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“You poor thing!”

Briony’s compassion made Lola’s eyes fill, and her voice went husky.

“Everybody thinks they’re angels just because they look alike, but they’re little brutes.”

She held back a sob, seeming to bite it down with a tremor along her jaw, and then inhaled deeply several times through flared nostrils. Briony took her hand and thought she could see how one might begin to love Lola. Then she went to her chest of drawers and took out a hankie, unfolded it and gave it to her. Lola was about to use it, but the sight of its gaily printed motif of cowgirls and lariats caused her to give out a gentle hooting sound on a rising note, the kind of noise children make to imitate ghosts. Downstairs the doorbell rang, and moments later, just discernible, the rapid tick of high heels on the tiled floor of the hallway. It would be Robbie, and Cecilia was going to the door herself. Worried that Lola’s crying could be heard downstairs, Briony got to her feet again and pushed the bedroom door closed. Her cousin’s distress produced in her a state of restlessness, an agitation that was close to joy. She went back to the bed and put her arm round Lola who raised her hands to her face and began to cry. That a girl so brittle and domineering should be brought this low by a couple of nine-year-old boys seemed wondrous to Briony, and it gave her a sense of her own power. It was what lay behind this near-joyful feeling. Perhaps she was not as weak as she always assumed; finally, you had to measure yourself by other people—there really was nothing else. Every now and then, quite unintentionally, someone taught you something about yourself. At a loss for words, she gently rubbed her cousin’s shoulder and reflected that Jackson and Pierrot alone could not be responsible for such grief; she remembered there was other sorrow in Lola’s life. The family home in the north—Briony imagined streets of blackened mills, and grim men trudging to work with sandwiches in tin boxes. The Quincey home was closed up and might never open again. Lola was beginning to recover. Briony asked softly, “What happened?”

The older girl blew her nose and thought for a moment. “I was getting ready for a bath. They came bursting in and pounced on me. They got me down on the floor . . .” At this memory she paused to fight another rising sob.

“But why would they do that?”

She took a deep breath and composed herself. She stared unseeingly across the room. “They want to go home. I said they couldn’t. They think I’m the one who’s keeping them here.”

The twins unreasonably venting their frustration on their sister—all this made sense to Briony. But what was troubling her organized spirit now was the thought that soon the call would come to go downstairs and her cousin would need to be in possession of herself.

“They just don’t understand,” Briony said wisely as she went to the handbasin and filled it with hot water. “They’re just little kids who’ve taken a bad knock.”

Full of sadness, Lola lowered her head and nodded in such a way that Briony felt a rush of tenderness for her. She guided Lola to the basin and put a flannel in her hands. And then, from a mixture of motives—a practical need to change the subject, the desire to share a secret and show the older girl that she too had worldly experiences, but above all because she warmed to Lola and wanted to draw her closer—Briony told her about meeting Robbie on the bridge, and the letter, and how she had opened it, and what was in it. Rather than say the word out loud, which was unthinkable, she spelled it out for her, backward. The effect on Lola was gratifying. She raised her dripping face from the basin and let her mouth fall open. Briony passed her a towel. Some seconds passed while Lola pretended to find her words. She was hamming it up a bit, but that was fine, and so was her hoarse whisper.

“Thinking about it all the time?”

Briony nodded and faced away, as though grappling with tragedy. She could learn to be a little more expressive from her cousin whose turn it now was to put a comforting hand on Briony’s shoulder.

“How appalling for you. The man’s a maniac.”

A maniac. The word had refinement, and the weight of medical diagnosis. All these years she had known him and that was what he had been. When she was little he used to carry her on his back and pretend to be a beast. She had been alone with him many times at the swimming hole where he taught her one summer how to tread water and do the breaststroke. Now his condition was named she felt a certain consolation, though the mystery of the fountain episode deepened. She had already decided not to tell that story, suspecting that the explanation was simple and that it would be better not to expose her ignorance.

“What’s your sister going to do?”

“I just don’t know.” Again, she did not mention that she dreaded her next meeting with Cecilia.

“D’you know, on our first afternoon I thought he was a monster when I heard him shouting at the twins by the swimming pool.”

Briony tried to recall similar moments when the symptoms of mania might have been observed. She said, “He’s always pretended to be rather nice. He’s deceived us for years.”

The change of subject had worked the trick, for the area around Lola’s eyes which had been inflamed was freckly and pale once more and she was very much her old self. She took Briony’s hand. “I think the police should know about him.”

The constable in the village was a kindly man with a waxed mustache whose wife kept hens and delivered fresh eggs on her bicycle. Communicating the letter and its word, even spelling it out backward for him, was inconceivable. She went to move her hand away but Lola tightened her grip and seemed to read the younger girl’s mind.

“We just need to show them the letter.”

“She might not agree to it.”

“I bet she will. Maniacs can attack anyone.”

Lola looked suddenly thoughtful and seemed about to tell her cousin something new. But instead she sprang away and took up Briony’s hairbrush and stood in front of the mirror vigorously brushing out her hair. She had barely started when they heard Mrs. Tallis calling them down to dinner. Lola was immediately petulant, and Briony assumed that these rapid changes of mood were part of her recent upset.

“It’s hopeless. I’m nowhere near ready,” she said, close to tears again. “I haven’t even started on my face.”

“I’ll go down now,” Briony soothed her. “I’ll tell them you’ll be a little while yet.” But Lola was already on her way out the room and did not seem to hear. After Briony tidied her hair she remained in front of the mirror, studying her own face, wondering what she might do when she came to “start” on it, which she knew she must one day soon. Another demand on her time. At least she had no freckles to conceal or soften, and that surely saved labor. Long ago, at the age of ten, she decided that lipstick made her seem clownish. That notion was due for revision. But not yet, when there was so much else to consider. She stood by the desk and absently replaced the top of her fountain pen. Writing a story was a hopeless, puny enterprise when such powerful and chaotic forces were turning about her, and when all day long successive events had absorbed or transformed what had gone before. There was an old lady who swallowed a fly. She wondered whether she had made a terrible mistake by confiding in her cousin—Cecilia would hardly be pleased if excitable Lola started flaunting her knowledge of Robbie’s note. And how was it possible to go downstairs now and be at table with a maniac? If the police made an arrest, she, Briony, might be made to appear in court, and say the word aloud, in proof. Reluctantly, she left her room and made her way along the gloomy paneled corridor to the head of the stairs where she paused to listen. The voices were still in the drawing room—she heard her mother’s and Mr. Marshall’s, and then, separately, the twins talking to each other. No Cecilia then, no maniac. Briony felt her heart rate rise as she began her unwilling descent. Her life had ceased to be simple. Only three days ago she was finishing off The Trials of Arabella and waiting for her cousins. She had wanted everything to be different, and here it was; and not only was it bad, it was about to get worse. She stopped again on the first landing to consolidate a scheme; she would keep well clear of her skittish cousin, not even catch her eye—she could not afford to be drawn into a conspiracy, nor did she wish to prompt a disastrous outburst. And Cecilia, whom she ought to protect, she dared not go near. Robbie, obviously, she should avoid for safety’s sake. Her mother with her fussing would not be helpful. It would be impossible to think straight in her presence. It was the twins she should go for—they would be her refuge. She would stay close and look after them. These summer dinners always started so late—it was past ten o’clock—and the boys would be tired. And otherwise she should be sociable with Mr. Marshall and ask him about sweets—who thought them up, how they got made. It was a coward’s plan but she could think of no other. With dinner about to be served, this was hardly the moment to be summoning P.C. Vockins from the village. She continued down the stairs. She should have advised Lola to change in order to conceal the scratch on her arm. Being asked about it might start her crying again. But then, it would probably have been impossible to talk her out of a dress that made it so difficult to walk. Attaining adulthood was all about the eager acceptance of such impediments. She herself was taking them on. It wasn’t her scratch, but she felt responsible for it, and for everything that was about to happen. When her father was home, the household settled around a fixed point. He organized nothing, he didn’t go about the house worrying on other people’s behalf, he rarely told anyone what to do—in fact, he mostly sat in the library. But his presence imposed order and allowed freedom. Burdens were lifted. When he was there, it no longer mattered that her mother retreated to her bedroom; it was enough that he was downstairs with a book on his lap. When he took his place at the dining table, calm, affable, utterly certain, a crisis in the kitchen became no more than a humorous sketch; without him, it was a drama that clutched the heart. He knew most things worth knowing, and when he didn’t know, he had a good idea which authority to consult, and would take her into the library to help him find it. If he had not been, as he described it, a slave to the Ministry, and to Eventuality Planning, if he had been at home, sending Hardman down for the wines, steering the conversation, deciding without appearing to when it was time to “go through,” she would not be crossing the hallway now with such heaviness in her step. It was these thoughts of him that made her slow as she passed the library door which, unusually, was closed. She stopped to listen. From the kitchen, the chink of metal against porcelain, from the drawing room her mother talking softly, and closer by, one of the twins saying in a high, clear voice, “It’s got a u in it, actually,” and his brother replying, “I don’t care. Put it in the envelope.” And then, from behind the library door, a scraping noise followed by a thump and a murmur that could have been a man’s or a woman’s. In memory—and Briony later gave this matter some thought—she had no particular expectations as she placed her hand on the brass handle and turned it. But she had seen Robbie’s letter, she had cast herself as her sister’s protector, and she had been instructed by her cousin: what she saw must have been shaped in part by what she already knew, or believed she knew. At first, when she pushed open the door and stepped in, she saw nothing at all. The only light was from a single green-glass desk lamp which illuminated little more than the tooled leather surface on which it stood. When she took another few steps she saw them, dark shapes in the furthest corner. Though they were immobile, her immediate understanding was that she had interrupted an attack, a hand-to-hand fight. The scene was so entirely a realization of her worst fears that she sensed that her overanxious imagination had projected the figures onto the packed spines of books. This illusion, or hope of one, was dispelled as her eyes adjusted to the gloom. No one moved. Briony stared past Robbie’s shoulder into the terrified eyes of her sister. He had turned to look back at the intruder, but he did not let Cecilia go. He had pushed his body against hers, pushing her dress right up above her knee and had trapped her where the shelves met at right angles. His left hand was behind her neck, gripping her hair, and with his right he held her forearm which was raised in protest, or self-defense. He looked so huge and wild, and Cecilia with her bare shoulders and thin arms so frail that Briony had no idea what she could achieve as she started to go toward them. She wanted to shout, but she could not catch her breath, and her tongue was slow and heavy. Robbie moved in such a way that her view of her sister was completely obscured. Then Cecilia was struggling free, and he was letting her go. Briony stopped and said her sister’s name. When she pushed past Briony there was no sign in Cecilia of gratitude or relief. Her face was expressionless, almost composed, and she looked right ahead to the door she was about to leave by. Then she was gone, and Briony was left alone with him. He too would not meet her eye. Instead he faced into the corner, and busied himself straightening his jacket and arranging his tie. Warily, she moved backward away from him, but he made no move to attack her, and did not even look up. So she turned and ran from the room to find Cecilia. But the hallway was empty, and it was not clear which way she had gone.