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In the kitchen I could hear the children and their young nanny. I looked in on them and took some orange juice while standing up. I tried to join in the game they were playing but they yelled derision at my efforts, for I'd not understood that all answers must be given in Red Indian dialect. I blew them kisses that they didn't acknowledge and, wrapped into my sheepskin car coat, went down into the street to spend fifteen minutes getting the car to start.

Sleet was falling as I reached the worst traffic jams, and Dicky Cruyer had parked his big Jag carelessly enough to make it a tight squeeze to get into my allotted space in the underground garage. Don't complain, Samson, you're lucky to have a space at all; Dicky – not having fully mastered the technique of steering – really needs two.

I spent half an hour on the phone asking when my new car was going to be delivered, but got no clear answer beyond the fact that delivery dates were unreliable. I looked at the clock and decided to call Fiona's extension. Her secretary said, 'Mrs Samson had an out-of-town meeting this morning.'

'Oh, yes – she mentioned it, I think,' I said.

Her secretary knew I was trying to save face; secretaries always guess right about that kind of thing. Her voice became especially friendly as if to compensate for Fiona's oversight. 'Mrs Samson said she'd be late back. But she'll phone me some time this morning for messages. She always does that. I'll tell her you called. Was there any message, Mr Samson?'

Was her secretary a party to whatever was going on, I wondered. Was it one of those affairs that women liked to discuss very seriously or was it recounted with laughter as Fiona had recounted to me some of her teenage romances? Or was Fiona the sort of delinquent wife who confided in no one? That would be her style, I decided. No one would ever own Fiona; she was fond of saying that. There was always a part of her that was kept secret from all the world.

'Can I give your wife a message, Mr Samson?' her secretary asked again.

'No,' I said. 'Just tell her I called.'

Bret Rensselaer liked to describe himself as a 'workaholic'. That this description was a tired old cliché didn't deter him from using it. He liked clichés. They were, he said, the best way to get simple ideas into the heads of idiots. But his description of himself was accurate enough; he liked work. He'd inherited a house in the Virgin Islands and a portfolio of stock that would keep him idling in the sun for the rest of his days, if that was his inclination. But he was always at his desk by 8.30 and had never been known to have a day off for sickness. A day off for other reasons was not unusuaclass="underline" Easter at Le Touquet, Whitsun at Deauville, the Royal Enclosure in June and the Dublin Horse Show in August were appointments marked in red pencil on Bret's year-planner.

Needless to say, Rensselaer had never served as a field agent. His only service experience was a couple of years in the US Navy in the days when his father was still hoping he'd take over the family-owned bank.

Bret had spent his life in swivel chairs, arguing with dictating machines and smiling for committees. His muscles had come from lifting barbells, and jogging around the lawn of his Thamesside mansion. And one look at him would suggest that it was a good way to get them, for Bret had grown old gracefully. His face was tanned in that very even way that comes from sun reflected off the Pulverschnee that only falls on very expensive ski resorts. His fair hair was changing almost imperceptibly to white. And the spectacles that he now required for reading were styled like those that California highway patrolmen hang in their pocket flap while writing you a ticket.

'Bad news, Bret,' I told him as soon as he could fit me into his schedule. 'Giles Trent is coming in this morning to tell us just what he's been spilling to the Russians.'

Bret didn't jump up and start doing press-ups as he was said to have done when Dicky brought him the news that his wife had walked out on him. 'Tell me more,' he said calmly.

I told him about my visit to Kar's Club and overhearing the conversation, and that I'd suggested that Trent report it all to us. I didn't say why I'd visited Kar's Club or mention anything about Tessa.

He listened to my story without interrupting me, but he got to his feet and spent a little time checking through his paperclip collection while he listened.

'Three Russians. Where were the other two?'

'Sitting in the corner, playing chess with two fingers, and saying nothing to anyone.'

'Sure they were part of it?'

'A KGB hit team,' I said. They weren't difficult to spot – cheap Moscow suits and square-toed shoes, sitting silent because their English isn't good enough for anything more than buying a cup of coffee. They were there in case the flashy one needed them. They work in threes.'

'Is there a Chlestakov on the Diplomatic List?'

'No, I invented that part of my story for Trent. But this one was a KGB man – expensive clothes but no rings. Did you ever notice the way those KGB people never buy rings in the West? Rings leave marks on the fingers that might have to be explained when they are called back home, you see.'

'But you said that in the club members' book they are all described as Hungarians. Are you sure they are Russians?'

'They didn't do a Cossack dance or play balalaikas,' I said, 'but that's only because they didn't think of it. This fat little guy Chlestakov – a phoney name, of course – was calling Trent "tovarisch". Tovarisch! Jesus, I haven't heard anyone say that since the TV reruns of those old Garbo films.'

Bret Rensselaer took off his glasses and fiddled with them. 'The Russian guy said, "This is just a crazy idea that comes into my head. Take everything down to the photocopying shop in Baker Street…"?'

I finished it for him: ' "… the same place you got the previous lot done." Yes, that's what he said, Bret.'

'He must be crazy saying that in a place where he could be overheard.'

'That's it, Bret,' I said, trying not to be too sarcastic. 'Like the man said, he's a KGB man who acts upon a crazy idea as soon as it comes into his head.'

Bret was toying with his spectacles as if encountering the technology of the hinge for the first time. 'What's eating you?' he said without looking up at me.

'Come on, Bret,' I said. 'Did you ever hear of a Russian making a snap decision about anything? Did you ever hear of a KGB man acting on a crazy idea that just came into his head?'

Bret smiled uneasily but didn't answer.

'All the KGB people I ever encounter have certain well-engrained Russian characteristics, Bret. They are very slow, very devious and very very thorough.'

Bret put his wire-frame glasses into their case and leaned back to take a good look at me. 'You want to tell me what the hell you're getting at?'

'They did everything except sing the "Internationale", Bret,' I said. 'And it wasn't Trent who did anything indiscreet. He played it close to the chest. It was the KGB man who came on like he was auditioning for Chekhov.'

'You're not telling me that these three guys were just pretending to be Russians?'

'No,' I said. 'My imagination doesn't stretch to the idea of anybody who is not Russian wishing to be mistaken for a Russian.'

'So you think these guys staged the whole thing for your benefit? You think they just did it to discredit Giles Trent?'

I didn't answer.

'So why the hell would Giles Trent confess when you confronted him?' said Bret, rubbing salt into it.

'I don't know,' I admitted.

'Just four beats to the bar, feller. Okay? Don't get too complicated. Save all that for Coordination. Those guys get paid to fit the loose ends together.'

'Sure,' I said. 'But meanwhile we'd better send someone along to turn Trent 's place over. Not just a quick glance under the bed and a flashlight to see around the attic. A proper search.'