Karen found a corkscrew and opened the wine, an Aussie Shiraz rich enough to live with the aftertaste of her Indian meal. For some little time she stood at the window, glass in hand, looking out, letting the thoughts of the day jostle for space in her mind, the faint hum of the city pierced every now and again by the urgency of a police siren or the sound of an ambulance hurrying to an emergency. She wondered about Resnick and whether he was alone and assumed that he was, picturing him wandering heavily, lost, from room to room. She tried to imagine what it would be like to have the person you loved shot down more or less in front of your eyes and failed. What was that song Bessie Smith used to sing? Something about waking up lonely, cold in hand.
Slipping one of the CDs Resnick had lent her onto the stereo, she topped up her glass. "Downhearted Blues." Bessie Smith's first recording, 1923. Bessie proclaiming trouble was going to follow her to her grave.
Tell the truth, girl, Karen thought, tell the truth. Trouble from being black, trouble with love, trouble with men. Once, her mother had told her, when Bessie discovered that her husband was having an affair with one of the chorus girls who worked in her show, she beat the girl up and threw her off the train on which they'd been travelling, then went after her husband with a gun, chasing him down the tracks and taking potshots as she ran. Not that Bessie was averse to the occasional chorus girl herself.
Almost the last thought Karen had before falling asleep echoed that of Catherine Njoroge the day before: Nowhere's safe, we can reach you anywhere, even at home, where you feel safest. Nowhere's safe, Karen thought, not anymore. As her eyes closed, the night was rent by the rising wail of sirens once more.
Twenty-eight
Resnick woke rimed in sweat. He thought it was Lynn's voice that had woken him and then, almost immediately after, something had brushed against his face. It was a little past four in the morning, nine years before, her voice, nervous and uncertain on the telephone: "Sir, it's DC Kellogg. Sorry to disturb you, but I think you'd better come out."
The house had been on Devonshire Promenade, overlooking the park. Close to a full moon and cold. Lynn and another officer had been first on the scene, and it was Lynn who had noticed the door out into the garden was not quite closed. She who had found one of the woman's shoes, high-heeled and black, tainted with mud, and then the woman herself, half naked, one arm stretching out towards a mound of recently turned earth, the other reaching up in a graceful curve behind her head. Dark lines of blood like ribbons through her hair.
By the time Resnick had arrived, other officers and an ambulance crew were already at the scene. In the kitchen, someone had made tea. He spooned two sugars into the offered cup and carried it through to the front of the house.
Lynn had been standing close to the window, shoulders tensed.
"Here," he'd said, and she'd taken the cup, unsteadily, in both hands.
Her face, normally ruddy, had seemed unnaturally pale.
There had just been time for Resnick to ask how she was feeling before the cup fell through her hands and she had pitched forward, his arms reaching out automatically to catch her, her face pressed against his chest, the fingers of one out-flung hand snagged for a moment inside the corner of his mouth.
Outside, beyond the curtains, only the blue light of a police car had pierced the dark. Lynn's hand against his face. The first time they had really touched.
He woke again later, cold, to a cold room. Another day. A member of the Force's Occupational Health Unit had been round to see him the previous afternoon. Help and counselling. Stress management. A brisk little chat and a cup of tea, that seemed to be the idea. Bereavement, he was told, affected different people in different ways: sometimes it resulted in a loss of identity, a sense that you could no longer function, that somehow you were the one who had ceased to exist; more commonly, there was a refusal to believe the truth of what had happened and accept the reality of death. Insomnia, agitation, different kinds of anxiety, those were all to be expected. Sudden changes of temperature and mood.
"Think," the visitor said cheerily, "of all the bits and pieces of your nervous system being placed into a sack and given such a shaking that they don't know where they are. For a while, some of them may even cease to function at all. That's what you're going through.
"It's only natural," he continued, "that this sense of loss you're experiencing will leave you feeling depressed. Absolutely natural. And the closer you were to the deceased, the more dependent you might have been on one another day to day, the stronger this depression might be." He smiled helpfully. "Talk to your GP; he'll prescribe something to get you through the worst. And if you think it will help to talk some more, either to me or someone else-a counsellor-don't hesitate, let me know."
He put a card down on the table, next to his cup.
A neat little man in a neat blue suit.
Somehow his visit had given Resnick the impetus to make the call he'd been dreading: Lynn's mother slow to pick up the phone, and then, when she did, disintegrating into tears at the mention of her daughter's name.
At least he had not been the one whose task it had been to break the news. Some Family Liaison Officer deputed to do that and doing it well, Resnick didn't doubt, properly trained, the right balance of clarity and care.
Not quite trusting himself to drive, he took the mid-morning train, an apparently endless journey across country-flat fields for the most part, deep drainage ditches in the dark soil of the Fens-through Ely and Cambridge and on to Norwich, where he would change to the small local train to Diss.
He bought a cup of lukewarm coffee and a sandwich from the trolley and glanced at the Nottingham paper he'd picked up before leaving.
POLICE IN SEARCH FOR MISSING FATHER
Officers investigating the death of their colleague, Detective Inspector Lynn Kellogg, who was slain by an unknown gunman outside her Alexandra Park home, were last night seeking the whereabouts of Howard Brent, whose sixteen-year-old daughter, Kelly, was shot and killed in St. Ann's on Valentine's Day. It is believed that Mr. Brent may have left the country.
He cast the paper aside.
At the opposite side of the aisle, a middle-aged woman glanced across at him for a moment and then looked away.
He had made a similar journey some years before, though by car; out towards the coast by the most circuitous route possible, never wanting to arrive. The girl's body had been found inside black rubbish bags on the floor of a disused building, close by the line he was now travelling. She had been missing for sixty-three days. One of the first such investigations he and Lynn had worked as part of a team. When the girl's mother had been told a body had been discovered that might be that of her daughter, all she had said was, "About fucking time!"
Not much bereavement there.
Mostly, the girl had been brought up by her grandmother, who, after the child had disappeared-had been taken-had left the city and moved to a 1930s bungalow on the coast in Mablethorpe, cut herself off from everyone, shut herself away with her guilt. She was the one who had left the girl in the park, playing on the swings, for just five minutes while she ran to the corner shop. Resnick had promised, early on, that he would break the news to her himself.