hundred a year,' I thought to myself, 'might take a box at the San Carlo whenever she pleased, without being beholden to anybody.' The empty-headed wretch whistled as he went his way to the theater, and tossed his loose silver magnificently to every beggar who ran after him."
"Midnight.—I am alone again at last. Have I nerve enough to write the history of this terrible evening, just as it has passed? I have nerve enough, at any rate, to turn to a new leaf, and try."
II. THE DIARY CONTINUED.
"We went to the San Carlo. Armadale's stupidity showed itself, even in such a simple matter as taking a box. He had confounded an opera with a play, and had chosen a box close to the stage, with the idea that one's chief object at a musical performance is to see the faces of the singers as plainly as possible! Fortunately for our ears, Bellini's lovely melodies are, for the most part, tenderly and delicately accompanied—or the orchestra might have deafened us.
"I sat back in the box at first, well out of sight; for it was impossible to be sure that some of my old friends of former days at Naples might not be in the theater. But the sweet music gradually tempted me out of my seclusion. I was so charmed and interested that I leaned forward without knowing it, and looked at the stage.
"I was made aware of my own imprudence by a discovery which, for the moment, literally chilled my blood. One of the singers, among the chorus of Druids, was looking at me while he sang with the rest. His head was disguised in the long white hair, and the lower part of his face was completely covered with the flowing white beard proper to the character. But the eyes with which he looked at me were the eyes of the one man on earth whom I have most reason to dread ever seeing again—Manuel!
"If it had not been for my smelling-bottle, I believe I should have lost my senses. As it was, I drew back again into the shadow. Even Armadale noticed the sudden change in me: he, as well as Midwinter, asked if I was ill. I said I felt the heat, but hoped I should be better presently; and then leaned back in the box, and tried to rally my courage. I succeeded in recovering self-possession enough to be able to look again at the stage (without showing myself) the next time the chorus appeared. There was the man again! But to my infinite relief he never looked toward our box a second time. This welcome indifference, on his part, helped to satisfy me that I had seen an extraordinary accidental resemblance, and nothing more. I still hold to this conclusion, after having had leisure to think; but my mind would be more completely at ease than it is if I had seen the rest of the man's face without the stage disguises that hid it from all investigation.