"When the curtain fell on the first act, there was a tiresome ballet to be performed (according to the absurd Italian custom), before the opera went on. Though I had got over my first fright, I had been far too seriously startled to feel comfortable in the theater. I dreaded all sorts of impossible accidents; and when Midwinter and Armadale put the question to me, I told them I was not well enough to stay through the rest of the performance.
"At the door of the theater Armadale proposed to say good-night. But Midwinter—evidently dreading the evening with me—asked him to come back to supper, if I had no objection. I said the necessary words, and we all three returned together to this house.
"Ten minutes' quiet in my own room (assisted by a little dose of eau-de-cologne and water) restored me to myself. I joined the men at the supper-table. They received my apologies for taking them away from the opera, with the complimentary assurance that I had not cost either of them the slightest sacrifice of his own pleasure. Midwinter declared that he was too completely worn out to care for anything but the two great blessings, unattainable at the theater, of quiet and fresh air. Armadale said—with an Englishman's exasperating pride in his own stupidity wherever a matter of art is concerned—that he couldn't make head or tail of the performance. The principal disappointment, he was good enough to add, was mine, for I evidently understood foreign music, and enjoyed it. Ladies generally did. His darling little Neelie—
"I was in no humor to be persecuted with his 'Darling Neelie' after what I had gone through at the theater. It might have been the irritated state of my nerves, or it might have been the eau-de-cologne flying to my head, but the bare mention of the girl seemed to set me in a flame. I tried to turn Armadale's attention in the direction of the supper-table. He was much obliged, but he had no appetite for more. I offered him wine next, the wine of the country, which is all that our poverty allows us to place on the table. He was much obliged again. The foreign wine was very little more to his taste than the foreign music; but he would take some because I asked him; and he would drink my health in the old-fashioned way, with his best wishes for the happy time when we should all meet again at Thorpe Ambrose, and when there would be a mistress to welcome me at the great house.
"Was he mad to persist in this way? No; his face answered for him. He was under the impression that he was making himself particularly agreeable to me.
"I looked at Midwinter. He might have seen some reason for interfering to change the conversation, if he had looked at me in return. But he sat silent in his chair, irritable and overworked, with his eyes on the ground, thinking.
"I got up and went to the window. Still impenetrable to a sense of his own clumsiness, Armadale followed me. If I had been strong enough to toss him out of the window into the sea, I should certainly have done it at that moment. Not being strong enough, I looked steadily at the view over the bay, and gave him a hint, the broadest and rudest I could think of, to go.
"'A lovely night for a walk,' I said, 'if you are tempted to walk back to the hotel.'
"I doubt if he heard me. At any rate, I produced no sort of effect on him. He stood staring sentimentally at the moonlight; and—there is really no other word to express it—blew a sigh. I felt a presentiment of what was coming, unless I stopped his mouth by speaking first.
"'With all your fondness for England,' I said, 'you must own that we have no such moonlight as that at home.'
"He looked at me vacantly, and blew another sigh.
"'I wonder whether it is fine to-night in England as it is here?' he said. 'I wonder whether my dear little girl at home is looking at the moonlight, and thinking of me?'
"I could endure it no longer. I flew out at him at last.
"'Good heavens, Mr. Armadale!' I exclaimed, 'is there only one subject worth mentioning, in the narrow little world you live in? I'm sick to death of Miss Milroy. Do pray talk of something else?'
"His great, broad, stupid face colored up to the roots of his hideous yellow hair. 'I beg your pardon,' he stammered, with a kind of sulky surprise. 'I didn't suppose—' He stopped confusedly, and looked from me to Midwinter. I understood what the look meant. 'I didn't suppose she could be jealous of Miss Milroy after marrying you!' That is what he would have said to Midwinter, if I had left them alone together in the room!
"As it was, Midwinter had heard us. Before I could speak again—before Armadale could add another word—he finished his friend's uncompleted sentence, in a tone that I now heard, and with a look that I now saw, for the first time.
"'You didn't suppose, Allan,' he said, 'that a lady's temper could be so easily provoked.'
"The first bitter word of irony, the first hard look of contempt, I had ever had from him! And Armadale the cause of it!
"My anger suddenly left me. Something came in its place which steadied me in an instant, and took me silently out of the room.
"I sat down alone in the bedroom. I had a few minutes of thought with myself, which I don't choose to put into words, even in these secret pages. I got up, and unlocked—never mind what. I went round to Midwinter's side of the bed, and took—no matter what I took. The last thing I did before I left the room was to look at my watch. It was half-past ten, Armadale's usual time for leaving us. I went back at once and joined the two men again.
"I approached Armadale good-humoredly, and said to him:
"No! On second thoughts. I won't put down what I said to him, or what I did afterward. I'm sick of Armadale! he turns up at every second word I write. I shall pass over what happened in the course of the next hour—the hour between half-past ten and half-past eleven—and take up my story again at the time when Armadale had left us. Can I tell what took place, as soon as our visitor's back was turned, between Midwinter and me in our own room? Why not pass over what happened, in that case as well as in the other? Why agitate myself by writing it down? I don't know! Why do I keep a diary at all? Why did the clever thief the other day (in the English newspaper) keep the very thing to convict him in the shape of a record of everything he stole? Why are we not perfectly reasonable in all that we do? Why am I not always on my guard and never inconsistent with myself, like a wicked character in a novel? Why? why? why?
"I don't care why! I must write down what happened between Midwinter and me to-night, because I must. There's a reason that nobody can answer—myself included."
* * * * * * *
"It was half-past eleven. Armadale had gone. I had put on my dressing-gown, and had just sat down to arrange my hair for the night, when I was surprised by a knock at the door, and Midwinter came in.
"He was frightfully pale. His eyes looked at me with a terrible despair in them. He never answered when I expressed my surprise at his coming in so much sooner than usual; he wouldn't even tell me, when I asked the question, if he was ill. Pointing peremptorily to the chair from which I had risen on his entering the room, he told me to sit down again; and then, after a moment, added these words: 'I have something serious to say to you.'
"I thought of what I had done—or, no, of what I had tried to do—in that interval between half-past ten and half-past eleven, which I have left unnoticed in my diary—and the deadly sickness of terror, which I never felt at the time, came upon me now. I sat down again, as I had been told, without speaking to Midwinter, and without looking at him.