"Love," her grandfather scoffed.
Some men might have been smart enough to exit on a line like that, but Brian Monaghan, a belligerent Irishman to the end, wore out his welcome, coming back from death several times in that last day. Finally life seemed to tire of him and shuttered itself against his return, like a tavern giving someone the bum's rush.
But her Monaghan side was of no use here. Today Tess needed to rely on her Weinstein genes if she was going to find any affinity with this prickly man who clearly had the wherewithal to help her out of her financial slump.
"Do you have any leads at all? A vehicle, a name she might use, a place, a friend she might reach out to, a list of long-distance phone calls from before she left?"
"All our cars are in our garage, untouched. My guess is she'd revert to her maiden name, or some form of it. Natalie Peters." Tess idly wondered what the surname was before it was changed. Her grandfather had been too stubborn to consider such a thing, and he was proud of having the Weinstein name on his stores until the day they sank into bankruptcy. "As for family or friends, it's only her mother, and, as I said, they have no relationship. I think she lives up on Labyrinth Road. Vera Peters."
"Still, it's a place to start. Now, has Natalie drawn on any accounts-checking or savings-since she's been gone? Used a credit card?"
"No, nothing like that."
"And the police didn't find that suspicious? That's usually a sign of… well, it's certainly something they look at."
She had not wanted to say, It's usually a sign that a person is dead.
"They know what you know, and they still don't think this is a matter for them. They have these, too."
He took a folder from his briefcase and brought out three photographs. The first could have been a miniature Mark Rubin, a boy with the same dark eyes and hair, although not the somber expression. He beamed at the camera, a little self-conscious, but clearly happy at whatever moment he had been captured. He was holding a plaque, so perhaps it was an awards ceremony.
"Isaac, my oldest."
The next photo showed a boy and girl of the same height. Their hair was several shades lighter than the older boy's and their features sharper-narrow eyes with a hint of a tilt, prominent cheekbones that gave them a foxy look. They must favor their mother.
"The twins, Penina and Efraim."
He was shy about sliding the last photograph to Tess, or perhaps just reluctant to surrender it. The woman in the picture was gorgeous, an absolute knockout, with the lush lips and heavy-lidded eyes of a movie star. Not just any movie star but a specific one, although Tess couldn't pull up the memory. Ava Gardner? Elizabeth Taylor? One of those smoldering brunettes from the studio days. The dark hair was perfect, cut and shaped into curls that looked too natural to be anything but labor-intensive, and the makeup had the same deceptively simple aspect. She had taken less care with her clothing, content with a simple cardigan that was buttoned to the top, the wings of a white collar visible above the dark wool.
She also was the unhappiest-looking woman Tess had ever seen, a woman whose very expression-the dark eyes, the set mouth, which really was the shape of a Cupid's bow-bespoke a secret burden. But Mark Rubin looked at the photo as if all he could see was the beauty.
"Your wife-did she have a history of psychiatric problems?"
"Of course not."
"Why 'of course not'? There's no shame in having emotional problems." Tess didn't bother to tell Rubin that she had just finished her own course of court-ordered therapy. It was simply too long a story. "It's all chemicals, just another organ in your body having problems."
"I know that." Still too sharp, too defensive. "But chemicals are not the issue here."
"What about organs?"
"Excuse me?"
But that was as close as Tess would get to asking Mark Rubin if he and his wife had a fulfilling sex life.
"So there were no problems, and you don't have a clue why your wife left, and you're not even sure she wanted to leave, yet you don't think there's foul play involved?"
"Sometimes-I mean, I have no evidence of this-but sometimes I think maybe she left to protect me from something."
"Such as?"
"Nothing that I know of. But I can think of no other reason she would leave. Whatever she does, she always puts her family first."
"Is there anything to support this, um, idea?"
"No, not really." His shoulders, which he had been holding so straight and square, sagged. "I honestly don't know what is going on."
Tess looked at the photos in front of her. If there had been only one, and it had been the wife, she would have advised him to save his money and go home. She might have even recited the dorm-wall-poster wisdom of letting something go if you really loved it. But there were the children to consider. They were entitled to their father. He was right, even admirable, in his desire not to let them go.
"I'm going to scan these pictures into my computer, so you don't have to leave them with me. Besides, then I can print them out as necessary, show them to people, create flyers."
"And then?" he asked.
"I never promise results in any case, and I'm not starting with a lot of leads. But I have some ideas about how to proceed. Meanwhile, I'll need you to sign a letter of agreement and pay the equivalent of… eighty hours up front, as my retainer."
Tess had an unofficial sliding scale for her work. She didn't gouge anyone, but a man like Rubin could subsidize some of the less prosperous clients who found their way to the detective agency officially known as Keyes Investigations. She had been having a run of such clients lately, down-on-their-luck types and flat-out deadbeats. After making a quick calculation, she tossed off a figure that seemed fair to her, only to watch in amazement as Rubin pulled out a wallet and paid in cash.
"Maybe I'll remember more, or come up with some other leads for you," he said, counting off the ATM-crisp bills. "I'm still a little… numb. My only comfort is knowing that Natalie is a good mother. She's a good wife, too. I don't know why she decided to stop being one. If I failed her-if I worked too hard or was too inflexible in my ways-I'm willing to change. But I have to find them first, right? Without my family I'm nothing, just a man who sells coats."
Tess didn't have the heart to tell him that the best she could do was find his family. In a case like this, Tess was all the king's horses and all the king's men, picking up the broken pieces at the foot of the castle wall.
Mark Rubin stood, then reached for Tess almost as if to tuck a loose strand of hair behind one ear. She recoiled instinctively, nervous about allowing any strange man too close to her, confused at how Rubin could attempt this kind of contact when he had made such a point about refusing her hand. But his hand quickly retreated, holding a quarter he had pretended to pluck from behind her ear.
"I used to do this for my oldest son," he said. "You see, I'm actually a funny guy. I make people laugh. I was a joyous man-it's one of the tenets of Hasidism I happen to embrace as a Modern Orthodox, the idea that one honors God by being full of joy. But you'll just have to take my word for that for now."
Chapter Two
TESS FOUND A TOEHOLD ON A METAL HANDLE JUTTING from the side of the Dumpster, scrambled to the top, and swung her legs so she was perched on the lip. She was now staring down into, if not the abyss, a reasonable and pungent facsimile. Even in hip waders and the decontamination suit she had acquired from a friend in city Homicide, she was less than eager to take the plunge.
"Baruch ata Adenoid, Mark Rubin," she said, pronouncing the blessing as she had misheard it in her childhood, when she believed her Aunt Sylvie was offering a prayer to cure her cousin Deborah of her allergies. "If working for you means no more Dumpsters for a while, I won't complain about what a deluded tight-ass you are."