THERE WAS A DEAD WOMAN inside the room with Taylor, and another woman, apparently shot but still alive, huddling under a bed, whimpering. Lucas turned back to the hallway, looked both ways, pulled his cell phone out of his pocket, found Cale's number, and rang him. Busy. He tried Sloan's, got him.
"Where are you?"
"Just inside, Jesus Christ…"
"Shut up. Listen to me. The Big Three are out and they're armed. They have pistols. I just nailed Taylor. I'm on the second floor, right above the stairway that goes down to the isolation area… You know where I'm talking?"
"Yeah, we're coming that way, me and Jenkins and Shrake…"
"Okay, but Biggie and Chase and Grant are still out there. Be careful, there are guys with guns all over the place. I'm going down to the bottom, down to the isolation unit. Before you come in, tell somebody that there are a couple wounded maybe dead, in this hallway… next floor above the main floor."
"Wait and I'll back you up."
"Can't wait. There are three more guys and they're killing people, we've got to cover as much as we can as fast as we can, we've gotta knock these guys down… gotta knock 'em down, be careful, man, be careful. And tell Beloit before you come in that there's a wounded woman in two ninety. In two ninety."
THEN HE WAS UP and running down the hall, the smell of blood in his nose, with the odor of smoke and human waste and the deafening brenk brenk brenk…
Into the stairwelclass="underline" he nearly shot a man halfway up the second flight, the man jumping with fear as Lucas jerked his.45 at him, Lucas lifting his finger off the trigger at the last possible second when he realized that he didn't know the man, that the man wasn't armed.
The man curled against the wall, his hands cupped at his temples, and Lucas shouted, "Find a room, lock yourself inside," heard a boom from somewhere, then another, couldn't decide where the shots came from, but it felt like they were up again.
He'd thought to go down, but again he went up.
There really wasn't much down below, he realized- not many people. If the Big Three and Grant were determined to do as much damage as possible, they'd be on the first floor, or the second or third. He continued up to three, heard another boom. Peeked down the hallway, saw more people down. Two people crawling along the hallway, two lying motionless. More smoke, thin, veiling. Shouting from the left. Doors banging, another boom.
His phone rang; he wanted to ignore it, but it could be information, He pulled it out, poked the answer button. Sloan. "We can hear shoot-ing above us, we're on the way to three."
"I'm already there. I went up instead of down."
"We're on the front steps…"
"I just came up the back. I'm moving into the hallway, you'll be looking right at me, for Christ's sake, don't shoot me…"
Two more booms and a man screaming and Lucas couldn't wait, a shattering of glass, more glass breaking, more screaming, and then laughter. Lucas ran to the doorway where the sound seemed to be coming from, did a peek: a man was battering at a thick glass window with a plastic chair.
In the dim light, he couldn't see who it was, but he thought it might be Lighter. Lucas shouted, "Hey," and the man turned, and Lucas saw that it wasn't Lighter, that he didn't recognize the man at all. Then he saw movement on his right and pivoted and saw a flash, was hit hard in the left arm, taking in the boom, felt himself falling and jerked two shots in the direction of the flash and crawled back out through the doorway into the hall. There was crouching, combat-style movement dawn the hall and he shouted, "Help!"
Sloan shouted back, "Where are you?"
"Down here. I'm hit."
"Ah, Jesus…"
Sloan ran to him in the dim light; the smell of smoke was stronger now, and Sloan came up, Shrake a step behind.
"How bad?" Sloan asked.
The pain was coming on. "I think my arm's busted. Left arm," Lucas said "There's a guy in there to the right. At least a couple people down. I don't think I hit him when I fired back."
SHRAKE DID A PEEK, then put his left arm through the doorway, with his face, ready to fire. Sloan was cutting at Lucas's sport coat with a jackknife. "Let me see… ah, man, you got a hole. It's not bleeding too bad, but it's right below your biceps, right in the middle."
"Yeah, that's what it feels like," Lucas groaned. "I can feel a piece moving… We gotta take this guy."
"You're out of it," Sloan said.
"I can move okay," Lucas said. He stood up, almost fell, propped himself against the wall. There was smoke now, another fire, the hallways clear except for a man at the far end, dragging a mattress for some reason. "Look: I'll go back down and sit in the stairway, block it off. You guys gotta keep this asshole penned up, or take him. There's somebody in there hurt." "You know who it is?"
"No. Could be Biggie," Lucas said.
"That motherfucker," Sloan said. "You go on. We'll take him."
"Get some more support up here," Shrake said. "Jenkins went off with that crappie cop, they could hear something down on one."
"Cell phone," Lucas said. "I can't use mine… "
"Get your ass down to the stairwell," Sloan said. "We'll take care of this."
JENKINS AND THE game warden, whose name was Deacon, saw the flash of the gunshot and moved slowly down the inside wall of the hallway, closing on the door. They found Chase sitting on the shoulders of a dead man, as though the dead man were a low stool, talking to a woman who had propped herself up against a wall. They could hear Chase's voice before they saw him; a low chatter that continued between the brenk brenk brenk of the alarms. When they got right next to the door, they could hear his voice distinctly, as he talked over the racket around them.
"… is dead, because if he wasn't dead, he couldn't stand it when I put my finger on his eyeball like this. But see, he doesn't even blink. There's still some blood running out, but that's gravity, is what it is. Just like when you cut a chicken's head off, the blood keeps coming for a long time, but the chicken is dead. Have you ever seen anybody do that? No? It's pretty exciting. You get the chicken and you hold it by its legs, and you rub its stomach and it'll get real quiet, then you lay the neck on a block and then really quick, chop, and the head flies off. If you let go of the chicken, the body will run all over the place without a head. It's pretty funny, when you see it…"
Jenkins risked a peek. The room was fifteen-by-fifteen feet and the man was sitting with his back to Jenkins, not more than seven or eight feet away. He was pointing a pistol at a woman against the far wall, who sat motionless, head down; she had blood on her blouse. Jenkins was not sure she was alive. He had to assume she was, though, and she was also directly on the other side of the man. If he shot the man, the bullet could go right through him into her…
"That's what people mean when they say that somebody's running around like a chicken with its head cut off… Anyway, this is what dead is… when somebody puts his finger on your eyeball, you don't even blink. I am going to shoot you when I'm finished talking, and you'll feel all your blood run out, and then to make sure you're dead, I will… don't move. Just sit there. Just listen, or I'll pull the trigger…"
Jenkins pulled slowly back, listening to the beat of the words, checked his gun, turned to the game warden, and put his finger to his lips. He stood upright, carefully slipped off his loafers, took a breath, then took a quick long silent step into the room, then part of another before the man began to turn…
Jenkins fired a single shot down through the Chase's skull, from a range of nine inches.
The game warden lurched through the door. Jenkins looked down at the dead man and said, "Fuckin' amateurs."
They both stepped over to the woman. She was a staffer and wore a black name tag that said Bea; she was alive, and she twitched away from him.