The evening came soon enough and with it a flurry of activity in the palace as Dobbai ordered the servants to leave their quarters and the guards to return to barracks. The sculptors had arrived mid-afternoon with their work and had been ushered into the throne room, the doors of which were locked after they had deposited their handiwork and departed. As the sun began to dip in the west the whole palace was empty apart from Dobbai, who stood at the top of its steps with her arms folded.
After I had left Remus at the stables I dismissed Scarab and walked into the Citadel’s empty courtyard, the only individuals on view were the guards at the gates and on the walls. I saw Thumelicus exit the barracks and walk towards me, followed by Vagises and Vagharsh. They all nodded to me as we gathered at the foot of the steps. Minutes later Domitus, Drenis and Kronos strode through the Citadel’s gates, all of them dressed in full war gear. Indeed, I noticed that all of them were attired as if for battle whereas I only carried my sword and dagger. Perhaps they knew something I did not.
When all seven of us had assembled Dobbai waved us up the steps and led us through the porch and reception hall to the closed doors leading to the throne room. It seemed odd to see no guards posted at the columns and either side of the doors, and odder still to discern the absolute silence all around.
‘Open the doors, son of Hatra.’ Dobbai’s words made me jump as she held out a large iron key to unlock the doors.
I took it from her, walked to the doors and turned it in the lock. I made to enter but she laid a bony hand on my arm.
‘Me first.’
She pushed open the doors and ordered us to follow her. Our footsteps on the tiles echoed round the empty chamber lit by oil lamps. I saw six statues of what appeared to be sitting animals of some kind arranged in a line in front of the dais and also cages containing chickens. Dobbai turned and held a hand up to us to stop our progression as she walked onto the dais and faced us.
‘Each of these clay figures represents a divine one whose aid I wish to summon. These figures will act as vessels through which the gods will send their assistance. Each of you will bear a figure and by doing so you will reveal yourself to that god. He will then know you, for good or ill.’
She pointed at me.
‘Stand beside me, son of Hatra, for I will summon the gods on your behalf and you must be visible to all of them.’
I walked forward and stepped onto the dais and faced the others. I saw that each statue resembled a sitting hound, though the facial features were more like those of a demon, with bulging eyes, large fangs and a snarling visage. They looked hideous. Each one was also painted a different colour and had a chain around its neck, to which was attached a piece of tamarisk into which had been carved the name of a god.
Dobbai pointed at Kronos and then at the yellow-painted statue on the right-hand end of the row of clay dogs.
‘Stand behind the statue and place your right hand on its head to call Shamash.’
Kronos did as he was told.
‘Speak these words,’ she barked. ‘I call upon you, O Shamash, great lord, to look with favour upon my handiwork. Through thy righteous power may I have abundance of strength. With strong weapons for the fray, protect my soldiers. May my weapons advance and strike and overthrow the weapons of the enemies.’
Kronos repeated the words. Dobbai pointed at Domitus and instructed him to stand next to Kronos and place his right hand on the orange-painted statue, and then to recite the words she spoke, which this time called upon Adad, the god of storms, for his aid. Drenis laid his hand on the next statue in the line, this one painted blue and representing Anu, the sky god who is in charge of the Bull of Heaven sent to earth to avenge the gods. After Drenis had finished his speech to Anu, Vagises stepped forward to stand behind the purple dog that represented Marduk, the supreme god. Vagises recited the summons with solemnity, as did Vagharsh who laid his hand on the head of the green hound, representing Ninurta, the god of war who fights with a bow and arrow and a sickle sword. Last came Thumelicus who recited Dobbai’s words to summon the demon Pazuzu who protects humans against plague and evil forces. This hound was painted red and had a particularly gruesome face for Pazuzu had the head of a monster.
Dobbai stepped off the dais to the cages containing the chickens, opened one and removed its captive. She walked over to where Kronos stood with his hand on the statue dedicated to Shamash; slit the chicken’s throat with a knife allowing the blood to gush over his hand, arm and the statue. She held her arms aloft, the dead chicken in one hand, the bloody knife in the other, and called upon Shamash.
‘Expel the malevolent ones God of the Sun.’
She fetched a second chicken and sacrificed it over Domitus’ hand, calling upon Adad.
‘Consume their lives fierce one.’
The statues of Anu, Marduk, Ninurta and Pazuzu were likewise doused with chicken blood. With each slash of her knife Dobbai implored the deities to kill and put the empire’s enemies to flight. By the time it was over the floor was covered in blood, feathers and dead chickens.
Thumelicus must have muttered something to Vagharsh because Dobbai spun on her heels and glowered at him.
‘Silence! The gods are close and none of you may speak in their presence.’ She looked at me. ‘Not even you, son of Hatra.’
She walked back to the now empty cages and picked up two small earthenware containers and waved me over. She handed them to me and then bent down to pick up another, then turned to face my comrades.
‘Time to unleash the gods,’ she said. ‘Each of you must carry your sculpture from the palace to the riverbank. Do not talk; keep your eyes ahead. Above all keep a tight hold of your statues. You must walk behind me, son of Hatra.’
She walked over to the doors and opened them as I trailed after her and the others picked up their gore-covered clay statues and filed after us. At the doorway she stopped and pointed to me.
‘Pour the contents of the containers you hold on the threshold.’
I removed the cork from one and poured the contents, which was milk, across the threshold as instructed, then did the same with the contents of the other container, which was honey.
Dobbai bowed her head. ‘By milk and honey I ensure peace and prosperity within this palace.’
We walked through the reception hall and into the porch and I saw that the courtyard below was ringed with guards, though each legionary was facing the walls.
‘Avert your eyes,’ bellowed Dobbai, ‘any man who looks round will be struck dead at once by the divine ones.’
We followed her across the courtyard to the gates where she poured oil across the entrance from her container, spreading her arms and looking to the heavens.
‘With oil I seal this portal and protect all within.’
The route from the Citadel to the Palmyrene Gate was lined with soldiers, all of them likewise facing away from the street along which we now walked. At regular intervals along the route legionaries held torches to illuminate our journey, while in front of us Dobbai recited chants and prayers in a language I had never heard before.
On we walked, through the Palmyrene Gate and then north along the western wall of the city, more legionaries lining our route as we moved beyond the city walls to change course towards the banks of the Euphrates. It was night now but the land was illuminated by a full moon that cast everything in a ghostly pale grey glow. There was no wind and the air was warm and dry.
At the river we left the guards and at the water’s edge were told to halt by Dobbai, who hissed that none of us was to say a word until we had returned to the Citadel. She scurried back to the centurion commanding the final detachment of guards and instructed him to take his men back to camp.
She led us to the riverbank directly below the escarpment upon which the Citadel stood and instructed that the statues be placed on the ground, facing east across the river.