‘Please, Ma.’ My ribs hurt; later we found out that two of them were broken. My nose, too, was broken — you can see it isn’t quite straight — and if you look closely at my lips you can still see the scars, tiny silvery threadneedle scars, like someone’s schoolboy stitching.
‘You’ve got no one to blame but yourself,’ she said, as if all she’d given me was a maternal slap, something to get my attention. ‘And what about that girl, eh?’
The lie was automatic. ‘What girl?’
‘Don’t you look so innocent—’ She gave a thin-lipped, vinegary smile, and a finger of ice went down my back. ‘I know what you’ve been up to. Following that blind girl.’
Had Mrs White spoken to her? Had Ma got into my darkroom? Had one of her friends mentioned seeing me with a camera?
But she knew. She always does. The photographs of Emily; the graffiti on Dr Peacock’s front door; the weeks of playing truant from school. And the Blue Book, I thought in sudden alarm — could it be that she’d found that, too?
Now my hands began to shake.
‘Well, what have you got to say for yourself?’
There was no way I could explain it to her. ‘Please, M-Ma. I’m s-sorry.’
‘What is it with you and that blind girl? What have you two been doing?’
‘Nothing. Really. Nothing, Ma. I’ve never even t-talked to her!’
She gave me one of her freezing smiles. ‘So — you’ve never talked to her? Never — not once — in all this time?’
‘Just once. Once, in front of the gallery—’
My mother’s eyes narrowed abruptly, I saw her hand move upwards, and I knew she was going to slap me again. The thought of those aggressive hands anywhere near my mouth again was suddenly unbearable, and I flinched away defensively and said the first thing that came into my mind:
‘Emily’s a f-fake,’ I said. ‘She doesn’t hear any colours. She doesn’t even know what they are. She’s making it up — she told me so — and everybody’s c-cashing in—’
Sometimes it takes a new idea to stop a charging juggernaut. She looked at me with those narrowed eyes, as if she were trying to see through the lie. Then, very slowly, she lowered her hand.
‘What did you say?’
‘She makes it up. She tells them what they want to hear. And Mrs White set her up to it—’
The silence simmered around her awhile. I could see the idea taking root in her, supplanting her disappointment, her rage.
‘She told you that?’ she said at last. ‘She told you she was making it up?’
I nodded, feeling braver now. My mouth still hurt, and my ribs were sore, but now there was a taste of victory behind that of my suffering. In spite of what my brothers believed, invention at short notice had always been a talent of mine; and now I used it to free myself from my mother’s terrible scrutiny.
I told her the lot. I fed her the line. All the things you’ve ever read about the Emily White affair: every rumour; every gibe; every piece of vitriol. All of that began with me — and, like the speck of irritant at the heart of the oyster that hardens to become a pearl, it grew, and bore fruit, and was harvested.
You knew I was a bad guy. What you don’t yet know is how bad: how there and then I set the course towards this final, fatal act; how little Emily White and I came to be fellow-travellers on this road —
This tortuous road to murder.
16
You are viewing the webjournal of Albertine posting on:badguysrock@webjournal.com
Posted at: 08.37 on Wednesday, February 13
Status: public
Mood: despondent
It all began to decline right then, the night of that first exhibition. It took some time for me to realize it, but that was when the Emily White Phenomenon began to take on a disquieting turn. It seemed nothing more than a ripple at first, but especially after the success of Dr Peacock’s book, there were more and more people ready to take notice, to believe the worst, to scorn, to envy or to sneer.
In France, a country fond of its child prodigies, L’Affaire Emily had attracted more than its share of attention. One of Emily’s first patrons — an old Paris friend of Dr Peacock — sold several of her paintings from his gallery on the Left Bank. Paris-Match had seized the story, as had Bild magazine in Germany, and all of England’s tabloid press — not to mention Feather’s piece in Aquarius Moon.
But then came the scandal. The swift decline. Exposure by the media. Less than six months after that triumphant launch, Emily’s career was already foundering.
I never saw it coming, of course. How could I possibly have known? I didn’t read papers or magazines. Gossip and rumours passed me by. If there was something in the air, I was too self-absorbed to notice; so deep inside my masquerade that I barely saw what was happening. Daddy knew — he’d known from the start — but he couldn’t stop the avalanche. Accusations had been made. Investigations were under way. The papers were filled with conflicting reports, a book was being launched, there was even a film — but one thing was clear to everyone. The bubble had burst. The wonder had gone. The Emily White Phenomenon was well and truly over. And so, with nothing left to lose, like the Snow Child in the fairy tale, we melted away, Daddy and I, leaving no trace of ourselves behind.
At first it seemed like a holiday. Just until we get back on our feet. An endless succession of B & Bs. Bacon for breakfast, birdsong at dawn, fresh clean sheets on strange, narrow beds. A holiday from Malbry, he said; and for the first few weeks I believed him, following like a tame sheep until finally we came to rest in a remote little place near the Scottish border, where no one, he said, would recognize us.
I didn’t miss my mother at all. I know that must sound terrible. But to have Daddy all to myself like this was such an unusual pleasure that Malbry and my old life seemed to me like something that had happened to someone else, to quite a different girl, long ago. And when finally it became clear to me that something was wrong, that Daddy was slowly losing his mind, that he would never get back on his feet, I covered for him as best I could, until at last they came for us.
He’d always been a quiet man. Now, depression claimed him. At first I’d thought it was loneliness, and I’d tried my best to make it up to him. But as time passed, he grew more remote, more couched in his eccentricities, dependent on his music to such an extent that he forgot to eat, forgot to sleep, telling the same old stories, playing the same old pieces again on the piano in the hall, or on the cracked old stereo, Für Elise and Moonlight Sonata, and of course the Berlioz, the Symphonie fantastique and especially ‘The March to the Scaffold’ — while I did my best to care for him, and he slipped into silence.
Eighteen months later, he had his first stroke. Lucky I’d been there, they said; lucky I’d found him when I had. It was a mild one, the doctor said; affecting just his speech and his left hand. They didn’t seem to understand how important his hands were to Daddy — it was the way he spoke to me when he couldn’t express himself with words.
But that was the end of our hideaway. At last, the world had discovered us. They took us to different places — Daddy to a care centre near Malbry, me to another kind of home, where I endured for the next five years without a moment’s realization that someone had to be paying the bills; that someone was looking out for us, and that Dr Peacock had tracked us down.