Flashing Mattie a look, Carol said, “We don’t want you to leave.”
Ritchie was Bandanna Man with his dreadlocks and pirate scarf.. . his pals were Dutch and Peter Lorre-that’s the way I thought of them even though I’d heard their names. Shay had said two looked European, possibly Dutch. What the hell did that mean? I finally saw it in Dirk, the biggest of the three: square jaw, square shoulders, square blond side-burns. A few years back, an Alabama high school girl disappeared on Aruba after partying with locals. He resembled one of the suspectsDutch.
Clovis was Peter Lorre because he looked like the old-time actor from the Bogart films. Same slumped shoulders and protuberant eyes. He struck poses and moved like a weasel. Smooth, quiet, black hair slicked back with busy hands.
Clovis struck a pose now-mock deference-when Ritchie said, “What these ladies need is a drink. Why are you gentlemen standing there when you should be lookin’ after refreshments for our new friends?”
He began filling plastic beer cups from the blender, saying, “Bob Marley-nothin’ ever wrong with listenin’ to brother Bob. But you serious about not wantin’ the same junk music every tourist wants?”
“Yes! I told you, we’re not tourists, we’re travelers. We didn’t come to buy trinkets and get a tan.”
“No ‘Yellow Bird’? No ‘Jamaica Farewell’?” Big grin.
“My God,” Carol said, “spare me! Mattie and I study cultures. It must be horrible for you, putting up with a bunch of idiotic tourists, the same music, the same questions day after day. Ritchie, don’t let the age difference throw you. We’re open to new experiences.”
“Age? Carol darlin’, age don’t mean nothing. It’s a woman’s soul what matters.”
“That’s so sweet; like poetry-and it’s so true! Mattie, isn’t that wonderful?”
Now Mattie flashed Carol a look, but Carol didn’t catch it because Ritchie was handing them margaritas as he danced past.
Carol took a sip, then another before saying, “Here… this is exactly what I’m talking about. A real margarita, not that awful Kool-Aid crap they serve in the States. Fresh lime and damn good tequila.” She touched the rim with her finger. “Real sea salt.”
Resigned, Mattie took a long gulp, looking at the door. She said, “Yeah, sea salt,” as if thinking about the lobster they hadn’t cooked, and maybe about a marine biologist who’d failed to arrive.
Then the music started. Marley and the Wailers, Jammin’. I couldn’t hear them clearly anymore.
Wolfie, the Bagman, was also the cameraman.
From my platform on the rock, through an opening in the ferns, I watched him move through the forest toward the blind, a canvas bag on his shoulder. Huge, round, stocky man with an oversized round head, wearing the Italian sunglasses even though it was dark-a man committed to fashion. Beside him, walking at heel, was a dog. Well-trained but alert-Doberman and pit bull mix, it looked like-tall as a greyhound, all muscle beneath brown brindle hide.
Geezus.
Shay’s father had been in the dogfight business and raised pit bulls. They were as nasty as Dexter Money. My uncle Tucker had owned one, too, a surly animal named Gator. But Wolfie had obviously spent a lot of time or money training his dog-a man who worked alone and needed protection.
I got ready to retreat when I saw the dog, my hand on the little Colt pistol. But then I got a whiff of the cigarillo Wolfie was smoking and relaxed a little. Wind was out of the west, blowing my scent away from the dog. Because of the ferns, and because I was wearing dark pants, a black T-shirt, and an old Navy watch cap, it was unlikely they’d see me. Stay quiet, remain hidden, and the dog would be as unaware as Wolfie that I was doing countersurveillance.
Even so, I felt uneasy. It was one big damn dog.
Sunset on the island was at 6:30 p.m., and the two had arrived shortly afterward. Now it was nearly nine, and Wolfie still hadn’t shot anything worth a damn.
I had. That morning, I’d bought a palm-sized Kodak plus a mini shotgun mic, so I could film and record from a distance. The camera shot HDV, and it had infrared mode for filming at night.
I didn’t need a tripod. I’d packed a military-grade spotlight with an infrared cap-a Golight. Cap off, you could see the beam from miles away. Cap on, you couldn’t see the beam from a foot away-unless you were wearing night-vision optics.
I was. The green-eye monocular over my right eye.
It was almost funny. Countersurveillance occasionally is. Wolfie was in the spotlight and didn’t know it. The infrared Golight lit up the blind like a stage, and my camera captured it all. No reaction from behind the camera blind, either, where the dog was.
I got close-ups of Wolfie’s face as he focused his camera. I did slow zoom-outs to show the viewing window and camouflaged blind… then panned to the swimming pool where Bandanna Man, Dutch, and Clovis were working the tourist ladies.
No cuts-if you cut from scene to scene, it’s useless in court. Same’s true of digital memory. Too easily manipulated. That’s why I was using videotape.
I got a close-up of Ritchie looking sneaky as he opened the envelope, then poured powder into the blender, making margaritas. Kept shooting as he poured drinks and handed them to the ladies. Got close-ups of the ladies drinking, then did another slow zoom-out and panned to Wolfie in the camera blind. He was standing beside the camera, not shooting, but the shotgun mic recorded him saying in French, “Finally!”
The earbud I was wearing amplified it nicely. Good sound-until Carol turned the music loud.
Because I thought Wolfie might bail when the twins left, I’d burned through four tapes, getting it all down while I had the chance. The brides-to-be weren’t coming back-it’d taken the twins a long time to find their New York farmers. They were devoted ladies; no interest in a last fling.
But blackmail targets didn’t have to be prospective brides, because Wolfie hadn’t given up. Humiliation is a broad-spectrum weapon. In lieu of husbands, grown children could be leveraged. Or careers. Mattie was a mother; Carol owned her own business.
Finally!
Wolfie said it again.
He was right. Down by the swimming pool, it was starting to happen.
I got a shot of Wolfie putting an eye to his camera as he began to film Mattie and Carol dancing with Ritchie and Dutch. They’d finished their drinks and were working on seconds. Good dancers for big women, loosening up fast, feeling tequila along with the unexpected rush of the drug.
“Mattie? Mattie!” Carol was laughing, talking loud enough to hear without the shotgun mic. “Do you know what this terrible young man just suggested? He wants to…”
I couldn’t hear the rest. But Ritchie was taking off his shirt as they danced, big grin, doing a slow striptease.
I paused long enough to load a fresh cassette into the Kodak… and felt a familiar surge of revulsion. It was unlikely the stuff I was shooting would get to court-but, if I worked it right, the video could cost tiny Saint Arc millions in tourism if this blacklist story was leaked to news agencies or hit the Internet.
Make the Saint Arc power structure aware of the tape, and the island’s money people would do my work for me. Local authorities would react with shock and indignation before arresting the blackmailer, then crucifying him publicly. Reassure the tourists-the island’s economy came first.
There was another angle I could work, too. The island was a member of the French Commonwealth. According to my research, it was one of only four French overseas departments in the Caribbean. People born on the island were French citizens, entitled to French passports. France seldom interfered with the local government, but her laws could be applied-if I twisted enough arms.
The video of Shay and her friends could damage their lives for years to come. The video I was shooting could put their extortionist in jail for a lifetime.