About halfway through the book, the articles stopped. I was about to close it when I realized there were more clippings near the back. I flipped through the blank pages and came to another article. Unlike the others, this one didn't deal with statistics. In fact, it didn't even name the killer. The article, dated November 18, 1995, from the Chicago Tribune, simply stated that the body of a young woman had been found. The next article gave more details, telling how she'd been missing for over a week and appeared to have been held captive during the intervening time, before being strangled and dumped behind an elementary school. I flipped through the next few pages. Three more women found, all following the same pattern. Then one escaped, telling a horrifying story of a weeklong ordeal of rape and torture, held captive in the basement of an abandoned house. The police had traced the house to Thomas LeBlanc, a thirty-three-year-old medical lab technician. However, when it came time for the woman to identify LeBlanc, she couldn't. Her attacker had only come to her in the dark and had never spoken. Furthermore, LeBlanc had been out of town on business the week the third woman went missing. In a newspaper photo, LeBlanc could have passed for Scott Brandon's older brother, not in any real physical resemblance but in the complete banality of his face, well-groomed, blandly handsome and completely unprepossessing, your quintessential Wall Street WASP, features stripped of any ethnicity or interest. The face of the serial killer next door.
Despite an extensive investigation, the police were unable to come up with enough evidence to charge LeBlanc. In the last Tribune article, LeBlanc had packed his bags and left Chicago. Even if the justice system hadn't been able to convict LeBlanc, the people of Illinois had. Although that was the last article from Chicago, the scrapbook didn't end there. I counted six more clippings from the past few years, tracing a path of missing women through the Midwest to California and looping back up the East Coast. Thomas LeBlanc had been on the move. The last clipping was dated eight months ago, from Boston.
"Shit," Clay said, making me jump. "No way. No fucking way. Drop the book, darling. You've got to see this."
I hurried to the window. Clay held the heavy curtain back just enough for me to look out. An Acura had pulled into a spot near the lobby doors. Three men were walking away from it. When I saw the man heading from the driver's side, I wasn't shocked to see the face that had stared out from the Tribune article-Thomas LeBlanc, looking not nearly as well-groomed as he had in his photo. Of course, Clay didn't recognize him or even know from this distance that he was a werewolf. It was the other men who'd caught his attention. Karl Marsten and Zachary Cain, two mutts we both knew very well.
"Marsten and Cain? What the hell are they doing together?" Clay said. "And who's the other guy? He must be the one."
"Logan's killer," I said. "Thomas LeBlanc. We have to get out of here."
"Whoa," Clay said, holding his ground as I tugged him toward the door. "We're not going anywhere. This is what we came for, darling."
"We came to kill one mutt. One inexperienced mutt. Three against two is bad enough but-"
"We can handle it."
"With no sleep or food in twenty-four hours?"
"We could-"
"I can't."
Clay stopped there. He was quiet for a moment.
"If you stay," I continued, "then I stay. But I'm in no shape for a fight. I'm exhausted and hungry and my arm is screwed up from the dog bite and Brandon."
I was hitting beneath the belt, but I didn't care. I'd say whatever it took to get us out of that room. Clay's expression changed, first uncertain, then resolute.
"Okay," he said. "We bolt. Is there still time…?"
"The balcony. We'll have to lower ourselves down. No jumping."
"Your arm?" He looked down at the scabbed-over wound. We heal fast and it felt fine, but I wasn't about to admit that. Not now.
"I'll live," I said.
Clay strode to the balcony, shoved the drapes aside, and slid the door open. "I'll go first and catch you if your arm gives out."
He was over the railing before I got out the door. I swung one leg over the ledge, then looked back into the room and saw the photo album on the bed. I should have grabbed it. There would be more clues there, more to help me get to know Thomas LeBlanc. Rule one of hunting: know your prey.
"Be right back," I called to Clay over the railing.
"No!"
I grabbed the book from the bed just as a card key slid into the door lock.
"It's not working," an unfamiliar voice said through the door. "The green light should come on."
I lunged from the bed to the balcony, tripping over a pair of underwear and nearly flying headfirst out the sliding door. As I was swinging over the railing, someone tried the door, found it open, and gave it a shove. I dropped to the ground. Clay wasn't there to catch me. When I turned, I saw him racing to the lobby door. I started to shout his name, thought better of it, ran and tackled him instead. We tumbled to the concrete just outside the first room door. The photo album flew from my hands, knocking him hard under the chin.
"Whoops," I said. "Sorry."
"You almost sound like you mean it," he growled, holding the book aloft in one hand. "You went back for this? For this?"
"I needed it."
He muttered something under his breath. I couldn't hear what he said and probably didn't want to. We were still lying on the sidewalk, me atop him. I lifted my head to listen. Someone walked out onto the balcony in LeBlanc's room. I heard the railing groan as the person leaned over it, looking out across the parking lot. We were hidden beneath the balcony.
"Shhh," I whispered.
"I know," he mouthed.
He shifted under me, hands moving to rest on my rear. It wasn't an uncomfortable position to be in-not that I wanted to be there, given the choice, but… Oh, never mind.
"You gave me a scare," he whispered.
He moved one hand to the back of my head, pulled me down, and started to kiss me. I closed my eyes and kissed him back. After all, if we had to lie on the sidewalk outside a hotel, we should at least be doing something that might explain why we were lying on the sidewalk, right? After a moment, Clay's eyes flickered to the right and narrowed. As I pulled back, he slid from under me and focused his glare on something behind us. The woman who'd been watching us argue earlier was back in her doorway, this time drinking a Diet Coke as she took in the show.
"Would you like some popcorn with that?" Clay said, getting to his feet and brushing himself off.
"It's a free country," the woman replied.
Now, if Clay had little patience with humans in general, he had even less with humans who invaded his privacy and could only manage the lamest of comebacks. His jaw hardened and he stepped past me. He stopped, back to me, facing the woman. It only took a second. Her eyes widened, she stumbled back, and the door slammed, locks clicking into place. Clay hadn't said anything. He'd just given her "the look"-a stare of pure malevolence that never failed to send humans scurrying. I tried to perfect the look once. When I thought I had it down pat, I'd tested it on some jerk who'd been coming on to me in a bar. Instead of scaring him off, it'd only set his engines revving at full throttle. I learned my lesson. Women can't do malevolence.
By now, whoever had been on LeBlanc's balcony was gone. Their next step might be to come outside for a closer look, since Marsten and Cain would be able to smell that Clay and I had been in LeBlanc's room and would probably assume we hadn't been gone long. I prodded Clay forward. As we skirted along the sidewalk, staying close to the building, I crossed my fingers and hoped the mutts didn't come outside. Not that we couldn't get away. We could. But Clay wouldn't. If they came out and saw him, he wouldn't run.