“I’d have it no other way.”
On the evening of their arrival, she’d received on her mobile the call that she’d been awaiting. She answered as she’d been answering every call for the last twenty-four hours, just for the practice. She’d said, “Deborah St. James Photography,” and she’d nodded to Simon when the caller identified himself as Nicholas Fairclough. It hadn’t taken long to make the arrangements: He was willing to meet with her and discuss the project that she had phoned about. He’d said, “But this documentary… it’s not about me, is it? At least not about my private life.” She’d assured him that it was only about the project he had developed for recovering addicts. It would be a preliminary interview, she told him. She would give a report to a filmmaker from Query Productions, who would ultimately make the decision regarding the project’s inclusion in his documentary. “This is purely on spec,” she told him. She liked this jargon. Anything to make her seem like the genuine article to this man. “I’ve no idea if you’d actually be in the film at the end of the day, you understand.” This seemed to relieve him. He sounded quite buoyant when he said, “Right, then. When shall we meet?”
She was readying herself for that meeting now. Simon was on his mobile with the coroner, spinning his own tale about a lecture he would be giving to a class at University College, London. He was, she was finding, far more glib than she. This surprised her, for while he had always been the most confident of men and his credentials were impressive enough to make him confident, his confidence had always seemed to be connected to his relationship with the truth. That he could dissemble so well gave her pause. One didn’t like to know one’s husband was quite so adept at lying when he had to.
Her own mobile rang as she was gathering her things. She looked at the number and recognised it. No need to be Deborah St. James Photography at the moment. The caller was Simon’s brother David.
She knew at once why David was ringing her. She was more or less ready for the call.
“Just thought I’d answer any questions you might have,” was how David brought up the subject. His voice had that encouraging ring to it, jollying her along. “The girl’s quite keen to meet you, Deborah. She’s had a look at your website: the photos and all that. Simon said you were worrying a bit about the London placement since she lives here in Southampton. I daresay she wouldn’t have considered it, but she knows Simon’s my brother, and her father’s worked at the company here for a good twenty years. Part of the accounting department,” he added hastily. That was synonymous with she’s from a good family, as if he felt that the girl’s having a dockworker as a father would constitute the possession of tainted blood.
They wanted her to decide. Deborah understood this. David and Simon both saw the situation as the perfect solution to a problem having gone on for years. They were both the sort of man who takes each difficulty in life as it comes up and deals with it as soon as possible and just as efficiently. Neither of them was like her, projecting into the future and seeing how complicated and potentially heartbreaking was the scenario they were proposing.
She said, “David, I just don’t know. I don’t think it would work. I can’t see how— ”
“Are you saying no?”
That was another one of the problems. Saying no meant no. Asking for more time meant not taking a position. Why on earth, Deborah wondered, could she not take a definite position on this matter? Last chance and only chance seemed like the reasons, but she was still frozen in place, unwilling to speak.
She said she’d ring him back. At the moment, she had to set off for Arnside. A heavy sigh at his end told her he wasn’t happy with this, but he rang off. Simon said nothing, although he’d obviously heard her side of the call as he’d finished with his own. They parted at the sides of their respective hire cars, wishing each other luck.
Deborah’s drive was the lesser one. Nicholas Fairclough lived just on the far outskirts of the village of Arnside, and Arnside was southwest of Milnthorpe, a short distance along the side of a muddy flat of sand that gave onto the Kent Channel. There were fishermen here, positioned along the road and down the bank, although Deborah couldn’t tell exactly where they were fishing. From the car, it didn’t look as if there was any water in the mud flat at all. She could see, however, where the shifting tide from Morecambe Bay had scoured out depressions in the sand, creating banks and drops that suggested danger.
Arnside House was the name of Nicholas Fairclough’s property. It sat at the end of the Promenade, an impressive display of Victorian mansions that had no doubt at one time served as the summer homes of industrialists from Manchester, Liverpool, and Lancaster. Most of these were stately-looking conversions now: flats possessing unimpeded views of the channel, of the railway viaduct that stretched across the water towards Grange-over-Sands, and of Grange-over-Sands itself, just visible today through a mild autumn mist.
Unlike the mansions that preceded it, Arnside House was an unadorned structure, utterly plain and whitewashed over a roughcast exterior that was itself a finishing surface over what was undoubtedly stone or brick. Its windows featured unpainted sandstone surrounds, and its many gables displayed rounded chimneys whitewashed like the rest of the building. Only the rainwater heads were other than plain, and these were highly stylised in a design Deborah recognised as Arts and Crafts. Shades of Charles Rennie Mackintosh, she thought. Once inside the structure, however, she discovered a whimsical blend of everything from the medieval to the modern.
Nicholas Fairclough answered the door. He admitted her into an oak-panelled entrance hall whose marble floor was detailed in a pattern of diamonds, circles, and squares. He took her coat from her and led her down an uncarpeted corridor and past a large room having the look of a medieval banqueting hall, complete with minstrels’ gallery above a fireplace inglenook. This hall was something of a wreck as far as Deborah could tell, and as if in explanation of this, Nicholas Fairclough said, “We’re restoring the old pile bit by bit. That’s going to be last, I’m afraid, as we need to find someone who can cope with the most astounding wallpaper. Peacocks and Petunias, I call it. Peacocks is accurate but I can’t swear to the other. Here, we can talk in the drawing room.”
This was sunshine yellow with a white plaster frieze of hawthorn berries, birds, leaves, roses, and acorns. In any other room, this elaborate decoration would have been the main feature, but the drawing room’s fireplace served as a remarkable focal point of bright turquoise tiles and a hearth that duplicated the diamonds, circles, and squares of the entrance. A fire was burning here and although the fireplace— like the one in the great hall— formed part of an inglenook with bench seats, bookshelves, and stained glass windows, Nicholas motioned Deborah to one of two low-slung chairs in one of the bay windows from which they had a view of the water. A table stood between the chairs, a coffee service and three cups on it, along with a fan of magazines.
“I wanted to speak to you for a moment before I fetch my wife,” Nicholas said. “I must tell you that I’m completely on board with talking to you and with having the project featured in this film if it comes to it. But Allie’s going to take some convincing. I thought I’d give you a heads-up.”
“I see. Can you give me some idea…?”
“She’s rather private,” he said. “She’s from Argentina and she’s self-conscious about her English. Frankly, I think she speaks it perfectly well, but there you have it. Plus…” He tipped his fingers beneath his chin and looked thoughtful for a moment before saying, “She’s protective of me, as well. There’s that.”