But as he passed he caught a sentence spoken suddenly by Wethermill.
"Well, it is true; I must have money." And the agitated voice and words remained fixed in his memory. He heard, too, a warning "Hush!" from the maid. Then they passed out of his hearing. But he turned and saw that Wethermill was talking volubly. What Harry Wethermill was saying he was saying in a foolish burst of confidence.
"You have guessed it, Helene-you alone." He had mortgaged his patent twice over-once in France, once in England-and the second time had been a month ago. He had received a large sum down, which went to pay his pressing creditors. He had hoped to pay the sum back from a new invention.
"But Helene, I tell you," he said, "I have a conscience." And when she smiled he explained. "Oh, not what the priests would call a conscience; that I know. But none the less I have a conscience-a conscience about the things which really matter, at all events to me. There is a flaw in that new invention. It can be improved; I know that. But as yet I do not see how, and-I cannot help it-I must get it right; I cannot let it go imperfect when I know that it’s imperfect, when I know that it can be improved, when I am sure that I shall sooner or later hit upon the needed improvement. That is what I mean when I say I have a conscience."
Helena Vauquier smiled indulgently. Men were queer fish. Things which were really of no account troubled and perplexed them and gave them sleepless nights. But it was not for her to object, since it was one of these queer anomalies which was giving her her chance.
"And the people are finding out that you have sold your rights twice over," she said sympathetically. "That is a pity, monsieur."
"They know," he answered; "those in England know."
"And they are very angry?"
"They threaten me," said Wethermill. "They give me a month to restore the money. Otherwise there will be disgrace, imprisonment, penal servitude."
Helene Vauquier walked calmly on. No sign of the intense joy which she felt was visible in her face, and only a trace of it in her voice.
"Monsieur will, perhaps, meet me tomorrow in Geneva," she said. And she named a small cafe in a back street. "I can get a holiday for the afternoon." And as they were near to the villa and the lights, she walked on ahead.
Wethermill loitered behind. He had tried his luck at the tables and had failed. And-and-he must have the money.
He travelled, accordingly, the next day to Geneva, and was there presented to Adele Tace and Hippolyte.
"They are trusted friends of mine," said Helene Vauquier to Wethermill, who was not inspired to confidence by the sight of the young man with the big ears and the plastered hair. As a matter of fact, she had never met them before they came this year to Aix.
The Tace family, which consisted of Adele and her husband and Jeanne, her mother, were practised criminals. They had taken the house in Geneva deliberately in order to carry out some robberies from the great villas on the lake-side. But they had not been fortunate; and a description of Mme. Dauvray’s jewellery in the woman’s column of a Geneva newspaper had drawn Adele Tace over to Aix. She had set about the task of seducing Mme. Dauvray’s maid, and found a master, not an instrument.
In the small cafe on that afternoon of July Helene Vauquier instructed her accomplices, quietly and methodically, as though what she proposed was the most ordinary stroke of business. Once or twice subsequently Wethermill, who was the only safe go-between, went to the house in Geneva, altering his hair and wearing a moustache, to complete the arrangements. He maintained firmly at his trial that at none of these meetings was there any talk of murder.
"To be sure," said the judge, with a savage sarcasm. "In decent conversation there is always a reticence. Something is left to be understood."
And it is difficult to understand how murder could not have been an essential part of their plan, since-But let us see what happened.
CHAPTER XVI
On the Friday before the crime was committed Mme. Dauvray and Celia dined at the Villa des Fleurs. While they were drinking their coffee Harry Wethermill joined them. He stayed with them until Mme. Dauvray was ready to move, and then all three walked into the baccarat rooms together. But there, in the throng of people, they were separated.
Harry Wethermill was looking carefully after Celia, as a good lover should. He had, it seemed, no eyes for any one else; and it was not until a minute or two had passed that the girl herself noticed that Mme. Dauvray was not with them.
"We will find her easily," said Harry.
"Of course," replied Celia.
"There is, after all, no hurry," said Wethermill, with a laugh; "and perhaps she was not unwilling to leave us together."
Celia dimpled to a smile.
"Mme. Dauvray is kind to me," she said, with a very pretty timidity.
"And yet more kind to me," said Wethermill in a low voice which brought the blood into Celia’s cheeks.
But even while he spoke he soon caught sight of Mme. Dauvray standing by one of the tables; and near to her was Adele Tace. Adele had not yet made Mme. Dauvray’s acquaintance; that was evident. She was apparently unaware of her; but she was gradually edging towards her. Wethermill smiled, and Celia caught the smile.
"What is it?" she asked, and her head began to turn in the direction of Mme. Dauvray.
"Why, I like your frock-that’s all," said Wethermill at once; and Celia’s eyes went down to it.
"Do you?" she said, with a pleased smile. It was a dress of dark blue which suited her well. "I am glad. I think it is pretty." And they passed on.
Wethermill stayed by the girl’s side throughout the evening. Once again he saw Mme. Dauvray and Adele Tace. But now they were together; now they were talking. The first step had been taken. Adele Tace had scraped acquaintance with Mme. Dauvray. Celia saw them almost at the same moment.
"Oh, there is Mme. Dauvray," she cried, taking a step towards her.
Wethermill detained the girl.
"She seems quite happy," he said; and, indeed, Mme. Dauvray was talking volubly and with the utmost interest, the jewels sparkling about her neck. She raised her head, saw Celia, nodded to her affectionately, and then pointed her out to her companion. Adele Tace looked the girl over with interest and smiled contentedly. There was nothing to be feared from her. Her youth, her very daintiness, seemed to offer her as the easiest of victims.
"You see Mme. Dauvray does not want you," said Harry Wethermill. "Let us go and play chemin-de-fer"; and they did, moving off into one of the further rooms.
It was not until another hour had passed that Celia rose and went in search of Mme. Dauvray. She found her still talking earnestly to Adele Tace. Mme. Dauvray got up at once.
"Are you ready to go, dear?" she asked, and she turned to Adele Tace. "This is Celie, Mme. Rossignol," she said, and she spoke with a marked significance and a note of actual exultation in her voice.
Celia, however, was not unused to this tone. Mme. Dauvray was proud of her companion, and had a habit of showing her off, to the girl’s discomfort. The three women spoke a few words, and then Mme. Dauvray and Celia left the rooms and walked to the entrance-doors. But as they walked Celia became alarmed.
She was by nature extraordinarily sensitive to impressions. It was to that quick receptivity that the success of "The Great Fortinbras" had been chiefly due. She had a gift of rapid comprehension. It was not that she argued, or deducted, or inferred. But she felt. To take a metaphor from the work of the man she loved, she was a natural receiver. So now, although no word was spoken, she was aware that Mme. Dauvray was greatly excited-greatly disturbed; and she dreaded the reason of that excitement and disturbance.