"I believe I'll have some iced tea. You sure you don't want some?" When Tess shook her head, Beale took a jar of presweetened, instant powder from the top of the refrigerator and stirred it into a tall, amber glass filled with tap water. He took a long time stirring, as if making instant iced tea required a great deal of precision.
"You ever listened to a child tell you the plot of a picture show?" The teaspoon was still hitting the sides of his glass, tap, tap, tap. "You know how they get all mixed up, forget the important parts, double back to the beginning? And no two children will tell the story quite the same way. It likes to drive you crazy, listening to them."
Tess waited. It seemed to her that Luther Beale wasn't a much better storyteller himself.
"Now the children who saw Donnie Moore die all saw the exact same thing. They all told the jury the same story, almost word for word. Me, standing there with my gun out, looking like the devil. The girl saw it, although she was around the corner and heading up the alley before Donnie went down. Her brother was right behind her, but he saw me, too. The fat one saw it, although his back was to me. Yet they all told the same story, almost word for word. Now isn't that something?"
"Their testimony had probably been rehearsed to some degree," Tess said. "They were children, after all, the prosecution had to prepare them for taking the witness stand. You'd expect a certain similarity."
"Which would be fine, except for one thing. I didn't kill Donnie Moore, Miss Monaghan."
What had Tull told her, when they watched the moon rise over Locust Point? He wanted to take the witness stand in his own defense. Luckily, his lawyer wasn't that crazy. How had she ever gotten involved with such a crazy old man?
"You mean someone else with a gun just like yours happened to be on Fairmount Avenue that night and just happened to shoot Donnie after you opened fire and it just happened that no one heard the other shots? You'll have to do better than that."
"I heard two shots. At the time, I thought it was a car backfiring. Later, I realized they were gunshots, probably came from the car I saw coming round the corner."
"But the bullet they found in Donnie matched your gun, right?"
"The bullet passed through Donnie. They never found it. But then they weren't looking for it. They didn't need to find any bullets. They had me, they had my just-fired gun, they had four children saying I did it."
"It still sounds pretty incredible to me. But okay, I'll play along. Someone else shoots Donnie Moore. Why?"
"It wouldn't be the first time a child was shot when some drug dealer was trying to hit someone else. See, it's gotta be drugs, because if it wasn't, why didn't the folks in that car slow down? Why didn't they call the prosecutor and offer to testify, too? And if there was someone else there they were trying to kill, that person's not going to help me out. He's just going to run. The children say it was me because they don't want to go against the drug dealers."
"But after Donnie died, the other children were separated. They were put in different foster homes. They couldn't have conspired to tell the same story even if they wanted to."
"I'm going to tell you again. I didn't kill Donnie Moore, Miss Monaghan. It's true, I told you a little lie at first. I didn't think you'd be able to find the children if you weren't dangling money in front of their noses. Once you found 'em, I planned to tell you the truth. But all I ever wanted to do was to talk to them, to find out why they lied, why they didn't mention the other gunshots, or the car that turned onto Fairmount just as Donnie died."
He finished his iced tea in one long swallow, then immediately took the glass to the sink, rinsed it out, and put it in the rack on the drainboard. Watching him, Tess struggled with her own feelings. She wanted to believe him, if only because she didn't want to be implicated in Treasure's death. But she couldn't let him off the hook just to get herself off the hook.
"Are you still going to work for me?" he asked.
"The police told me you had a PBJ for agg assault. So you're not quite the righteous man you hold yourself out to be. You hurt someone once, almost killed him according to the cops. Why wouldn't you do it again?"
Beale pulled a long, gold chain from his pocket, worrying it between his fingers the way Tess's Monaghan relatives manipulated their rosary beads. "I told you about my Annie, how she wanted children. But her body wasn't kind to her. It killed the babies she wanted, and then it killed her, the female parts turning against her. She was dying, no way around it, and I rushed over to the hospital from work each day, wanting only to be with her when she finally slipped away. One day, the boss kept me late after work, some stupid thing. When I got there, an orderly was pulling the sheet over her face."
Tess waited.
"So I pulled it down to look at her, one last time. She was so thin at the end, she had lost most of her hair, she didn't even look like the woman I had married, but she was my Annie. I looked at her, and I saw her neck was bare. The orderly, his fist was clenched, he was trying to back out of the room. I knocked him down and I sat on him, and I beat his head against that hospital floor until he opened his hand and gave me back my Annie's locket. Then I pounded his head on the floor until he was unconscious and had to be admitted to his own emergency room. When the judge heard the whole story, he gave me PBJ."
He flipped open the locket at the end of the chain in his hand and showed Tess the faded photo there. Luther Beale, the young Luther Beale that Annie had known.
"He had her wedding ring, too. But it was the locket that made me crazy."
"It's a nice picture. You were a handsome young man." He was, although there was something severe and cold in his face, even as a young man. Luther Beale looked like he had come into this world feeling righteous.
"I always wonder if I should put Annie's photo in there now. I mean, should it be the way it was, or is it my locket now, my way of remembering her?"
Tess couldn't begin to answer that question. How do you remember your dead? Light a candle, unveil a stone, sit in the dark and drink tequila. Although she had tried only the last of these three rituals, it was something she had been struggling with for almost a year, since she had seen Jonathan Ross run down by a taxi on a foggy morning in Fells Point. She drank tequila and went through the dreary litany of what-ifs. What if they had slept in that morning. What if they had left by the front door instead of the side. What if, what if, what if.
She assumed Luther Beale had his own version. What if Annie had lived? What if they had had children? Then they might have moved, in order to find better schools, and then Luther Beale would have been long gone from Fairmount Avenue.
"I didn't kill Donnie Moore, Miss Monaghan. I didn't kill those twins. And if I didn't, someone else did. I'm too damn old to serve more time for a crime I didn't do. You still working for me, Miss Monaghan? You believe me now?"
"I believe you didn't kill the twins," Tess said slowly. "And I believe you didn't mean to kill Donnie Moore. Is that good enough?"
"It's better than what most people think of me."
And they sat in the kitchen, waiting for the cops to come.
Chapter 16
The cops came for Luther Beale late that afternoon. They had a search warrant, but he wasn't being officially charged, not yet, just taken in for questioning. Tyner suspected they had waited until late in the day hoping Beale would be tired, presumably easier to wear down during the interrogation. Tess thought the cops should know Luther Beale better than that.
"But this is good for us," Tyner told Tess, when she telephoned to say they had taken Beale away and started searching his apartment. "I bet they don't have any physical evidence or eyewitnesses to link him to the twins' deaths."