Her laughter-the laughter of a beautiful woman whose charms, to him, have grown to mythic proportions-is highly contagious. She can see this clearly enough. (Whatever else is fake, his obsession for her is authentic, or she really has lost her knack for reading men.) He joins her on the sofa, where she is still laughing from deep in her gut, an abandoned belly laugh. “You know, once he turned the TV off because it was showing two dogs fucking?” That really sets her off. She winds up on the floor helpless for a full five minutes. But is it true? What are they both laughing at, exactly-theater or reality? Perhaps the contradictions are deliberate after all, to see if she would play this game by his strange rules. For a moment she thinks she understands: this is a variant of a kind of sex play common in men who visit whores: her function is to enter into some long-suppressed world of childhood, which is the only place he feels alive. As if to confirm her suspicions, he begins an extraordinary and hilarious five minutes when he mimicks brilliantly every TV personality whom she names.
In the middle of the hilarity, he suddenly stops laughing. She has not seen this before, although it will recur with greater frequency from now on: a hole has suddenly opened up somewhere in his mind, he is swallowing nervously, and his face is racked with some complex emotion, whether guilt or resentment or plain old fear is hard to say, and he gives no explanation. Perhaps he is unaware of his own change of mood? She reaches to his glass on the coffee table and hands it to him. He drinks greedily, finishing the glass. Within seconds the hilarity is back. She steers clear of dangerous themes and lets him undress her. She makes a note never to ask about his parents again.
What exactly is his attraction for her, outside of the belly laughs and the sex marathons? Why does she put up with him when she could get the same money from a hundred other johns? Any whore would understand: this strange man has shared his complexity with her. In a career that has already spanned nearly ten years, all she has known of men is the oversimplified commercial transaction, a pasteurized, time-limited congress uniquely appropriate for the modern West if only they would change their hypocritical laws. The way she sees it, Mitch Turner is her real introduction to Saharat Amerika. Maybe it is love that brings a smile to her face when he stands in front of the mirror, admiring his triceps and worrying that he isn’t going to the gym often enough anymore. In a handsome man this vanity might be embarrassing, but in him it’s a form of charm. Like a woman, he is constantly working on improvements. For a long time he has been planning an epic tattoo on his back but cannot find the right body artist here in the States, where most tats are so lurid. Next time he goes to Japan, he’ll seek out the best. Japanese tattoos-horimonos-are a genuine form of art and can be quite exquisite. Maybe one day he will summon up the courage to spend a month in Japan to undergo a full-body horimono.
On her one and only visit to his apartment (his personal sense of security is extreme) she finds that it is exactly a reflection of him. At first glance everything seems to be under control, all items in their proper places, as if his ménage is permanently in a state of combat readiness; then she finds the gigantic terrarium full of big, hairy, and exotic spiders, and his bedroom walls covered with photographs of naked Oriental women elaborately tattooed. The porn doesn’t bother her half as much as the spiders. Is this a normal hobby for a grown farang?
One evening, when she is in a somewhat hostile mood toward men (a spot of trouble at the sauna bath, which drew a reprimand from Samson Yip), she breaks her own rule and confronts him with the most glaring of his contradictions so far:
“Mitch, just level with Chanya for a minute. Your father was a senator, or he left you all when you were young, or he died in a traffic pileup when you were twelve?”
There’s no doubting the speed of his mind: “It’s all true. The man I call my father, the senator, was actually my stepfather, who my mother married after Dad deserted. Dad did abandon us when we were all young, and he did die in a traffic pileup when I was twelve-but none of us had seen him for more than eight years by that time.”
“And your mom: a Baptist from Texas or a Catholic from Chicago?”
“Mom? Well, she was both. She was born a Catholic in Chicago, but when she married the senator she converted. That was the one stipulation he made-after all, he was giving her one big leg up the social ladder by marrying her.”
“And your beloved sister Alice?”
A cloud passes quickly over Turner’s face as he changes the subject. “Want to know about my childhood, really? It was hell, as simple as that. Hell as in the kind of deliberate, planned, petty-minded torture of a concentration camp. Why have you brought this up? You know it upsets me.”
“Okay, okay. Why you study Japanese?”
The question brings another furrow to his brow. He does not answer for quite some time. She thinks he is wrestling with another of his astonishing and very Western demons and waits in anticipation. Finally he says it: “An old World War II vet introduced me to Japanese pornography.” She gasps in astonishment. He explains.
Then as now the Japs were way in advance of the West in this important industry, and by the age of thirteen, thanks to the vet, Mitch Turner was already a connoisseur of the genre. He and his best buddy kept a virtual library of mail-order magazines from all over the world. It took Mitch and his pal a month of intense analytical research to confirm empirically that Japanese quality control won the day, in porn as in so many other industries. You could practically feel the quality of the girls’ flesh, almost hear the moans, just by looking at the magazines. When they got into video, the difference was even more obvious. With their very artistic tattoos, the highly inventive situations so far in advance of the women-in-school-uniform cliché of the Western model, the sheer variety of the S &M, you could see why the Jap economy was doing so well. Turner saw futon after futon occupied by naked and artfully tattooed young women, all the way from Fukuoka to Sapporo.
“So why you join the-ah-thing you joined, the Company?”
Mitch Turner suddenly grins: “They wanted spies who were fluent in Japanese. At the time there was concern the Japs were stealing American industrial secrets in a government-sponsored program. And I’m a genius at passing exams, so I got through the recruitment stuff no problem.” A condescending smile: “I have a photographic memory and an IQ of a hundred sixty-five-genius level.”
“So you can be anyone you want?” She is aware how provocative this question might be and deliberately locks eyes with him, in a kind of challenge. She watches his confusion carefully, until he seems to decide on a new direction. With a thoroughly convincing beam: “You know, I don’t think I could live without you, now that I’ve found you. You’re the only woman in the world who has ever understood me.”
But the alcohol is wearing off, Mitch Turner’s metamorphosis is going into reverse, and soon the guilt and the responsibility will claim him all over again. Chanya thinks there is time for one last innocent question: “So you screwed your brains out while you were in Japan?”
Too late, the chemical reaction has reversed itself, the impermeable Outer Layer is creeping over him like rust, protecting that bizarre inner core from further oxidation. “No, I didn’t.”
“Why not?”
A shrug in which there is more than a little contempt all of a sudden, even revulsion. “There are better things to do during your short time on earth, Chanya. I hope you’ll see that someday. I do wish you would read that Bible I gave you. How much do I owe you for today’s massage?”
She has grown used to it. At the end of every session, even when they have spent the night together, he will suddenly pretend that he hired her for a simple no-sex massage and insist on paying her whatever she asks. She has learned to play up.