She shut her eyes again and felt the old man relax his hold. 'Sorry if I scared you,' he was saying gently, his voice soft, almost intimate.
'You can open your eyes now.*
She looked down. 'Rosie, that was wonderful!' she said. 'How did you do it?'
He was already ambling away. 'Just a question of finding the right spot,' he said over his shoulder. 'It's a game we old-timers know. Nothing to it, really.'
He began to whistle. Above him in the blackness the half-moon floated over the beach like an alien presence, holding something unnatural in its geometries. She trudged after him through the sand, her feet as dry as if she'd stayed indoors.
The music and the screams were louder now. They were passing through a line of arcades below the boardwalk, ignoring the enticements of the vendors. Shoot the Rapids! Shoot the Hoops! proclaimed the billboards. They passed the peeling facade of the World in Wax Musee but didn't stop to go inside.
Rosie, in fact, seemed to be rushing her. He had actually taken her hand as they'd walked up from the beach, mumbling something about 'rain coming soon, time enough for one more ride,' and he'd persuaded her, shamed her, into going on the one thing she'd vowed she'd never do. They were heading toward the roller coaster.
Next to it loomed the entranceway of the Hell Hole, a giant red Satan in front holding a pitchfork obscenely from his crotch. All Ye Who Enter Here, Abandon Hope, a signboard read. Satan seemed to leer as they passed.
'I think he's trying to warn us to go home,' said Carol, nervousness constricting her chest.
'What? Who?' Rosie seemed distracted again; he had been looking up at the stars.
'Satan,' said Carol. 'I think he knows where we're going.'
Rosie let out a sputter of laughter. 'Satan? Who's he?' She felt his grip tighten on her hand; he was leading her toward the ticket booth. 'Come on,' he said, 'the line's moving now, I think we'll make this run.'
The open red cars were filling up quickly. Carol was about to slip into one of those in the middle, but Rosie steered her toward one in the rear. 'It's better here,' he said. 'I mean, you won't find it so frightening, your first time. Trust me.' The hand tightened on hers once more.
'Okay,' said Carol, swallowing. She felt a chill sea breeze on her neck and, sitting beside him, removed a light blue kerchief from her purse and tied it around her throat; it was going to get colder when the ride started. Rosie was looking up again, but then he turned to * her arid frowned.
'What's the matter?' asked Carol.
'That kerchief,' said Rosie. He was reaching for it. 'It's much too nice. I really don't think you ought to wear it here. It might blow away, and then you'll go blaming poor old me! Here.' He unfastened it and handed her a clean white handkerchief from his jacket pocket. 'Put yours away and wear this. If you lose it, it won't be any loss. Come on, now, Carol, the ride will be starting in a moment.'
She fastened the handkerchief around her chin and huddled down beside him. Her heart was pounding so hard she could almost hear it above the thunder of the other cars and the screams of the riders. Or perhaps it was the thunder she was hearing… A burly attendant came down the line at last to fasten them into their seats with leather waist straps.
'Don't worry so,' said a small voice close to her ear. Rosie was smiling at her, eyes merry. 'Just repeat that angel song I taught you and you'll feel better. Come on, now, you remember. Sing with me.' He began chanting the tuneless little rhyme he'd had her repeat that evening in her room. 'Ghe'el, ghavoola, ghae'teine…" She knew the words were in the Old Language, but their meaning had long ago been lost to her, and her mouth refused to shape the syllables.
'You're not trying,' he said. 'Believe me, Carol, it's an excellent way of calming down. Come on, now, let's try again. Riya migdl'eth, riyamoghu… '
He sang the words, and she sang them back to him. With a grating of metal and a chorus of excited screams from the passengers in front, the car began to slide forward on the track.
'Sing,' Rosie commanded. 'Don't think about where you are. Sing!'
Carol closed her eyes and sang the words. 'Migghe'el ghae'teine moghuvoola… ' They did help, somehow, just like Rosie said they would – they helped even though she didn't know what she was singing. Or was that what made them so powerful? She tried not to think about the vibration of the car, the steep climb that threw her back against the seat as they ascended the first rise. She gripped
Rosie's hand and shut her eyes and sang the song to herself.
She opened her eyes when the car seemed to be slowing down, and gasped, for ahead of her the other cars seemed to be spilling into an abyss – and then they too were hurtling downward, faster than they'd have fallen, faster than she ever thought she could go, and screams were in her ear and her eyes were shut tight again and she felt Rosie's hand on hers and once again she sang the words as if they were a prayer.
It was not so bad with her eyes closed. She even managed to open them before the final run, for she thought she'd felt a raindrop on her cheek. They had just reached the top of the last peak, the highest one; the car climbed slower and slower and almost stopped, until for a moment it seemed poised, balanced between the two worlds, ready to slide forward but equally ready to slide back. And just as they were teetering on the edge, with the whole park spread below them -the ferris wheel, the beach, the dark ocean – she thought she saw a wisp of fog along the ramp ahead of them. For a moment she thought it might be smoke from a burning bulb, or some trick of the moonlight… and then in the next instant they were hurtling downward, ahead of them people were screaming, she was holding onto Rosie with all her might, and they were dropping with such speed she thought the straps would break and she'd be thrown right out of the car, into the darkness. 'Sing, Carol!' he commanded, and she sang, together they sang, raising their voices above the roaring and the screams. And suddenly, like a vision, there was a huge white bird before them, hanging angelically in the air, and Rosie was reaching up – protecting her, she knew – and batting at it with something in his hand, something that gleamed in the light, his hand moving so fast she couldn't see, and he must have broken its neck, because the next moment she felt its body smash against her, then fall away behind, and it left a bloody stain all over the front of her new white dress.
Later, as they stumbled from the park, Rosie comforting her and dabbing ineffectually at her dress, she felt, almost in sympathy, a trickle of her own blood at the juncture of her legs. By the time they reached the car, the sky had opened up and it began to rain.
On rainy evenings, after Bert Steegler had locked up the Cooperative and bolted the huge sliding doors of the barn that served them as a feed and grain warehouse, and after his wife, Amelia, had closed the books for the night, having carefully recorded the day's entries for parsnips and soybeans and peas, the two of them would hurry across the street to their house by the schoolyard, share supper with their eldest daughter and her family, and then don their old raincoats and go back outside. They would take the long way around the square, avoiding the mud near the school and continuing past the cemetery to the home of Jacob and Elsi van Meer.
When the weather was warm, a few of the old-timers would already be gathered on the van Meers' front porch sipping mint tea with chunks of ice in it from the freezer at the Go-op, the men with their pipes, the women crocheting or knitting. They would sit and watch the rain come down, talking of crops and the Scriptures. When a vehicle went by on the road that wound past their front yard, an event that occurred only rarely, they would speculate on who was inside and where he was bound. When the iced tea ran out and the women were yawning and the men had smoked their last pipeful of tobacco, they would stretch, get slowly to their feet, exchange goodbyes, and head for home.