They lounged on bamboo chairs on the wrought-iron balcony, enjoying the reflection of New Orleans in the mirror of the sky, the face of an angel with feathery wings that unraveled with a breath of wind. Slave Cedric (oh, of course it was a game, Cedric was just Cecilia’s cousin and played the washboard at Monsú, but he liked, on these kinds of afternoons, to put on livery and humbly serve his cousin and great aunt, to produce, in the coffee aroma, the air of another age) let them chatter as he watched his two masters, illuminated by sun and coffee, sweat large, yellow drops. From time to time, he wiped their brows with a handkerchief, brushed the pistachio crumbs from their laps, or drew their attention to a yellow car that inched through the straight and narrow alley. Across the road was another line of identical houses, with two stories and the same wrought-iron balcony, twisted into the most fantastical shapes, where other black women, and red-haired prostitutes, and pretentiously dressed tourists, and sailors with ridiculous hats emerged to watch the wonder of the sunset. He indulged the women and turned the decorated cups onto paper-thin saucers to read letters and filigreed signs in the dregs, telling the past, or the future, or Lord knows what. The women, each with her little cup between her fingers, looked like two plants that bore porcelain flower chalices, turning to follow the setting sun. Then Cedric gave the long-awaited sign, and they rose lazily from their lounge chairs. Propping her hands on her enormous hips, Melanie rubbed her sleeping bones awake and leaned backwards. Each vertebra, beginning with the sacrum and ending with the axis on which the exaggerated prognathism of her skull rotated slowly, popped separately and distinctly, like the cords of a crystal harpsichord. They entered the shadowy cave of their living room, which they crossed quickly. There were heavy lace doilies, thrown over richly ornamented furniture, pale alligator skulls, voodoo masks on the walls, each as delicate as a white clown, and thick carpets with incomprehensible designs. They opened and pulled the veneered doors shut behind them, going into other, cooler rooms where glass carafes glimmered, and paintings rested at an angle to the light, which bleached them into a milky white. These rectangular wooden houses were much more capacious than you would think. Two or three kids (but whose?) huddled in corners, with large brown eyes void of any expression. A small black lady braided a ribbon into her curly, rebellious hair.
They left. Cecilia’s red lace parasol looked now almost purple. They waited for a taxi to pass down the rosy pavement. Svelte men, dressed in the latest zoot suits, would cast a glance at Cecilia, who stared straight ahead, barely blinking her exaggeratedly long lashes. “How long do we have?” the old lady asked. She had hardly been able to control her disquiet all afternoon, as she kept the girl, as directed, in ignorance. Cedric removed his pocket watch, attached by a fob to his buttonhole, opened the gold lid, thin as a leaf, and saw the needles already showing a few minutes before seven. “Less than an hour, Madame.” The shop window across the way displayed medical instruments — syringes so long they must have been for veterinarians, oddly shaped forceps, vases in the form of beans, revolting rubber tubes and back braces. A plaster mannequin — as naked as an ancient statue, but with no trace of sex — wore one of those flexible whalebone girdles that had become almost obligatory for certain women, older than forty and fat as hippos, in the Quarter. Melanie pressed her fingers on Cedric’s arm, indicating the shop window with her eyes. He nodded. She crossed while the other two remained in the labyrinthine twilight, ever more scarlet (but with a strange dirty yellow higher in the sky, much brighter than the air between the houses, a sky crossed high and low by bats), and since they were standing together, heavily made up and swathed in silk, with the moon of coagulated blood as an umbrella, with their black and pointed shadows lengthening over the wall behind, full of cherubs and stucco garlands, Cecilia and Cedric looked like they were cut from an old magazine, bordered with pictures of the music hall.
Cecilia had spent the day preparing for the solemnity of the spring night to come. From the moment she woke, The Albino had arisen before her eyes like a dream image that sometimes appears, for a moment, on the retina — a black man white as milk, with a large, raspberry-colored wart near his right nostril and eyes as yellow as a dog’s. When he bent over her, smiling strangely, his head filled almost the entire space below the gold canopy. Only a thin triangle of smoky air could be seen from the room, where Vevé, the little black girl, poked her bright face. The Albino owned the Monsú jazz club where Cedric played. He had come to the city more than twenty years before, in an odd automobile, carrying, on the back bench seat, with its neck sticking out through the window, a gigantic, fat bass that was once mahogany, but now black and grimy, so that everyone could see its scrolled, termite-pocked ebony neck and thick strings, braided at their ends with red and green threads. On the same back bench was a package, a large rectangle wrapped in coarse paper. The man looked like a being from another realm: wooly hair, a stooped quivering, and skin as white as that of any descendant of the old French gentry. His tuxedo resembled Humphrey Bogart’s and an ever-present Havana cigar drooped from his mouth. He made both whites (sailors and riff-raff) as well as blacks (saxophone players and whores) want to chase him away or cut him down. The one who set the car — rented by Monsieur Monsú (as he happened grotesquely to be called) — on fire, while it was parked in front of the premises, died within the week, from a scorpion sting. After a few months of fruitless vigil at the back door, where, at dawn, The Albino would leave the premises, after his car had been turned into a baroque braid of burnt iron, the hit man mistakenly shot the district police inspector and ended up in the electric chair. The woman who slipped into his bed to discover his secrets, a mulatta as heartless as death itself, one of those who allow scores of men to explore their secret tunnels from the age of seven, let him tie her hands behind her back and make love to her through the night. In the morning, she was ravished and smitten like the most pious of the pious, but Monsieur Monsú brutally threw her out and never again allowed her into his bed. She withered from love as if from a rare cancer. Wrapped in black lace, she spent her days in church, before the icon of the Holy Mother. On her deathbed, surrounded by mounds of roses, she raved: “He has diamonds for testicles … his sack is transparent, and they shine in the night …” Once the mulatta died, the French Quarter dwellers finally accepted the enigmatic man, who had such power and brought (from where?) new rites and customs, about which they didn’t speak, but which thrived, brightly colored, in everyone’s fantasies. His establishment, lined like a brothel with waves of cherry silk, was the first on Bourbon Street to develop the taste for a type of show that, at that time, didn’t have a name. Past two in the morning, on the central stage, in front of patrons snorting opium through filigreed pipes or debasing themselves with azure absinthe, the show featured bare men and women, coupling in knots like human snakes, using items that could be purchased, in order to continue the orgy at home, from a small shop owned by the same Albino: ivory phalluses carved vein by vein to match the god of plenty, black velvet masks, lace lingerie, complicated leashes and collars, crops made of hippopotamus … In time, a chain of similar stores scandalized the neighborhood, competing with and oddly replicating the traditional boutiques of Mardi Gras masks and voodoo accessories.