And am.
Part II
New School Brooklyn
Crown Heist
by Adam Mansbach
Crown Heights
Tap tap BOOM. Birds ain’t even got their warble on, and my shit’s shaking off the hinges. I didn’t even bother with the peephole. It had to be Abraham Lazarus, the Jewish Rasta, playing that dub bassline on my door.
BOOM I swung it open and Laz barged in like he was expecting to find the answer to life itself inside. A gust of Egyptian Musk oil and Nature’s Blessing dread-balm hit me two seconds after he flew by: Laz stayed haloed in that shit like it was some kind of armor. He did a U-turn around my couch, ran his palm across his forehead, wiped the sweat onto his jeans, and came back to the hall.
“I just got fuckin’ robbed, bro.”
Funny how a dude can cruise the road from neighbor to acquaintance to homeboy without ever coming to a full stop at any of the intersections. Me and Laz, our relationship was like one of those late-night cab rides where the driver hits his rhythm and the green lights stretch forever. He came upstairs and introduced himself the day I moved into his building two years ago: got to know who you live with when you’re moving four, five pounds of Jamaican brown a week. He sized me up, decided I was cool, and told me his door was always open. I didn’t really have too much going on then — just a half-time shit job in an office mailroom and a baby daughter Uptown who I never got to see — so before long I was coming by on the regular to smoke. If Laz wasn’t already puffing one of those big-ass Bob Marley cone spliffs when I walked in, my entrance was always reason enough for him to sweep his locks over his shoulder, hunch down over his coffee table, and commence to building one.
I used to call his crib Little Kingston. All the old dreads from the block would be up in there every afternoon: watching soccer games on cable, chanting down Babylon, talkin’ ’bout how horse fat an’ cow dead, whatever the fuck those bobo yardie motherfuckers do. I never said much to any of them, just passed the dutchie on the left hand side. Jafakin-ass Lazarus got much love from the bredren, but a domestically grown, unaffiliated nigga like me stayed on the outskirts. Whatever. Later for all that I-n-I bullshit anyway.
I flipped the top lock quick. “What happened?”
“Motherfucker walked straight into my crib, bro, ski-masked up. Put a fuckin’ Glock 9 to my head while I was lying in bed. Ran me for all my herb.” His hand shook as he lifted a thumb-and-finger pistol to his temple. Fear or rage; I couldn’t tell.
“How many?” I asked. “Who?” In Laz’s business, you don’t get jacked by strangers. Strictly friends and well-wishers.
“Just one, and he knew where my shit was.”
“Even the secret shit?”
“Not the secret shit. I still got that. But the other ten are gone — I just re-upped yesterday. Son of a bitch filled a trashbag, duct-taped me up, and bounced.”
“Didn’t do a very good job with the tape, did he?”
Laz shook his head. “He was too petro. That was the scariest part, T. He was shitting his pants more than I was. And that’s when you get shot: when a cat doesn’t know what the fuck he’s doing.”
“You want a drink?” I didn’t know what else to say.
“You got a joint?”
“Yeah. Yeah. Hold on.” I went to the bedroom and grabbed my sack. Laz was sitting on the edge of the couch when I got back, flipping an orange pack of Zig-Zags through his knuckles.
“This might be kinda beside the point right now,” I said carefully, falling into the chair across from him, “but it’s probably time to dead all that cosmic-karmic open-door no-gun shit, huh?”
The bottom line was that Lazarus was practically asking to be robbed. He never locked his door, and the only weapon in his crib was the chef’s knife he used to chop up ganja for his customers. He had some kind of who-Jah-bless-let-no-man-curse theory about the whole thing, like somehow the diffusion of his positive vibrations into the universe would prevent anyone from schiesting him. That and the fact that all the small-timers who copped off him knew that Laz was tight with the old Jamaicans who really ran the neighborhood. Plus, Laz was convinced that he looked crazy ill strutting around his apartment with that big blade gleaming in his hand: a wild-minded, six-two, skin-and-bones whiteboy with a spliff dangling from his mouth and hair ropes trailing down his back. Half Lee “Scratch” Perry, half Frank White.
It was an equation that left plenty out — the growling stomachs of damn near every young thug in the area, for starters. A year ago, all Laz’s customers were dime-bag-and-bike-peddling yardmen, and everything was peace. Then the hip hop kids found out about him. I told Laz he shouldn’t even fuck with them. I know these niggas like I know myself, I said. They’re outa control. They trying to be who Jay-Z says he is on records, dude. You don’t need that in your life.
He shrugged me off. They’re babies. I man nah fear no likkle pickney. Any time Laz started speaking yard, I just left his ass alone. But he should have listened. You could practically see these kids narrowing their eyes at my man every time he turned his back. It had gotten to the point where I’d started locking the door myself whenever I came over.
“It was Jumpshot,” Laz said, as a calligraph of smoke twirled up from the three-paper cone he’d rolled. “It had to be.”
I leaned forward. “Why Jumpshot?” So-called because he liked to tell folks he was only in the game because genetics had failed to provide him with NBA height. Or WNBA height, for that matter.
“Two reasons.” Laz offered me the weed. I shook my head. He blew a white pillow at the ceiling. “Three, actually. One, he sells the most. He’s got the most ambition. Two, that shit last month, when he complained and I sonned him.”
“Hold up, hold up. You did what? You ain’ tell me this.”
Laz cocked his head at me. “Yes I did, bro. Didn’t I? He came by at night, picked up a QP. I was mad tired, plus mad zooted, and I gave him a shitty shake-bag by mistake. So the next morning he shows up with two of his boys, dudes I don’t even know, bitching. Little Ja Rule-lookin’ cocksucker. I was like, ‘Okay, cool.’ Sat him down, gave him a new bag, took the one he didn’t want, and threw it on the table. Then I brought out the chalice, like, ‘Now we’re gonna see if y’all can really smoke.’ Part challenge, part apology, you know. My bag and his bag, bowl for bowl. And you know I can smoke, bro.”
He had told me this story. It was funny at the time, hearing how Laz had smoked Jump and his boys into oblivion, burned up half Jump’s new herb sack before the kid even got out of the room. The way Laz told it, Jumpshot’s crew had passed out, but Jump himself refused to go down; he’d sat there all glassy-eyed, slumped back, barely able to bring the chalice-pipe to his lips, while Laz talked at him for hours like he was the dude’s uncle or something — regaled him with old smuggling stories from the island days, gave him advice on females, told him how to eat right, all types of shit. After a while, Laz said, he’d put this one song on repeat for hours, just to see if Jump would notice. “Herbman Trafficking” by Welton Irie, Laz’s theme music: Some a use heroin, some a snort up cocaine/but all I want for Christmas dat a two ganja plane/as one take off the other one land/we load the crop of sensimilla one by one/they tell me that it value is a quarter million/me sell it in the sun and a me sell it in the rain/ca’ when me get the money me go buy gold chain/me eat caviar and me a drink champagne…