“Mr. Rearden, did you walk from the mills by way of Edgewood Road, past Blacksmith Cove?”
“Yes. Why?”
“Did you happen to see a man anywhere around these parts, a stranger moving along in a hurry?”
“Where?”
“He’d be either on foot or in a battered wreck of a car that’s got a million-dollar motor.”
“What man?”
“A tall man with blond hair.”
“Who is he?”
“You wouldn’t believe it if I told you, Mr. Rearden. Did you see him?”
Rearden was not aware of his own questions, only of the astonishing fact that he was able to force sounds past some beating barrier inside his throat. He was looking straight at the policeman, but he felt as if the focus of his eyes had switched to his side vision, and what he saw most clearly was Danneskjold’s face watching him with no expression, with no line’s, no muscle’s worth of feeling. He saw Danneskjold’s arms hanging idly by his sides, the hands relaxed, with no sign of intention to reach for a weapon, leaving the tall, straight body defenseless and open—open as to a firing squad. He saw, in the light, that the face looked younger than he had thought and that the eyes were sky-blue.
He felt that his one danger would be to glance directly at Danneskjold—and he kept his eyes on the policeman, on the brass buttons of a blue uniform, but the object filling his consciousness, more forcefully than a visual perception, was Danneskjold’s body, the naked body under the clothes, the body that would be wiped out of existence. He did not hear his own words, because he kept hearing a single sentence in his mind, without context except the feeling that it was the only thing that mattered to him in the world: “If I should lose my life, to what better purpose could I give it?”
“Did you see him, Mr. Rearden?”
“No,” said Rearden. “I didn’t.”
The policeman shrugged regretfully and closed his hands about the steering wheel. “You didn’t see any man that looked suspicious?”
“No.”
“Nor any strange car passing you on the road?”
“No.”
The policeman reached for the starter. “They got word that he was seen ashore in these parts tonight, and they’ve thrown a dragnet over five counties. We’re not supposed to mention his name, not to scare the folks, but he’s a man whose head is worth three million dollars in rewards from all over the world.”
He had pressed the starter and the motor was churning the air with bright cracks of sound, when the second policeman leaned forward.
He had been looking at the blond hair under Danneskjold’s cap.
“Who is that, Mr. Rearden?” he asked.
“My new bodyguard,” said Rearden.
“Oh... ! A sensible precaution, Mr. Rearden, in times like these.
Good night, sir.”
The motor jerked forward. The red taillights of the car went shrinking down the road. Danneskjold watched it go, then glanced pointedly at Rearden’s right hand. Rearden realized that he had stood facing the policemen with his hand clutching the gun in his pocket and that he had been prepared to use it.
He opened his fingers and drew his hand out hastily. Danneskjold smiled. It was a smile of radiant amusement, the silent laughter of a clear, young spirit greeting a moment it was glad to have lived.
And although the two did not resemble each other, the smile made Rearden think of Francisco d’Anconia.
“You haven’t told a lie,” said Ragnar Danneskjold. “Your bodyguard—that’s what I am and what I’ll deserve to be, in many more ways than you can know at present. Thanks, Mr. Rearden, and so long—we’ll meet again much sooner than I had hoped.”
He was gone before Rearden could answer. He vanished beyond the stone fence, as abruptly and soundlessly as he had come. When Rearden turned to look through the farm field, there was no trace of him and no sign of movement anywhere in the darkness.
Rearden stood on the edge of an empty road in a spread of loneliness vaster than it had seemed before. Then he saw, lying at his feet, an object wrapped in burlap, with one corner exposed and glistening in the moonlight, the color of the pirate’s hair. He bent, picked it up and walked on.
Kip Chalmers swore as the train lurched and spilled his cocktail over the table top. He slumped forward, his elbow in the puddle, and said: “God damn these railroads! What’s the matter with their track?
You’d think with all the money they’ve got they’d disgorge a little, so we wouldn’t have to bump like farmers on a hay cart!”
His three companions did not take the trouble to answer. It was late, and they remained in the lounge merely because an effort was needed to retire to their compartments. The lights of the lounge looked like feeble portholes in a fog of cigarette smoke dank with the odor of alcohol. It was a private car, which Chalmers had demanded and obtained for his journey; it was attached to the end of the Comet and it swung like the tail of a nervous animal as the Comet coiled through the curves of the mountains.
“I’m going to campaign for the nationalization of the railroads,” said Kip Chalmers, glaring defiantly at a small, gray man who looked at him without interest. “That’s going to be my platform plank. I’ve got to have a platform plank. I don’t like Jim Taggart. He looks like a soft-boiled clam. To hell with the railroads! It’s time we took them over.”
“Go to bed,” said the man, “if you expect to look like anything human at the big rally tomorrow.”
“Do you think we’ll make it?”
“You’ve got to make it.”
“I know I’ve got to. But I don’t think we’ll get there on time. This goddamn snail of a super-special is hours late.”
“You’ve got to get there, Kip,” said the man ominously, in that stubborn monotone of the unthinking which asserts an end without concern for the means.
“God damn you, don’t you suppose I know it?”
Kip Chalmers had curly blond hair and a shapeless mouth. He came from a semi-wealthy, semi-distinguished family, but he sneered at wealth and distinction in a manner which implied that only a top rank aristocrat could permit himself such a degree of cynical indifference. He had graduated from a college which specialized in breeding that kind of aristocracy. The college had taught him that the purpose of ideas is to fool those who are stupid enough to think. He had made his way in Washington with the grace of a cat-burglar, climbing from bureau to bureau as from ledge to ledge of a crumbling structure. He was ranked as semi-powerful, but his manner made laymen mistake him for nothing less than Wesley Mouch.
For reasons of his own particular strategy, Kip Chalmers had decided to enter popular politics and to run for election as Legislator from California, though he knew nothing about that state except the movie industry and the beach clubs. His campaign manager had done the preliminary work, and Chalmers was now on his way to face his future constituents for the first time at an over publicized rally in San Francisco tomorrow night. The manager had wanted him to start a day earlier, but Charmers had stayed in Washington to attend a cocktail party and had taken the last train possible. He had shown no concern about the rally until this evening, when he noticed that the Comet was running six hours late.
His three companions did not mind his mood: they liked his liquor. Tester Tuck, his campaign manager, was a small, aging man with a face that looked as if it had once been punched in and had never rebounded. He was an attorney who, some generations earlier, would have represented shoplifters and people who stage accidents on the premises of rich corporations; now he found that he could do better by representing men like Kip Chalmers.
Laura Bradford was Chalmers’ current mistress; he liked her because his predecessor had been Wesley Mouch. She was a movie actress who had forced her way from competent featured player to incompetent star, not by means of sleeping with studio executives, but by taking the long-distance short cut of sleeping with bureaucrats. She talked economics, instead of glamor, for press interviews, in the belligerently righteous style of a third-rate tabloid; her economics consisted of the assertion that “we’ve got to help the poor.”