UNSEELIE PRINCES: Highly sexual, insatiable, dark counterpart to the golden Seelie Princes. Long blue-black hair, leanly muscled dark-skinned bodies tattooed with brilliant complicated patterns that rush beneath their skin like kaleidoscopic storm clouds. They wear black torques like liquid darkness around their necks. They have the starved cruelty and arrogance of a human sociopath. There are four royal princes: Kiall, Rath, Cruce, and an unnamed prince slain by Danielle O’Malley in Dreamfever. In the way of Fae things, when one royal is killed, another becomes, and Christian MacKeltar is swiftly becoming the next Unseelie Prince.
UNSEELIE PRINCESSES: The princesses have not been heard of and were presumed dead until recent events brought to light that one or more were hidden away by the Unseelie King either in punishment or to contain a power he didn’t want loose in the world. At least one of them was locked in the king’s library inside the White Mansion until either Dani or Christian MacKeltar freed her. Highly sexual, a powerful sifter, this princess is stunningly beautiful with long black hair, pale skin, and blue eyes. In Burned we learn the Sweeper tinkered with the Unseelie Princess(es) and changed her (them) somehow. Unlike the Unseelie Princes who are prone to mindless savagery, the princess is quite rational about her desires, and logically focused on short-term sacrifice for long-term gain. It is unknown what her end goal is but, as with all Fae, it involves power.
ROYAL HUNTERS: A caste of Unseelie sifters, first introduced in The Immortal Highlander, this caste hunts for both the king and the queen, relentlessly tracking their prey. Tall, leathery skinned, with wings, they are feared by all Fae.
CRIMSON HAG: One of the Unseelie King’s earliest creations, Dani O’Malley inadvertently freed this monster from a stoppered bottle at the king’s fantastical library inside the White Mansion. Psychopathically driven to complete her unfinished, tattered gown of guts, she captures and kills anything in her path, using insectile, lancelike legs to slay her prey and disembowel them. She then perches nearby and knits their entrails into the ragged hem of her blood-red dress. They tend to rot as quickly as they’re stitched, necessitating an endless, futile hunt for more. Rumor is, the Hag once held two Unseelie Princes captive, killing them over and over for nearly one hundred thousand years before the Unseelie King stopped her. She reeks of the stench of rotting meat, has matted, blood-drenched hair, an ice white face with black eye sockets, a thin gash of a mouth, and crimson fangs. Her upper body is lovely and voluptuous, encased in a gruesome corset of bone and sinew. She prefers to abduct Unseelie Princes because they are immortal and afford an unending supply of guts, as they regenerate each time she kills them. In Iced, she kills Barrons and Ryodan then captures Christian MacKeltar (the latest Unseelie Prince) and carries him off.
FEAR DORCHA: One of the Unseelie King’s earliest creations, this seven-foot-tall, gaunt Unseelie wears a dark pinstriped tailcoat suit that is at least a century out of date and has no face. Beneath an elegant, cobwebbed black top hat is a swirling black tornado with various bits of features that occasionally materialize. Like all the Unseelie, created imperfectly from an imperfect Song of Making, he is pathologically driven to achieve what he lacks — a face and identity — by stealing faces and identities from humans. The Fear Dorcha was once the Unseelie King’s personal assassin and traveling companion during his liege’s time of madness after the concubine’s death. In Fever Moon, the Fear Dorcha is defeated by Mac when she steals his top hat, but it is unknown if the Dorcha is actually deceased.
HOAR FROST KING (GH’LUK-RA D’J’HAI): (aka HFK) Villain introduced in Iced, responsible for turning Dublin into a frigid, arctic wasteland. This Unseelie is one of the most complex and powerful the king ever created, capable of opening holes in space-time to travel, similar to the Seelie ability to sift but with catastrophic results for the matter it manipulates. The Hoar Frost King is the only Unseelie aware of its fundamental imperfection on a quantum level, and like the king, was attempting to re-create the Song of Making to fix itself by collecting the necessary frequencies, physically removing them from the fabric of reality. Each place the Hoar Frost King fed, it stripped necessary structure from the universe while regurgitating a minute mass of enormous density, like a cat vomiting cosmic bones after eating a quantum bird. Although the HFK was destroyed in Iced by Dani, Dancer, and Ryodan, the holes it left in the fabric of the human world can only be fixed with the Song of Making.
GRAY MAN: Tall, monstrous, leprous, capable of sifting, he feeds by stealing beauty from human women. He projects the glamour of a devastatingly attractive human man. He is lethal but prefers his victims left hideously disfigured and alive to suffer. In Darkfever, Barrons stabs and kills the Gray Man with Mac’s spear.
GRAY WOMAN: The Gray Man’s female counterpart, nine feet tall, she projects the glamour of a stunningly beautiful woman and lures human men to their death. Gaunt, emaciated to the point of starvation, her face is long and narrow. Her mouth consumes the entire lower half of her face. She has two rows of sharklike teeth but prefers to feed by caressing her victims, drawing their beauty and vitality out through open sores on her grotesque hands. If she wants to kill in a hurry, she clamps her hands onto human flesh, creating an unbreakable suction. Unlike the Gray Man, she usually quickly kills her victims. In Shadowfever, she breaks pattern and preys upon Dani, in retaliation against Mac and Barrons for killing the Gray Man, her lover. Mac makes an unholy pact with her to save Dani.
RHINO-BOYS: Ugly gray-skinned creatures that resemble rhinoceroses with bumpy, protruding foreheads, barrel-like bodies, stumpy arms and legs, and lipless gashes of mouths with jutting underbites. Lower-caste Unseelie thugs dispatched primarily as watchdogs and security for high-ranking Fae.
PAPA ROACH: Made of thousands and thousands of roachlike creatures clambering up on top of one another to form a larger being. The individual bugs feed off human flesh, specifically fat. Consequently, post-wall, some women allow them to enter their bodies and live beneath their skin to keep them slim, a symbiotic liposuction. Papa Roach, the collective, is purplish-brown, about four feet tall with thick legs, a half-dozen arms, and a head the size of a walnut. It jiggles like gelatin when it moves as its countless individual parts shift minutely to remain coalesced. It has a thin-lipped beaklike mouth and round, lidless eyes.