As he enters, the family gathers around him. He seats the girls, one, two, three, on the examining table, and motions the parents to take the chairs. “Dr. Ressing,” the father says immediately, “we were on an airplane. Somebody from the health region called us. They said we had to get tested right away, the entire family.”
He tells them how a young woman on their flight had contracted tuberculosis on her travels. “You’re being screened as a preventative measure. Most people’s defences are strong enough to prevent the TB from causing disease. We’ll do a skin test on each of you, and then in three days we need you to come back for the second part of the procedure.” He tests them one at a time, starting with the father.
The youngest girl is crying and whispering, “No needles, please, no needles,” over and over, and by the time Ansel has sat down beside her, she has buried her head against her mother’s stomach. He takes her right arm and rubs a bit of alcohol on it. The mother is clucking at her, saying something in Pakistani, then smiling indulgently. She holds the girl’s arm steady, and Ansel inserts the point. The girl screams pitifully, pressing her body into her mother’s side. The fluid pools below the surface of her skin.
“That’s it.”
The girl blinks, cautiously eyeing her wound, then gazes up at him, tear trails on her cheeks. Startling everyone, she lifts her arm and grabs hold of his stethoscope. He is yanked forward.
Her parents exclaim in surprise, shaking their heads, apologizing, but Ansel doesn’t move. He is nose to nose with the little girl. “Will you let me have your drawing?” he asks, pointing at the sheet of paper in her hand. She agrees to the trade.
He fits the earpieces on her ears, pushes his lab coat aside and sets the stethoscope against his chest.
After that first meeting in the hospital, he had sought her out, calling the telephone number she had given him, the number at her parents’ house. On his days off, he accompanied Gail as she travelled the city, interviewing people for her work at CBC-Radio. She had begun working on a piece about memorials. She had been introduced to a thirty-year-old man whose fiancée had died eight years ago. In the first year after her death, he had poured his grief and loss into his garden. As the years passed, the garden had become a memorial to her, and a permanent part of his life. “This is the blue season,” he told them. He wore a microphone affixed to a coat hanger that Gail had widened, then placed around his neck. The contraption rested firmly on his chest. A trick she had learned, she told him, from a producer in Prague, in the hope that the microphone would be forgotten by the speaker. It would became a part of his or her own body.
Ansel, who knew nothing about plants, looked around. Blue flowers, blue blossoms in all shapes and sizes. Delphiniums, bellflowers. There was a ghostly sadness to it. Latin names spilled off the tongue of the young man.
Gail was wearing a blue skirt and top, and she merged seamlessly into the palette of the garden. Her hair hung loose, reaching the small of her back, and a woven hat shaded her face from the sun. She held the young man’s gaze as he spoke, adjusting the recording levels with her right hand. A thin line of wire ran between them, from the microphone to the recorder, and then to the headphones that Gail wore. Watching her, it had seemed to Ansel as if he stood at the edge of a doorway. The world that she inhabited was full of stories, of questions. That expression, her face relaxed, yet held in concentration as she listened, is the one that remains with him now.
“This one is my favourite, and the one I’ve grown the most,” the young man told Gail. The flower was sky blue with a creamy yellow eye. He extended his hand as if presenting something. “A large slope of them, beginning somehow at waist level, trembling in the wind, would be quite a statement.”
The next day, she visited a woman who balanced stones, one on top of the other, in her garden, an imitation of the inukshuk scattered on the shores of English Bay. The Inuit word inukshuk, Gail told Ansel over dinner, means “likeness of a person.” The direction of a leg or an arm may be used for navigation, or might signal the presence of fish in a nearby lake. The middle-aged woman, an immigrant from Scotland, had lost her twin sister to cancer. She said that she balanced the stones on hot summer days when she and her four children sat in the backyard. They had seen these structures while walking around Stanley Park, and the image had stayed in their minds.
While Ansel sat in the living room copying out his rotation notes, Gail played him parts of the interview. She told him that Inuit tradition forbids the destruction of an inukshuk. The woman said, “I suppose the wind and rain will take them down one day. But there’s a tradition that says dismantling them would be a desecration. And I understand that.” She paused and then said, barely audibly, “Yes, a desecration. I saw it that way. Even though I knew, my sister knew, it would happen one day.”
Gail was sitting cross-legged on the floor. “I have all these outtakes,” she told him. “These reels and reels. Just tapes of people talking, but I can’t throw them away. Sometimes, people remember things they haven’t thought about in years, a private memory, a story. You know that feeling when you’re moving house, going through boxes, and you find something unexpected? That’s what I feel is happening to them. Inside their minds, they open the box, and there it is right in front of them, almost as if they’re seeing it for the first time.”
He told her that memory is a tricky thing. “Sometimes, we forget, because the right cues, a word, a face, never arise. Until someone reminds us, we forget that the box is there. Sometimes there’s disassociation. The memories splinter into different worlds.”
“It’s Nietzsche. The ability to forget is what brings us peace.”
“He was on to something in a biochemical way, too. If there’s a trauma, or a difficult memory, sometimes that severs the links. The memories themselves don’t disappear, but you can’t find your way back to them, because the glue that connects the different streams is somehow dissolved. That’s the idea, anyway.”
“And can you tell me, dear doctor, where I go after I die, or when the world ends, and if there’s a magnanimous god in the heavens? Or, more pressingly, why giraffes don’t faint when they lower their heads to the ground?”
“Ah, let me see. I’m sure that’s in my notes somewhere.”
When she came down with the flu, he moved her out of her van and into the house. Set her up like a hospital patient. Brought meals to her three times a day. She demanded a bedpan. He ignored her and took her vital signs, writing them down on a notepad that he kept at her bedside, on top of a copy of The Hitchhiker’s Guide to the Galaxy. At night, lying in bed, he read aloud to her, beginning with his favourite section on the oblivious Rain God, the miserable truck driver adored by clouds everywhere.
“You nutter,” she said, drowsily, her words slurring into his pillow. “Why don’t you find some healthy people to hang out with?”
He began to yearn for winter. At the first frost, she had said, she would move out of her van and into his apartment.
If he could have seen into the future, he would not have believed the affair possible. And yet it had happened, one year ago now, the relationship brief, intense. On the night he told Gail, she had stood with her back to him, as if to separate the image of him from the words she was hearing. In the days that followed, she did not go up to the bedroom. Instead, she slept in her office downstairs, some nights leaving the house entirely, taking the car, disappearing. He listened to the sound of the door closing, tires on the gravel. Those nights are still vivid, a rift, a heartbreak, dismantling everything that had come before. But settling them, finally, on a different ground.