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It was a night of thaw, a night of blow, With great excitement in the air. Black spring Stood just around the corner, shivering In the wet starlight and on the wet ground. The lake lay in the mist, its ice half drowned. A blurry shape stepped off the reedy bank 500 Into a crackling, gulping swamp, and sank.

Canto Three

L'if, lifeless tree! Your great Maybe, Rabelais: The grand potato.                    I.P.H., a lay Institute (I) of Preparation (P) For the Hereafter (H), or If, as we Called it — big if! — engaged me for one term To speak on death («to lecture on the Worm,» Wrote President McAber).                              You and I, And she, then a mere tot, moved from New Wye To Yewshade, in another, higher state. 510 I love great mountains. From the iron gate Of the ramshackle house we rented there One saw a snowy form, so far, so fair, That one could only fetch a sigh, as if It might assist assimilation.                               Iph Was a larvorium and a violet: A grave in Reason's early spring. And yet It missed the gist of the whole thing; it missed What mostly interests the preterist; For we die every day; oblivion thrives 520 Not on dry thighbones but on blood-ripe lives, And our best yesterdays are now foul piles Of crumpled names, phone numbers and foxed files. I'm ready to become a floweret Or a fat fly, but never, to forget. And I'll turn down eternity unless
The melancholy and the tenderness Of mortal life; the passion and the pain; The claret taillight of that dwindling plane Off Hesperus; your gesture of dismay 530 On running out of cigarettes; the way You smile at dogs; the trail of silver slime Snails leave on flagstones; this good ink, this rhyme, This index card, this slender rubber band Which always forms, when dropped, an ampersand, Are found in Heaven by the newlydead Stored in its strongholds through the years.                                          Instead The Institute assumed it might be wise Not to expect too much of paradise: What if there's nobody to say hullo 540 To the newcomer, no reception, no Indoctrination? What if you are tossed Into a boundless void, your bearings lost, Your spirit stripped and utterly alone, Your task unfinished, your despair unknown, Your body just beginning to putresce, A non-undressable in morning dress, Your widow lying prone on a dim bed, Herself a blur in your dissolving head!
While snubbing gods, including the big G, 550 Iph borrowed some peripheral debris From mystic visions; and it offered tips (The amber spectacles for life's eclipse) — How not to panic when you're made a ghost: Sidle and slide, choose a smooth surd, and coast, Meet solid bodies and glissade right through, Or let a person circulate through you. How to locate in blackness, with a gasp, Terra the Fair, an orbicle of jasp. How to keep sane in spiral types of space. 560 Precautions to be taken in the case Of freak reincarnation: what to do On suddenly discovering that you Are now a young and vulnerable toad Plump in the middle of a busy road, Or a bear cub beneath a burning pine, Or a book mite in a revived divine.
Time means succession, and succession, change: Hence timelessness is bound to disarrange Schedules of sentiment. We give advice 570 To widower. He has been married twice: He meets his wives; both loved, both loving, both Jealous of one another. Time means growth, And growth means nothing in Elysian life. Fondling a changeless child, the flax-haired wife Grieves on the brink of a remembered pond Full of a dreamy sky. And, also blond, But with a touch of tawny in the shade, Feet up, knees clasped, on a stone balustrade The other sits and raises a moist gaze 580 Toward the blue impenetrable haze. How to begin? Which first to kiss? What toy To give the babe? Does that small solemn boy Know of the head-on crash which on a wild March night killed both the mother and the child? And she, the second love, with instep bare In ballerina black, why does she wear The earrings from the other's jewel case? And why does she avert her fierce young face?
For as we know from dreams it is so hard 590 To speak to our dear dead! They disregard Our apprehension, queaziness and shame — The awful sense that they're not quite the same. And our school chum killed in a distant war Is not surprised to see us at his door, And in a blend of jauntiness and gloom Points at the puddles in his basement room.