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"Oh my. Well, what's all this? Aren't you a sweetie pie!"

Henry had prepared a plate of canapйs. He's one of those people who can whip into the kitchen and create a gourmet snack out of canned goods from the back of the cupboard. All I have at the back of my kitchen cupboard is an old box of cornmeal with bugs.

Lila's red fingernails formed a tiny crane. She lifted a canape and conveyed it to her mouth. It looked like a toast round with a bite of smoked salmon and a dab of dilled mayonnaise. "Mmm, that's wonderful," she said, mouth full, and then licked her fingertips, one by one. She wore several crusty diamond rings, the stones clotted together with rubies, and a square-cut emerald the size of a postage stamp, with diamonds on either side. Henry offered me the plate of canapes. "Why don't you try one of these while I fix you a mint julep?"

I shook my head. "I better not. I may try to jog and then I have work to do."

"Kinseys a private detective," he said to her.

Lila's eyes got big and she blinked in wonderment. "Oh my goodness. Well, how interesting!" She spoke effusively, implying more enthusiasm than etiquette required. I wasn't nearly that thrilled with her and I'm sure she sensed it. I like older women as a rule. I like almost all women, as a matter of fact. I find them open and confiding by nature, amusingly candid when it comes to talk of men. This one was of the old school; giddy and flirtatious. She'd despised me on sight.

She looked at Henry and patted the chaise pad. "Now, you sit down here, you bad boy. I won't have you waiting on me hand and foot. Can you believe it, Kinsey? All he's done this afternoon is fetch me this, fetch me that." She bent over the canape plate, enthralled. "Now, what is this one?"

I glanced at Henry, half expecting him to shoot me a pained look, but he had settled on the chaise as commanded, peering over at the plate. "That's smoked oyster. And that's a little cream cheese and chutney. You'll like that one. Here."

He was apparently about to hand-feed her, but she smacked at him ineffectually.

"Quit that. You take one for yourself. You are spoiling the life out of me, and what's more, you're going to make me get fat!"

I could feel my face set with discomfort, watching their two heads bent together. Henry is fifty years older than I am and our relationship has always been completely decorous, but I wondered if this was how he felt on those rare occasions in the past when he'd spotted some guy rolling out of my place at six A.M.

"Talk to you later, Henry," I said, moving toward my front door. I don't even think he heard me.

I changed into a tank top and a pair of cutoffs, laced up my running shoes, and then slipped out again without calling attention to myself. I walked briskly one block over to Cabana, the wide boulevard that parallels the beach, and broke into a trot. The day was hot and there was no cloud cover at all. It was now three o'clock and even the surf seemed sluggish. The breeze fanning in off the ocean was dense with brine and the beach was littered with debris. I don't even know why 1 was bothering to run. I was out of shape, huffing and puffing, my lungs on fire within the first quarter-mile. My left arm ached and my legs felt like wood. I always run when I'm working and I guess that's why I did it that day. I ran because it was time to run and because I needed to shake the rust and stiffness from my joints. As dutiful as I am about jogging, I've never been a big fan of exercise. I just can't think of any other way to feel good.

The first mile was pure pain and I hated every minute of it. Mile two, I could feel the endorphins kick in, and by mile three, I'd found my pace and might have gone on forever. I checked my running watch. It was 3:33. I never said I was swift. I slowed to a walk, pouring sweat. I would pay for this on the morrow, I was relatively sure, but for the moment, I felt loose, my muscles soft and warm. I used the walk home to cool down.

By the time I reached my place again, evaporating sweat had left me chilled and I was looking forward to a hot shower. The patio was deserted, empty mint-julep glasses sitting side by side. Henry's back door was closed and the window shades were drawn. I let myself into my place with the key I carry tied to my shoelace.

I washed my hair and shaved my legs, slipped into a robe, and puttered around for a while, tidying up the kitchen, cleaning off my desk. Finally, I donned a pair of pants, tunic top, sandals, and cologne. At 5:45, I grabbed my big leather handbag and went out again, locking up.

I checked the directions to Bobby's house and turned left on Cabana toward the bird refuge, following the road as it wound into Montebello, which is rumored to have more millionaires per square mile than any other community in the country. I don't know if that's true or not. The residents of Montebello are a mixed lot. Though the big estates are interspersed now with middle-class homes, the overall impression is of money, carefully cultivated and preserved, vintage elegance harking back to a time when wealth was handled with discretion and material display reserved for one's financial peers. The rich, these days, are merely gaudy imitators of their early California counterparts. Montebello does have its "slums," a curious string of clapboard shacks that sell for $140,000 apiece.

The address Bobby'd given me was off West Glen, a narrow road shaded by eucalyptus and sycamore, lined with low walls of hand-hewn stone that curve back toward mansions too remote to be seen by passing motorists. An occasional gatehouse hints at the stately digs beyond, but for the most part West Glen seems to wander through groves of live oak with nothing more on its mind than dappled sunshine, the scent of French lavender, and bumblebees droning among hot-pink geraniums. It was six now and wouldn't get dark for another two hours or so.

I spotted the number I was looking for and turned into a driveway, slowing. To my right were three white stucco cottages, looking like something the three little pigs might have built. I peered through the windshield, but couldn't see a parking place. I rolled forward, hoping there would be a parking pad somewhere around the bend coming up. I glanced back over my shoulder, wondering why there weren't any other cars in sight, and wondering which of the little bungalows belonged to Bobbys folks. I felt a brief moment of uneasiness. He had said this afternoon, hadn't he? I could just picture myself arriving on the wrong day. I shrugged. Oh, well. I'd suffered worse embarrassments in my life, though for the moment, I couldn't think of one. I rounded the curve, looking for a place to pull in. Involuntarily, I slammed on the brakes, skidding to a stop. "Holy shit!" I whispered,

The lane had opened out into a large paved courtyard. Just ahead I saw a house. Somehow, in my gut, I knew Bobby Callahan lived here, not in one of those homey little snuggeries up front. Those were probably servants' quarters. This was the real thing.

The house was the size of the junior high school I'd attended and had probably been designed by the same architect, a man named Dwight Costigan, dead now, who had revitalized Santa Teresa single-handedly during the forty-odd years he worked. The style, if I'm not mistaken, is Spanish Revival. I have tended, I confess, to sneer at white stucco walls and red tile roofs. I've been contemptuous of arches and bougainvillea, distressed beams and balconies, but I had never seen them put together quite like this.

The central portion of the house was two stories high, flanked by two cloistered arcades. Arch after arch after arch, supported by graceful columns. There were clusters of airy palms, sculptured portals, tracery windows. There was even a bell tower, like an old mission church. Hadn't Kim Novak been pushed out of something similar? The place looked like a cross between a monastery and a movie set. Four Mercedes were parked in the courtyard like a glossy ad campaign, and a fountain in the center shot a stream of water fifteen feet high.