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Laylah, who had been staring, mesmerized, into Judith's face, made a quick grab for one of her earrings. Judith laughed, slipped them into her apron pocket, and began touring the room with the baby, allowing everyone to make a fuss over the guest of honor.

"I owe you one, Jackie," Tess said. "I think I'm off the hook for producing grandchildren, at least for a few years."

"I helped," Tull said. "Don't forget, I helped."

So he had, tracking Laylah down in the foster care system, while Uncle Donald had called in every chit he had to grease the works at DHR. The agency officials had balked at first. It was highly irregular, he had been told, to allow a single woman to take a child into her home before the adoption process was further along.

"As irregular as losing a woman's kid in the system and then trying to file a lien against her for back support?" Donald had asked innocently. From then on, everything had been simple.

If only everything could be so simple in the future. For Jackie and Sam, for Jackie and Laylah. Would Laylah be better off with Jackie than she had been with Keisha? It wasn't a judgement Tess could make so easily any more. Laylah's material life would be better, and she would be loved. But one day, she would start asking questions and the answers she received would be far more disturbing than the ones Samantha King had confronted. Blood tells. It tells and tells and tells. Sometimes, blood just wouldn't shut up.

Eldon had finally told, too. Stoic at first, he had decided that his loyalty to the Nelsons did not extend to taking the fall for the four murders. So the Nelsons were to stand trial in two jurisdictions now. Double-dipping again, tying up the resources of two criminal systems, two prosecutor's offices, and two juries. Chase Pearson was expected to testify at their Baltimore trial, although he was really a small player. It seemed almost pathetic, how little he had reaped from the literal mom-and-pop operation that had grown into a million-dollar fencing ring. He was a figure of ridicule now, his name synonymous with ignorance and missed opportunities. Recently, when the housing commissioner had done something particularly bone-headed, a Blight columnist had referred to it as "pulling a Pearson." It was possible to come back from being indicted in Maryland politics; even convicted felons had enjoyed second chances here. But stealing a cherry when you could have had the whole pie-unforgivable.

Jackie appraised Tess. "You look good, girl. Prosperous." She did. Her hair was up, she wore a black linen sheath that Jackie had picked out for her at Ruth Shaw, with black-eyed Susan earrings-onyx set in real gold. She had balked at the black-and-yellow spectator pumps, however. Someone needed to draw the line at all this matchy-matchy stuff. She wasn't turning into her mother. Not just yet.

"Work is going well. I'm turning down business these days. Everybody wants to hire the private investigator who cleared Luther Beale. No offense, Martin."

"None taken, Tess."

Tess looked at her two friends. She had started the summer feeling so lonely. What had Kitty said? She was a Don Quixote, in search of a Sancho. But Jackie was no Sancho, nor was Tull. They were all Don Quixotes in their own ways, each one dealing with their lost illusions.

In last year's nests, there are no birds this year. But there would be new nests, right? You could lose one set of illusions, but gain another. At least, she hoped it worked that way. She still didn't know what happened to the real Don Quixote.

Sal Hawkings dashed through the door, a small package in hand. He wore jeans and a T-shirt, both splattered with paint. He was spending the end of the summer helping Beale renovate houses along Fairmount. The community service wasn't court-ordered; it had been decided that no criminal action should be brought against Sal for the death of Donnie Moore. It had been an accident, after all, and he had been only twelve. These days, it seemed as if he was seventeen going on ten, trying to recapture the childhood he had never had.

"Mr. Beale is out in the car, but he wanted me to drop this by. Will you open it while I'm here?"

"Sure," Jackie said. She undid the ribbon and lifted a heart-shaped locket from a nest of cotton, a locket that Tess remembered well. She was surprised that Beale would part with it. But then, Beale never stopped surprising her. He had refused to sue the state, settling for a pardon. If she tried to speak to him now of what had happened that night, he said it wasn't important, the past was the past, he was too busy thinking about the future. Where should Sal go to college, for example? He had heard Princeton was nice, but he worried he should be closer to home. St. John's in Annapolis? Johns Hopkins?

"Open it," Sal urged. "It's got a little catch on the side. I'll show you how."

The photo inside was of a boy, his mouth slightly open, his eyes large and bright. The tiny heart shape had been cut from a color photo, grainy and overexposed, but it was still possible to see the joy in his eyes. Perhaps it had been Christmas, or his birthday. Perhaps it had been nothing more than a trip to McDonald's. It took so little to make a child happy. It took so much.

"It's her brother, Donnie," Sal said. "Well, half-brother, I guess. His aunt had some photos, and she let us have one. So one day, when Laylah's older, you can tell her how she had a brother and he was a pretty good kid."

Jackie thanked Sal, tears in her eyes, passing the locket to Tess, who couldn't help wondering how anyone could tell the story of what had happened on Butchers Hill. Where to begin? The night Luther Beale had gone into the street with his gun, the day he had come into her office? Did it begin the day Chase Pearson became a social worker, or on the day Donnie Moore was born? Or the day Luther Beale was born, ornery and resolute, his destiny hurtling him toward a tragic confrontation and a nickname he still couldn't shake? The Butcher of Butchers Hill. Where did anything begin?

Once upon a time, you had a brother, his name was Donnie Moore and he was a pretty good kid.

There were worse ways to be remembered.

About the Author

LAURA LIPPMAN was a newspaper reporter at the Baltimore Sun for fifteen years. Her Tess Monaghan novels-Baltimore Blues, Charm City, Butchers Hill, In Big Trouble, The Sugar House, and The Last Place-have won the Edgar, Agatha, Shamus, Anthony and Nero Wolfe awards, and her novel, In a Strange City, was named a New York Times Notable Book of the Year. Her latest standalone crime novel, Every Secret Thing, was published by William Morrow in September 2003.

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