The tremor had been too faint for anyone to feel, here, but Maria shook her head. “No, I don’t think so.” She saw that power still seemed to be on the elevator, and she watched the door of it.
Hemphill went away to search among the now-purposeless machines for weapons and food. He came back, raging again. What was probably an automatic destructor charge had wrecked the theater and the star-charts . They might as well see about getting away in the boat.
She ignored him, still watching an elevator door which never opened. Soon she began quietly to cry.
The terror of the berserkers spread ahead of them across the galaxy. Even on worlds not touched by the physical fighting, there were people who felt themselves breathing darkness, and sickened inwardly. Few men on any world chose to look for long out into the nighttime sky. Some men on each world found themselves newly obsessed by the shadows of death.
I touched a mind whose soul was dead . . .
PATRON OF THE ARTS
After some hours’ work, Herron found himself hungry and willing to pause for food. Looking over what he had just done, he could easily imagine one of the sycophantic critics praising it: A huge canvas, of discordant and brutal line! Aflame with a sense of engulfing menace! And for once, Herron thought, the critic might be praising something good.
Turning away from his view of easel and blank bulkhead, Herron found that his captor had moved up silently to stand only an arm’s length behind him, for all the world like some human kibitzer.
He had to chuckle. “I suppose you’ve some idiotic suggestion to make?”
The roughly man-shaped machine said nothing, though it had what might be a speaker mounted on what might be a face. Herron shrugged and walked around it, going forward in search of the galley. This ship had been only a few hours out from Earth on C-plus drive when the berserker machine had run it down and captured it; and Piers Herron, the only passenger, had not yet had time to learn his way around.
It was more than a galley, he saw when he reached it—it was meant to be a place where arty colonial ladies could sit and twitter over tea when they grew weary of staring at pictures. The Frans Hals had been built as a traveling museum; then the war of life against berserker machines had grown hot around Sol, and BuCulture had wrongly decided that Earth’s art treasures would be safer if shipped away to Tau Epsilon. The Frans was ideally suited for such a mission, and for almost nothing else.
Looking further forward from the entrance to the galley, Herron could see that the door to the crew compartment had been battered down, but he did not go to look inside. Not that it would bother him to look, he told himself; he was as indifferent to horror as he was to almost all other human things. The Frans’s crew of two were in there, or what was left of them after they had tried to fight off the berserker’s boarding machines. Doubtless they had preferred death to capture.
Herron preferred nothing. Now he was probably the only living being—apart from a few bacteria—within half a light year; and he was pleased to discover that his situation did not terrify him; that his long-growing weariness of life was not just a pose to fool himself. His metal captor followed him into the galley, watching while he set the kitchen devices to work.
“Still no suggestions?” Herron asked it. “Maybe you’re smarter than I thought.”
“I am what men call a berserker,” the man-shaped thing squeaked at him suddenly, in an ineffectual-sounding voice. “I have captured your ship, and I will talk with you through this small machine you see. Do you grasp my meaning?”
“I understand as well as I need to.” Herron had not yet seen the berserker itself, but he knew it was probably drifting a few miles away, or a few hundred or a thousand miles, from the ship it had captured. Captain Hanus had tried desperately to escape it, diving the Frans into a cloud of dark nebula where no ship or machine could move faster than light, and where the advantage in speed lay with the smaller hull.
The chase had been at speeds up to a thousand miles a second. Forced to remain in normal space, the berserker could not steer its bulk among the meteoroids and gas-wisps as well as the Frans’s radar-computer system could maneuver the fleeing ship. But the berserker had sent an armed launch of its own to take up the chase, and the weaponless Frans had had no chance.
Now, dishes of food, hot and cold, popped out on a galley table, and Herron bowed to the machine. “Will you join me?”
“I need no organic food.”
Herron sat down with a sigh. “In the end,” he told the machine, “you’ll find that lack of humor is as pointless as laughter. Wait and see if I’m not right.” He began to eat, and found himself not so hungry as he had thought. Evidently his body still feared death—this surprised him a little.
“Do you normally function in the operation of this ship?” the machine asked.
“No,” he said, making himself chew and swallow. “I’m not much good at pushing buttons.” A peculiar thing that had happened was nagging at Herron. When capture was only minutes away, Captain Hanus had come dashing aft from the control room, grabbing Herron and dragging him along in a tearing hurry, aft past all the stored art treasures.
“Herron, listen—if we don’t make it, see here?” Tooling open a double hatch in the stern compartment, the captain had pointed into what looked like a short padded tunnel, the diameter of a large drainpipe. “The regular lifeboat won’t get away, but this might.”
“Are you waiting for the Second Officer, Captain, or leaving us now?”
“There’s room for only one, you fool, and I’m not the one who’s going.”
“You mean to save me? Captain, I’m touched!” Herron laughed, easily and naturally. “But don’t put yourself out.”
“You idiot. Can I trust you?” Hanus lunged into the boat, his hands flying over its controls. Then he backed out, glaring like a madman. “Listen. Look here. This button is the activator; now I’ve set things up so the boat should come out in the main shipping lanes and start sending a distress signal. Chances are she’ll be picked up safely then. Now the controls are set, only this activator button needs to be pushed down—”
The berserker’s launch had attacked at that moment, with a roar like mountains falling on the hull of the ship. The lights and artificial gravity had failed and then come abruptly back. Piers Herron had been thrown on his side, his wind knocked out. He had watched while the captain, regaining his feet and moving like a man in a daze, had closed the hatch on the mysterious little boat again and staggered forward to his control room.
“Why are you here?” the machine asked Herron.
He dropped the forkful of food he had been staring at. He didn’t have to hesitate before answering the question. “Do you know what BuCulture is? They’re the fools in charge of art, on Earth. Some of them, like a lot of other fools, think I’m a great painter. They worship me. When I said I wanted to leave Earth on this ship, they made it possible.
“I wanted to leave because almost everything that is worthwhile in any true sense is being removed from Earth. A good part of it is on this ship. What’s left behind on the planet is only a swarm of animals, breeding and dying, fighting—”
“Why did you not try to fight or hide when my machines boarded this ship?”
“Because it would have done no good.”
When the berserker’s prize crew had forced their way in through an airlock, Herron had been setting up his easel in what was to have been a small exhibition hall, and he had paused to watch the uninvited visitors file past. One of the man-shaped metal things, the one through which he was being questioned now, had stayed to stare at him through its lenses while the others had moved on forward to the crew compartment.