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I tune it out. There's only so much self-congratulation you can take. It's obvious Alice is one of the best in the world. Talking about it just makes it seem banal. But the donors need to feel like they're part of the moment, so they all want to squeeze Alice and make her theirs, so they talk and talk and talk.

Maria's saying,". wouldn't be standing here congratulating ourselves, if it weren't for our lovely Alice. Hua Chiang and Telogo did their work well, but in the final moment it was Alice's execution in the face of Telogo's ambitious piece that has made it resonate so strongly already with the critics. We have her to thank for the piece's flawlessness. "

Everyone starts applauding and Alice blushes prettily, not accustomed to adulation from her peers and competitors. Maria shouts over the cheering, "I've made several calls to Banini, and it is more than apparent that he has no answer to our challenge and so I expect the next eighty years are ours. And Alice's!" the applause is almost deafening.

Maria waves for attention again and the applause fades into scattered whistles and catcalls which finally taper off enough to allow Mariato continue. "To commemorate the end of Banini's age, and the beginning of a new one, I would like to present Alice with a small token of affection—" and here she leans down and picks up a jute-woven gift bag shot with gold as she says, "Of course a woman likes gold and jewels, and strings for her viola, but I thought this was a particularly apt gift for the evening. "

I'm leaning against the woman next to me, trying to see, as Maria holds the bag dramatically above her head and calls out to the crowd, "For Alice, our slayer of dinosaurs!" and pulls the green brontosaurus out of the bag.

It's just like the one the kid had.

Its big eyes look right at me. For a second it seems to blink at me with its big black lashes and then the crowd laughs and applauds as they all get the joke. Banini = dinosaur. Ha ha.

Alice takes the dinosaur and holds it by the neck and swings it over her head and everybody laughs again but I can't see anything anymore because I'm lying on the ground caught in the jungle swelter of people's legs and I can't breathe.

"Are you sure you're okay?" "Sure. No problem. I told you. I'm fine. " It's true, I guess. Sitting next to Alice in the waiting room, I don't feel dizzy or anything, even if I am tired. Last night, she put the dinosaur on the bedside table, right in with her collection of little jeweled music boxes, and the damn thing looked at me all night long. Finally at four a. m. I couldn't stand it anymore and I shoved it under the bed. But in the morning, she found it and put it back, and it's been looking at me ever since.

Alice squeezes my hand. The rejoo clinic's a small one, private, carefully appointed with holographic windows of sailboats on the Atlantic so it feels open and airy even though its daylight is piped in through mirror collectors. It's not one of the big public monsters out in the clusters that got started after rejoo's patents expired. You pay a little more than you do for the Medicaid generics, but you don't rub shoulders with a bunch of starving gamblers and nitheads and drunks who all still want their rejoo even if they're wasting every day of their endless lives.

The nurses are quick and efficient. Pretty soon, Alice is on her back hooked up to an IV bladder with me sitting beside her on the bed, and we're watching rejoo push into her.

It's just a clear liquid. I always thought it should be fizzy and green for growing things. Or maybe not green, but definitely fizzy. It always feels fizzy when it goes in.

Alice takes a quick breath and reaches out for me, her slender pale fingers brushing my thigh. "Hold my hand. "

The elixir of life pulses into her, filling her, flushing her. She pants shallowly. Her eyes dilate. She isn't watching me anymore. She's somewhere deep inside, reclaiming what was lost over the last eighteen months. No matter how many times I do it, I'm surprised when I watch it come over someone, the way it seems to swallow them and then they come back to the surface more whole and alive than when they started.

Alice's eyes focus. She smiles. "Oh, God. I can never get used to that. "

She tries to stand up, but I hold her down and beep the nurse. Once we've got her unhooked, I lead her back out to the car. She leans heavily against me, stumbling and touching me. I can almost feel the fizzing and tingling through her skin. She climbs into the car. When I'm inside, she looks over at me and laughs. "I can't believe how good I feel. "

"Nothing like winding back the clock. "

"Take me home. I want to be with you. "

I push the start button on the car and we slide out of our parking space. We hook onto the magline out of Center Spire. Alice watches the city slide by outside the windows. All the shoppers and the businessmen and the martyrs and the ghosts, and then we're out in the open, on the high track over the jungle, speeding north again, for Angel Spire.

"It's so wonderful to be alive," she says, "It doesn't make any sense. "

"What doesn't?"

"Cutting rejoo. "

"If people made sense, we wouldn't have psychologists. "And we wouldn't buy dinosaur toys for kids who were never going to make it anyway. I grit my teeth. None of them make any sense. Stupid moms.

Alice sighs and runs her hands across her thighs, kneading herself, hiking up her skirt and digging her fingers into her flesh. "But it still doesn't make any sense. It feels so good. You'd have to be crazy to stop rejoo. "

"Of course they're crazy. They kill themselves, they make babies they don't know how to take care of, they live in shitty apartments in the dark, they never go out, they smell bad, they look terrible, they never have anything good again—" I'm starting to shout. I shut my mouth.

Alice looks over at me. "Are you okay?"

"I'm fine. "

But I'm not. I'm mad. Mad at the ladies and their stupid toy-buying. Pissed off that these dumb women tease their dumb terminal kids like that; treat them like they aren't going to end up as compost. "Let's not talk about work right now. Let's just go home. " I force a grin. "I've already got the day off. We should take advantage of it. "

Alice is still looking at me. I can see the questions in her eyes. If she weren't on the leading edge of a rejoo high, she'd keep pressing, but she's so wrapped up in the tingling of her rebuilt body that she lets it go. She laughs and runs her fingers up my leg and starts to play with me. I override the magline's safeties with my cop codes and we barrel across the Causeway toward Angel Spire with the sun on the ocean and Alice smiling and laughing and the bright air whirling around us.

Three A. M. Another call, windows down, howling through the humidity and swelter of Newfoundland. Alice wants me to come home, come back, relax, but I can't. I don't want to. I'm not sure what I want, but it's not brunch with Belgian waffles or screwing on the living room floor or a trip to the movies or. anything, really.

I can't do it, anyway. We got home, and I couldn't do it. Nothing felt right. Alice said it didn't matter, that she wanted to practice.

Now I haven't seen her for more than a day.

I've been on duty, catching up on calls. I've been going for twenty-four hours straight, powered on coppers'-little-helpers and mainlined caffeine and my hat and trench coat and hands are pinprick-sprayed with the residue of work.

Along the coastline the sea runs high and hot, splashing in over the breakwaters. Lights ahead, the glow of coal foundries and gasification works. The call takes me up the glittering face of Palomino Cluster. Nice real estate. Up the masslifts and smashing through a door with Pentle backing me, knowing what we're going to find but never knowing how much these ones will fight.