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Nobody home but the telephony

Who’d call a goyle like I?

Dwip dwop dwop dead

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ENTER THAT DIRTY STOOLIE, MARGARET KODERER

And this is where you came in. “Ursula?” “Margaret! Godzillas sake what took you so long and where the hump have you been. How’d you find me?” You smiled slyly. “This adroit professional showed me around the hospital and escorted me down here poisonally and even fixed the parking ticket on my pickup truck.” Behind you stood the Regicide in his custom-tapered white orderly’s trousers and three-button white jacket, which, pinkies genteelly extended, he was just now buttoning once, at the breastbone, as was the fashion.

Everybody was waiting to be introduced. O even came out of the flag and got in line. Reginald had a new Polaroid camera, ker-POP, ker-POP, ker-POP-a Great Day in the Bug Hospital. That’s why this famous picture exists. “Doctor Zuk and The Bug Motels: Egbert, Dion, Emily, O and me. May I present my older sister, Margaret Koderer?” “Hi.” “Pleased.” “How ya doin.” “Enchanté.” “Gr-r-r-r-r.” [“Cheese, O, you look all ballooned up, are you pregnant or sumpm?” “None of your beez-wax, what do you care.” “So whose is it?” “Keep your big nose out of it but suppose I tell you my hubby-to-be is here in this room and is a lowdown royal.” “Reggie! You don’t think the Regicide is gonna marry you?” “He better cause I gotta get better fast or they won’t let me keep my baby, I mean I been in the bughouse two years already.” “You wanna keep it? You call that better?” “Oink yourself, Ursie.”]

“So you are Margaret. I have heard very much about you and now is fascinating to see you with own eyes.” “Well don’t look too hard or my legend will crumble.”

How do you do it, Margaret? Even with O in the room, and Emily, and Doctor Zuk herself, the forbidden love of my life-even in that starry group, you were the center of attention, ker-POP, ker-POP, ker-POP. Well, for a minute, anyhow. That certain air of erotic abandon you have-godzilla knows it isn’t your good looks. “Pfui,” Doctor Zuk muttered, sniffing the air, peering around for the reason the whole clubhouse suddenly smelled like a horse barn. They eyed your bristly pigtails tied off with red vegetable-stand rubberbands, and your muck-stiff dungarees, and your yellow-green eyes afloat in big black eyeglasses like two frogs in two ponds. For maybe a minute they eyeballed you, and Reggie snapped shots of you, ker-POP, ker-POP, ker-POP. O thought about cutting your throat, no doubt, but she had to get better now.

Then you broke the spelclass="underline" “Say, that tune was cooking, Ursula, you got genius like I never knew you had. And you look good, surprisingly good. I don’t know, I was gettin a message on the pineal channel like you’d landed at the end of the world and I’d better swoop in and get you outa there, but I’m beginning to see this joint must have its compensations. For example who woulda thought you had blond hair under all that grease? But long as I’m here and that barber chair is so handy, lemme give you a haircut.” You unrolled the Morning Telegraph you had in your pocket, fanned out sheets of it, produced scissors, waved your hand at the chair. And like a zombie I climbed in, ancient habit.

[“Who are these people?” you whispered in my ear, “I mean, can we talk here?” “Nothing too poisonal,” I hissed back, I mean how was I gonna tell you that I’d changed my mind about leaving?]

“Ahem,” you began, “well who would have picked this dump for the place where the birth of the blues O-riginated? But I’m only a sane person, you bughouse guys are so talented… [Ursula, who is that cute, well sorta cute, little girl wrapped in gauze and what in godzillas name happened to her?” you fizzed in my ear, snip snip snip.]

“Excuse me, we Bug Motels don’t presume to play the real negro blues on our bughouse instruments,” Egbert expounded, trying to collect any little stray crumbs of your attention, and I could see you registering his dimensions, thinking, The glasses are cute but what a squirt, I could wrap my legs around that sardine twice, “we play conk-fusion,” he continued, “which is to say, using whatever hospital stuff we can pinch to play the tinny tiny noises of our own unknown inner machinery, on the notion that love will get us out of here, er, are you doing anything tonight?” (I eyed O, who eyed me. I shrugged. Poisonally I was beginning to wonder what was with all these bugheads? Had every one of them scarfed some love gunk today like in A Midsummer Night’s Dream?)

“Blues was just a manner of speaking,” you smiled serenely, as if this happened to you every day, which it did, snip snip, tinka tinka tinka, “and actually I’m only here to parlay privately with my sister, that is, if I can ever pry her out of this schubertiad, but thanks.”

“Ursie writes all the words for the Bug Motels,” Emily tattled gravely.

[“Who is that child?” you whispered, “does she need a home? Could she be fostered?” “Not by you,” I hissed back, “you live in sin with a racetrack bum for godzillas sake, you think the folks that run this bughouse are crazy?” “So maybe I’ll get married,” you said. “Yeah sure, Margaret, when pigs fly and rivers run uphill. And anyhow I gotta admit he’s not just a racetrack bum. Mr. Tod Novio, alias Boyfriend Death, would be a bum anywhere. The exact face of Lovelace in the Classic Comic! And by the way, on which ten-cent racetrack are we refusing to sully our hairy hands with labor now?” “Indian Mound Downs,” you smirked, “Great Cacapon, West Virginia. I gotta be back to feed by five. Listen Ursula I could fix that little girl, I could fatten her up, I could get her all the way better.” “Better kidnap her then, they’re never letting you have her.”]

“Bertie plays the bestest, but Ursie sings the loudest,” Emily further reported. (Loudness was not a point in your favor with the Bug Motels.) “Regardless,” you said, raising a finger: “I can only say, Ursula, your song is shayn vi die zeeben welten. Honest I didn’t know you had it in you.”

“First learn to talk, then learn to sing, say wise old men of treatment staff, okay I go along with this,” Doctor Zuk recalled, “but when Miss Bogeywoman finally opens her mouth, after twenty-one months silent like grave, song comes out, only song, and what song! like an angel. I wonder what Sigmund Food would say? Surely is something for mental science in all of this?” Doctor Zuk ran her strong ugly hands through her spiky hair and smiled secretively.

And this was the first you must have awakened to the mysterious powers of this beautiful dreambox mechanic or bughouse commissar or whatever exactly she was, from some pre-Foodian oblast east of the Urals: you stepped back from the barber chair and took a long look at her. “You know I knew old Ursula here wouldn’t talk to the dreambox mechanics no matter how much Merlin had to pay for a room in this dump-in fact the more the better. Twenty-one months, eh?” You laughed hysterically.

Doctor Zuk arched an eyebrow at you, possibly she had been indiscreet? But then she continued decisively: “I see you are getting incredibly better, Miss Bogey. You can make songs like that! Why don’t you tell me what you want. You want music lessons? You want go back to school? I talk tonight to Dr. Feuffer.” I stared at her. Sumpm about that I talk tonight to Dr. Feuffer got seriously on my nerves, what was it? “Don’t talk to Foofer tonight. I’ll talk to Foofer myself. Cheese I turned into the creakiest gate in the bughouse while you weren’t looking,” I whined, “and now you’re gonna talk to Foofer!” “What makes you think I was not looking?” Zuk said loftily: “How dare you say this? You think you know me? My dear, you don’t know where I come from, where I go. You must see big, not small, to find me. You must get much more better to know me. You don’t know me at all.”