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I kept looking at the pictures until I found Abigail Olivetti, whose quote was, "Bibi and I…"

I read the yearbook through for another hour and found nothing else to help me. The school had no record of Beatrice Costa's address or Abigail Olivetti's. The secretary told me that in a way to indicate that the question was stupid.

"We are not running a clearinghouse here," she told me.

"Probably more of a warehouse," I said.

"May I use your phone book?"

She handed it to me, and turned back to her desk work with an audible sigh. It was clear that I had no real understanding of her importance, and the pressing nature of her work. Not everyone can file detention slips.

There were seventeen Costas listed in Fairhaven, and one Olivetti. I wrote down the phone numbers and addresses and gave the phone book and the yearbook back to the secretary, and gave her my full-voltage smile. It was the smile that normally made them take off their glasses and let down their hair. I waited. Nothing happened. The woman was obviously frigid.

"Are you through here?" she said finally.

"No more pencils," I said.

"No more books. No more teacher's dirty looks."

"Really!" she said.

As I left the building, classes were changing and the students were milling about in the halls. They seemed inconceivably young to me. Full of pretense, massively other oriented, ill formed, partial, angry, earnest, resentful, excited, frantic, depressed, hopeful, and scared. When she was this age, Beatrice Costa had pledged herself to Marty Anaheim and nothing after was ever the same.

I sat in my car with the motor running and looked at my lists of names. It made more sense to start with the one Olivetti than to work my way through all seventeen Costas. I dialed the number and a woman answered.

"My name is Spenser," I said.

"I'm a detective trying to locate a woman named Bibi Anaheim, whose maiden name was Bibi Costa."

"I remember Bibi," the woman said.

"She's a friend of my daughter's."

"Your daughter is Abigail Olivetti?"

"Yes. Where did you get her name?"

"From the high school," I said.

"Does your daughter still see Bibi?"

"Oh, I should think so, they've been best friends since they were little," the woman said.

"Does your daughter live in town?" I said.

"No, she's up in Needham."

"Mass.?"

"Un huh. She's all grown up now of course. Married and kids and all. And she waited, thank God, until she was old enough."

"Who'd she marry?" I said.

"Carl Becker. He's got a big job with the phone company and they had to move up there. But she calls home every week, and sometimes the kids get on."

"Isn't that nice," I said.

"Is she a housewife?"

"No, she works in a bank. I think it's too much, with the children and all, but she's very modern, I guess. Things are different now."

"Ain't it the truth," I said.

"Can you give me her address and phone number? I'd like to get in touch with her."

"About Bibi Costa?"

"Yes."

"Is Bibi in some kind of trouble?"

"I don't know," I said.

"She's missing and I'd like to find her."

"I don't think I should give out Abbey's number," the woman said.

"Well, just the address then."

"No, I think you should talk with my husband. You can call back tonight if you'd like to. He gets home about six."

"Thank you," I said.

"That won't be necessary. Can you tell me if any of Bibi's family lives in town?"

"No, there was just Bibi and her mother. Her mother remarried and moved away years ago."

"You don't know where?"

"No."

"Do you remember who she married?"

"No."

"Well, thank you very much," I said, "for your time."

We hung up.

It goes that way a lot, conversation often dries up as they start thinking about how they don't actually know you, and don't quite know what you're up to. It's always wise to get as much as you can as soon as you can. If I couldn't find Abbey Becker in Needham, Massachusetts, I'd turn in my file of Dick Tracy Crimestopper tips.

As I started back across the bridge toward New Bedford, I was calling information on my car phone.

CHAPTER 33

Abigail Becker lived on School Street in Needham in a small gray shingled ranch house with white shutters and a bright blue door. There was a pink bicycle with hand brakes and gear shifts and low-slung handlebars leaning against the side of the house. I parked on the street near a hydrant across from the house and sat in the car with a large cup of decaf and two plain donuts. The street was lined with houses that looked like the Becker house, varying only in color and ornament. It was empty of life at 10:15 on an overcast Wednesday morning in the fall. Kids in school, parents at work. It was raining sporadically and it was dark enough so that the houses where someone was home showed lights in the windows.

Abigail's mother would certainly have called her and told her about me. She would also have said that she didn't tell me where Abigail lived, and maybe Abigail would believe it. Though if I could find her mother, she might figure that I could find her. I sat.

The rain on my windshield made the colors of the fall trees look. like an impressionist painting. I ate a donut and drank some coffee. I could see the house okay. The rain had little effect on the side windows. I ate my second donut and finished my decaf. There was no sign of life in the Becker house. I got out of the car and walked to the front door. They had kids in school. The parents worked. They'd hide a key somewhere. I looked around for the best spot as I went up the walk. There was a doormat, but that was so obvious they probably wouldn't use it. On the front step I paused, glanced around, and opened the mailbox. No. There were windows on either side of the front door, and there were shutters on either side of the windows. I ran a hand behind the shutter to the right of the door. No. I tried the other one, and the key was there hanging on a loop of string from a thumbtack in the back side of the shutter frame. I rang the bell and waited. Nothing. I opened the front door and went in. The house was empty. I could feel the emptiness immediately. The living room was to the right, the dining room to the left. They were both furnished in cheap Danish modern. Five piece living room set now only $1100. The dining room was walnut. The living room was blond. In the living room, on the mantel over the clean fireplace, were pictures of three young girls, elementary-school age, maybe twelve, ten, and eight. I went down the short center hall to the kitchen. Cereal bowls and plates with toast crumbs on them, coffee cups and juice glasses and cutlery were stacked in the sink. An empty milk carton sat on the kitchen table, and a jar of grape jelly with the cap still off stood on the table beside it.

Across the hall was a family room with a day bed in it, one of those kind on wheels which you can rent. It didn't look like it belonged there. Furniture had been pushed out of the way to make room for it. The bed was unmade. There was a small lavatory off the family room. There was a lip liner on the sink, and in the wastebasket several tissues with the kiss imprint that women leave when they blot their lipstick. There was no sign of clothing.

Upstairs there were four bedrooms, the beds unmade, clothing scattered on the floor. There were damp towels wadded on the floor of the bathroom, and a cap less tube of toothpaste oozed some of its contents onto the sink top. Three of the bedrooms obviously belonged to the girls. The fourth was larger and appeared to be the master bedroom. There was a king-sized bed, unmade, and two closets. One was full of women's clothes, the other full of men's. A pair of white panty hose was draped over the foot of the bed. Some boxer shorts had been tossed toward the laundry basket in one of the closets and fallen considerably short. The house was a mess.

I'd been in enough houses on short notice, or none, to know that houses were often a mess. There were three kids to get dressed and fed and off to school before their parents got ready for work.