"Self-protection?"
"Yes, everyone will definitely find a reason for their inertia, and the male protagonist's rejection of modern dance is also the same for a certain reason. He is afraid that after working hard, he will not be as good as the female protagonist. The slum environment he lives in is also right. The kind of people who work towards mainstream social behavior laughed at him, so he found a reason for himself, that is, he does not like modern dance, and advocates the free expression of street dance." Old Larry said.
"But the hero really likes street dancing," Song Ya said.
"But if you want to be successful in the dance industry, you must have certain basic skills." Anne Fletcher added: "The same two abstract painters, one can do sketches and classical oil paintings well, he just likes and chooses to use abstraction. The other basic skill of art is totally inadequate. He can only use abstract paintings that ordinary people can't understand as a cover. The difference between the two is very big."
"This is your script, your story, you should be able to grasp it well." Old Larry said: "The male protagonist finally started to work hard. He completed the process from street dance to modern dance and back to street dance. In short, your performance should have a sense of hierarchy. The male lead wanted to jump out completely in accordance with the female lead’s movements at first, but when he found that he couldn’t do it, he immediately gave up and changed back to the usual street dance. Modern dance's disdain to hide its inertia."
"This is the same as the best friend of the male protagonist, he can play professional basketball..." Song Ya also began to try to analyze the role.
"It's baseball, it has been changed to baseball." Yeremov reminded, "The male leader's buddies basically finalized Adam Sandra."
"The hero's buddy has the ability to play professional baseball, but he is afraid to work hard for this goal, so it is impossible for children in the slum to have that opportunity to justify his inertia." Song Ya continued.
"It's not an excuse, it's a reason. People always have to find a reason for their behavior." Old Larry nodded: "Many people don't even realize the hypocrisy and deceptiveness of this reason, because self-reflection and denial are difficult and very difficult. It’s painful. It’s easier to find a reason to persuade yourself, and then continue to hang around in the streets, having fun with friends, and staying in the comfort zone of your own mind for a lifetime.”
"Of course, this kind of reason for persuading oneself is not without its reason. The children of the poor do need to work harder to be successful, and indeed hard work may not necessarily be rewarding."
"Because of this reason is reasonable, both the male protagonist and his buddies are stuck in the quagmire of self-deception. They actually realized that they are self-deception, and they are unwilling to continue to hang around in the streets and rely on thieves. Touch continues to live, so they actually know that they want to change, but it is difficult to change, and it is also difficult to face their own hearts."
"To put the complexity of this kind of person to aps, you have the talent for acting, this is not a compliment." Old Larry emphasized repeatedly, "the sense of hierarchy, the level of expression and movement."
"I understand."
I watched the original movie so many times, and he wrote the script under his leadership. Of course, he knows the character of the male lead, but it is difficult to express it clearly to the audience in a short period of play. But no matter how difficult it is, you must do it. You can't always have a narration about your mental activities.
He also went to think about the script for a while, "I designed a movement." He proposed a new idea, "The male protagonist became a little irritable after finding it was difficult to jump the female lead's dance moves into place. I tried it again, but it didn’t work, so I was even more annoyed. I simply stepped back and stared at the hostess who was still teaching the action with my hands in the waist. It was not until the other person turned back to look at me that he immediately switched back to the usual way. Everything is indifferent to the state, and dance the familiar street dance."
"can."
The audition continued after getting the affirmation of old Larry. Both of them made improvements. The heroine played by Ashley Judd corrected it once when she saw him dancing hip-hop. After the correction was ineffective, she had no choice but to continue training together. Gradually, she was so Attracted by the new forms of dance expressions and the movements of the hero, the dance became more and more tacit, and the heroine slowly recognized it, and a smile began to appear on her face.
"Very good ~ www.mtlnovel.com ~ very good, let's stop here today." Old Larry was finally satisfied, looked at the time, and announced the end of the audition loudly.
"Good job." She praised Song Ya politely, walked to Lali and the others for a while, and said goodbye to the assistant.
"The double-sided Ruby at the beginning of the year is likely to help her win the Chicago Film Critics Association's Best Newcomer Award."
Yeremov looked at her back and said.
"Indeed, the acting is very good." Old Larry nodded.
"After all, she is a famous actress, one of the most promising new actresses in Hollywood." The casting director also echoed.
"Rookie? She's older too, right? 68 years." Song Ya said immediately, afraid that they would change their minds.
Everyone looked at the casting director, thinking that he was going to break out again, but unexpectedly changed his **** this time, "it is true." The casting director said.
"By the way, the Chicago Film Critics Association, will they help me after my film is released? After all, I am also from Chicago." Song Ya asked.
The Chicago Film Critics Association is an organization of professional film critics second only to the Los Angeles Film Critics Association. It has less than forty members, but its influence is not low. There is also a great **** Roger Albert who has a personal column in the Chicago Sun. , There is also a film critic program on pbs TV station. He is also a Ph.D. from the University of Chicago and a guest professor of a film course. Unfortunately, he rarely comes to teach. Song Ya has never seen this well-known alumnus on campus.
"Don't think too much, they like art films more than the film critics associations in Los Angeles and New York, Spike Lee's kind, don't mess with them, they won't have any kind words about a commercial youth musical." Ye Lie Muff interrupted his fantasy.
"Okay, I'll take a rest." Song Ya took the opportunity to find Amy and Taraji. ntent
p Chicago 199053795dexhtlp
Do you like this site? Donate here:
Chicago 1990 Chapter 464: Experience role
This time when I returned to Los Angeles, Amy seemed to be a different person. She always held her head up, like a proud swan. Her flattering smile to herself disappeared, and even her posture and gait changed. The big grin of the rice girl is gone, and it has become a lot more elegant.
"Wow, it seems that Ivana Chabock's acting class is not in vain. You must have studied very hard during this time?" Song Ya sincerely praised this change. She is the default heroine and her acting skills have improved. The sooner one's own film will be closer to success, the pressure after the audition results will be much less.
Unexpectedly, she glanced indifferently.
"She is experiencing the role according to Ivana's teachings and taking on the role." Taraji explained on the side.