About halfway through, Parker’s demeanour suddenly changed. He realised that this was not a could-do-better, untapped-potential, not-angry-just-disappointed, hate-to-see-you-wasting-your-talents talk of the type he was used to. Smitty’s words and tone were gentle because his conclusions were final. What was going on here was something Smitty had seen before: a young person’s first real farewell to the world of school and college, where even if they are rebelling and faffing about and getting in trouble, the truth is that the whole experience is about them. They think that the whole world revolves around their needs, for the good reason that the institutions and authority figures in their world do, in fact, put them first. They’re not wrong to think they’re the centre of the universe. They’re just wrong to think it will stay that way. Then you get to the adult world, and at some point the penny drops. No one cares about you and most of the time they don’t even notice you’re there. It was this revelation that was now taking place in Smitty’s studio.
Parker’s expression began to crumple and darken. He looked much younger, like a rebuked schoolboy. It seemed as if he might even cry. He switched from looking cocky to looking numb and devastated. Smitty was aghast – he hadn’t wanted the kid to go skipping out the door, but he didn’t want to feel as if he’d just shot the little bastard’s puppy. He sped through the last part of his prepared speech, about maybe we’ll work together again one day, and handed him his envelope with a month’s pay and his P45. By now, no question, there were tears in the boy’s eyes. He collected his jacket and his bag and his iPod in a lot less time than he had taken to get them off, and was out the door without a further word.
Smitty thought, thank fuck that’s over.
47
At 42 Pepys Road, Petunia Howe was dying. Her condition was worse in every way. Her level of consciousness varied: at times she knew where she was and what was happening; at other times she was living through a delirium. Memories swam through her like dreams. Albert was alive and beside her, or she was already dead and in some place where he had gone before to wait for her. At other times, all she could feel was pain, pain so general and at the same time so intimate – as dental pain or earache is intimate – that there was no point at which the pain stopped and she began. Petunia spoke only in fragments and could only move with assistance. Her daughter had to help her to use a bedpan.
Mary tried not to think about what was happening. She kept herself as immersed as possible in the daily detail of her mother’s illness. Every now and then she would pull back and get a glimpse of things in the round, an overall look at the reality of these terrible days, and she would think: this is the worst experience of my life. My mother is dying horribly, I’m more tired than I’ve ever been, more tired than I was when the children were small, she is in pain, she doesn’t know who or where she is, and there’s no end in sight, because it’s dragging on and on, and the only release is for Mum to die, so I want Mum to die, which is a terrible thing to want, and it will happen to me too, one day, I will die too, and I’m stuck here in London and I’m lonely and frightened and I have to lift my mum to the bedpan to have a shit and then have to wipe her bottom and put her back in bed and go to the toilet to empty her shit down it and then flush it and wash my hands and go back to bed and sit there staring at the ceiling waiting for sleep which I know will never come, and it won’t end until my mum dies, and then I’ll have to sell the house and it’ll be worth a million pounds and it will come to me and everything will be different, but if I think about that I’m a bad person so I mustn’t think about anything other than today, right now, the things I have to do right here and right now. And so Mary would return to the daily, immediate demands of the house, the sickroom, her mother’s death; and she would feel easier.
Her contact with home was through phone calls. She had to ration these because otherwise she called Alan ten times a day, mainly just to hear his voice. Ben, who was seventeen, was too grumpy to have a proper conversation with, and Alice was away at college, and Graham was off at his London life, so with all three of them she confined herself to a daily exchange of texts. (‘u ok?’ ‘yes k.’) Alan knew well what she was going through – he was good like that – but in the end there wasn’t much that could usefully be said.
‘I’m worried about you, Maggie.’ He was the only person who had ever called her that.
‘Sometimes I feel I can’t cope. Then I think: I’ve got no choice, I’ve got to cope. It’s one of those. It’s a cope.’
At which point Alan, being Alan, started singing, or pretending to sing, ‘Did you ever know that you’re my hero?’ Which made Mary laugh, which in turn made her feel, when they had both rung off, much more lonely. Her mother was dying and she felt lonely. Mary told herself: they’re only in Essex. It’s only an hour and a bit away, it’s not like they’re in bloody Peru. But still she felt very much on her own.
She also felt she had been here long enough. It was time for her mother to die; it was time for her to be able to go home. She’d thought she would be here for a week or two, and now it was the best part of two months later, and here she still was. But that was a terrible thing to think; it was terrible to be that person, the person who thought that. So she tried not to think it.
It was lucky she was so busy. Because 42 Pepys Road was not a modern house, it was not easy to keep tidy; it was a place of nooks and corners, hard to vacuum, harder to dust, harder still to wash. So tidying and cleaning took a lot of effort. Mary was aware that tidying was a trap, that it was her own version of her mother’s limited horizons, her stuck-within-herselfness; but the fact was that knowing that made no difference, she still liked things tidy, it made her feel better, it calmed the sense of things sliding away from her that was brought by untidiness, chaos, disorder, dirt. It brought a sense of accomplishment. Today, there was an extra reason to get things in order, because two visitors would be coming from the hospice to assess Petunia’s condition. There was a possibility that she might be taken in for respite care, to give Mary a break, or alternatively that she might be so ill she would be taken in to die. Or she might be fine as she was – but Mary didn’t think so.
The drawing room, bedroom, and staircase were all fine, apart from the faint smell of sickness and disinfectant, which Mary only now noticed when she stepped back into the house from having a ciggie in the garden. Today’s task would be the kitchen, which was a dream of modernity and convenience from the fifties. Dad had been too mean to ever change it and it was the kind of thing about which Mum was either oblivious or defeated. Either way, the floor might have been designed to look permanently dirty; it looked clean only in the immediate aftermath of being washed. So Mary set out to wash it. She got out the mops and brushes and ran a bucket of warm water and set to. The water turned grey and so did the linoleum, as it always did at first. It looked cleaner when it was wiped down and began to dry. If the people from the hospice were late there might also be a chance to give the downstairs a quick vacuuming.