“Do you really think it will come to pass?” I asked.
“I can assure you that it will. Liszt is in earnest and will stop at nothing to catch the poisoner. And neither will we.”
The following morning we received a note from Liszt saying that the Wagners would be delighted to receive us and that we should proceed to Venice as soon as possible. He had reserved two berths on the Orient Express and notified the Wagners directly that we would be arriving in Venice by train on the morning of seven February.
Holmes paused for a moment t to light his pipe, and I took the opportunity to interject with a certain merriment, “I am amused that you are traveling under my name.”
“It was an immediate choice, safe and convenient, old boy. Neither my exploits nor your chronicles of them are as yet widely known on the Continent, and should either of our names have appeared in Europe at this early date, it was still unlikely that the Wagners would have been cognizant of either. Because of his revolutionary past and his contact with police and their agents, however, there exists a remote chance that Wagner might have heard my name. Yours would have been unknown to the police of any country, and is, unlike mine, a common one. By using your name, I have the advantage of speaking convincingly about Dr. Watson’s career without having to invent an imaginary past for myself. And so, I shall begin by holding my left arm rather stiffly, this due to a Jezail bullet received in the shoulder in the campaign in Afghanistan that shattered, if I remember correctly, the clavicle and the subclavian artery.”
“Well done, Holmes, if I may say so myself.” He had, as he spoke, suddenly assumed my posture, and though we looked not at all alike, I had the feeling that part of me at least had suddenly appeared across the room, so convincing was his portrayal.
Holmes smiled and let out a puff of smoke.
“The Orient Express,” he continued, “leaves London early in the morning and arrives in Venice the following evening, with stops in Paris and Milan. I shall use the uninterrupted time between Paris and Milan to review carefully what I know of Wagner and his career. I have fished out my folder on musicians. You may want to read through it as well. His is, on the surface at least, an extraordinarily complex life, for he is not only a composer, but a political revolutionary as well. In 1848 he participated, with Bakunin, the Russian anarchist, in the famous Dresden uprising. As a result he was banished from most of the German states by the authorities and was forced to take up residence in Switzerland—in Zurich, among other places. He still feels forced to wander a good deal. Until Ludwig of Bavaria provided him with adequate support he had no peace. It was only in this way that in the latter part of his life he has found the measure of tranquillity that he requires for his work. Despite his success, a life of travel has become a habit, and he often longs for the climate of the south, particularly that of Italy, where at one time or other he has lived in Palermo, Naples, Siena, and now Venice. His life has been filled with friendships, love affairs, and sworn enemies. There is no end of possible suspects, no end to motives, real or imagined, for the killing of Wagner, if indeed that is what is happening. His marriage to Cosima in itself has only added to the number of his enemies, including her former husband, von Bülow, who, despite his ardent support of Wagner’s music, must bear him a deep and continuing grudge.
“To add immeasurably to the problem, we are required to chase our quarry in Italy—in Venice in particular—where poison has, over the last five hundred years, become so perfected as a weapon of murder that only those who are perpetrators of a crime are aware of its success. My monograph has barely touched the Italian industry, which is worthy of several monographs in itself. The case of Cardinal Tosca was a later example of this kind of skill. But even in my early experience at the time, the murder of churchman is a far simpler affair to resolve than the murder of artists. And so, if it is poison in the case of Wagner, it could come from almost anyone associated with him, from a dissatisfied servant to a rival composer. As to the means of administering the poison, that would also have a wide variety of possibilities. Wagner has suffered a variety of ailments, is known to take large doses of medication carelessly, and therefore may indeed be poisoning himself.”
After this review of the situation, Holmes decided to put the matter out of mind until we had met Wagner and examined him. The train ride was uneventful. We were delayed by snow at the Simplon Pass for several hours, but the engineer easily made up some of the time once we had arrived in the Italian plain. After the stop in Milan, the train proceeded to Venice, where we descended at about nine in the morning. Our only travel companion had been a young Turkish diplomat, who was returning to Istanbul. We bade good-bye to him and alighted from the train.
I at first saw no one in the crowd whom I recognized, but as it thinned out, I saw the unmistakable figure of Frau Cosima Wagner, standing there with her children and a servant, waiting.
“Madame Wagner, I believe? I am John Watson, and this is my colleague, Anthony Hopkins.”
Frau Wagner greeted us in French, and with a smile, extended her hand and proceeded to introduce her children one by one who, each in turn, curtseyed and said in stilted English, “Welcome to Venice and to our house, Dr. John and Dr. Anthony.” To which the young boy, Siegfried, added: “My father could not come. He is composing his music.”
We walked quickly from the station to a waiting phaeton that brought us in minutes to the canal. There we boarded a gondola and began the ride to the great palazzo that served as the Wagner home. Holmes and I immediately abandoned all hope of seeing the Italian sun that day. It was as cold and damp as London, and the mist was impenetrable. We saw little at first, but when we reached the Grand Canal we perceived enough to understand why Venice was justly famous. There, arising like fantasies in the fog, were the bridges, the palazzi, and the churches, as if floating just above the water.
“If Wagner has lived in straitened circumstances in the past,” said Holmes in English, “his present life shows no sign of it.”
The Wagner quarters in the old Venetian palace were sumptuous. We entered a large ornate vestibule and from there the servants led us to our quarters. We rested for a short time, and then, late in the afternoon, summoned by our hosts, we descended the central staircase and entered the large drawing room where tea was served daily to guests and friends. As we entered, Richard Wagner himself sat at the far end of the room, a smile on his face as he talked to his children. As soon as they saw us, they rushed towards us and pulled us to their father.
“Look, Papa, here are our new Englishmen, Herr Doktors John and Anthony.”
“Welcome to our home,” he said. “I trust you have found your quarters to your liking.”
“Indeed, they are splendid and we are most honored to be your guests.”
“Forgive me for not rising, but I have had painful spasms in my legs and elsewhere for the last half hour, and it is difficult for me to stand.”
It was in these very first few moments that Holmes and I independently concluded that Liszt’s intuition had to be taken with the greatest seriousness. Wagner was not in good health, and as we observed him carefully, it appeared quite likely that one of the great composers of the century may have indeed been deliberately poisoned, possibly over many years. It also appeared at first glance that the poison had done by this time a good deal of its work, that in all probability one of the poisons was arsenic, and that he did not have long to live. Even without examining him closely, we judged that there was much damage to the liver and other internal organs, damage that was probably irreversible, and that the only hope was if we could find the source of the poison immediately.