I waited a few seconds, then drove off slowly, looking at Quilla in my rear view mirror. I’d gone maybe twenty yards when I saw her look in my direction, then slide down the tree and onto the ground into a sitting position. I felt sorry for her and even though having her in the car with me with Alphonse’s body would be highly inappropriate, I felt that her being alone would be worse. I backed up the car, stopped in front of her, leaned over and opened the door. “Get in.”
She smiled, stood up and ran into the car.
“Promise me you won’t tell anyone that I let you in a car with a body.”
“No problem. Like, the only person I know who would be interested is Viper. By the way, did he talk to you about being a make-up man on bodies?”
“Yes. I mean, no. He didn’t say anything about being a restoration man — that’s what it’s called. He said he was interested in being a Funeral Director.”
“He’s just confused. He thought he wanted to be a hair stylist or a make-up consultant, but lately he’s been thinking about working on bodies.”
“Then he shouldn’t talk to me. He should talk to the person who does that for me.”
“Should Viper call that guy instead of you?”
“No. I’ll have to check with Nolan first.”
She suddenly got a serious look on her face, then said, “This Nolan person…is he the one who took care of my aunt?”
“Yes.”
“What a job — touching dead bodies.”
I nodded noncommittally, but to myself said, “You don’t know the half of it.”
As we headed to DiGregorio’s my thoughts turned to the irony of me handling Alphonse’s funeral. It was another of the many “firsts” in the career of a Funeral Director. The first corpse you embalm. The first child you bury. The first pretty girl. The first relative. The first friend. But there is one “first” that you remember above all others. Or more accurately, you can’t forget: the first murdered body you come in contact with.
The horror of how life can turn out for some infects you with a sober realization that there are people in the world to be feared.
Chapter 15
“Here we are,” I said as I pulled into the lot of DiGregorio’s Funeral Home and headed round to the back where the body would be waiting. “I’ll be back in a few minutes.”
“Thanks for letting me come along.”
I nodded to her and went to get Alphonse DiGregorio. The corpse was ready for me to remove. It was covered only by a white sheet, resting on a gurney in a holding area by the service entrance at the back of the building. This was where all bodies came in. Most bodies left by way of DiGregorio’s front entrance on their way to their final resting place. The only bodies that went out this way were the direct disposals: people who were going to be cremated without ceremony, without benefit of family friends.
Wilt Ging, the chief embalmer and restoration man for DiGregorio’s, was with Alphonse’s body. He looked deep in despair, lost in his own sad thoughts, his brown eyes — the left one peering slightly off towards the wall — floating in a watery residue of broken veins and impending cataracts. His nose was the nose of a drinker, pockmarked and swollen, looking more like a fatty red tumor waiting to explode. If this were the first time you were meeting Wilt you would assume that he had been crying for hours, maybe days, and that Alphonse’s death was a profound personal loss.
In reality, Wilt always looked as if he was in mourning and in the midst of an overbearing gloom. In all the years I’d known him, I never saw him smile or heard him laugh. Even the way he walked smacked of sadness. He was an inch or so over six feet, but he had a bent, hunched gait that made him seem much smaller and older than his fifty-four years. He trudged along like a beaten down, old gorilla lost in the jungle, his thick arms, too long for his body, hanging limply at his side.
Wilt was a functioning alcoholic who hid his disappointment in beer. Tyler said he drank a case a day, but that he never missed a day of work, never screwed up while working on a body, always did his drinking in the privacy of his home and never disgraced DiGregorio’s. As Alphonse himself was a steady drinker, he was forgiving and under-standing and Wilt respected him for it. Wilt was also friendly with Nolan, each bailing the other out when either was under the weather or out of town or overwhelmed with bodies. They came and went into each other’s Embalming Rooms borrowing chemicals and supplies as naturally as two neighbors using tools from each other’s garages.
“How you doing, Wilt?” I asked.
He nodded in bewilderment. You got the impression that he was always surprised that someone would actually say hello to him.
“I’m glad you’ll be taking care of him,” he mumbled softly. “It would’ve been hard, Del. I would’ve done it if the boys asked me. Tyler did the right thing.”
“I know. Is he upstairs?”
Wilt nodded yes, adding “They all are.”
I knew that by “all” he meant Mrs. DiGregorio, Tyler, Gordon and their wives.
“Let me say a quick hello and I’ll be back in a minute for the body, okay?”
“I’ll be here with Alphonse,” he said and I headed upstairs to the main residence where three generations of DiGregorios had lived while presiding over their Home.
The door was closed, but I knocked, then opened it, much like I had done as an adolescent when Tyler and I had first become friends, and stepped inside. Mrs. DiGregorio was on the couch, surrounded by her two daughters-in-law Jeanne and Helen. She was barely five feet tall and a hundred pounds, but looked even smaller, almost childlike. Tyler and Gordon stood off in a corner. Gordon noticed me first and acknowledged my arrival with an insincere grin and overly enthusiastic wave. He whispered something to Tyler who turned in my direction. I walked over to them. Tyler hugged me. Gordon shook my hand and patted me on the back, saying, “You’re looking good, Del and I really like your shirt” as if he was about to try and sell me a car. I smelled gin on his breath and cigarette smoke on his clothes.
“Thanks, Gordon.”
“Come say hi to my mother,” said Tyler, pulling me towards Mrs. DiGregorio and away from Gordon for which I was grateful. “Mom, Del’s here.” I bent over, kissed her on the cheek and said how sorry I was. She was a pathologically shy, old fashioned, deeply religious Italian wife and doting mother to her sons. Her shyness prevented us from ever having a meaningful or truly personal conversation, but she’d always made me feel comfortable and welcome. Almost from the day I met her she never failed to ask me the same question whenever she laid eyes on me: “How’s your mother?”
Today was no exception. “How’s your mother, Del?”
“Good.”
“Do you think she’ll ever come back to Dankworth?”
“Other than to visit me, I don’t think so.” My mother had remarried eight years ago and moved with her husband, Ken, to Albuquerque.
“Are you calling her regularly?”
“Every Sunday and sometimes during the week.”
“That’s important to a mother,” she said, then without skipping a beat she said, “You take good care of Alphonse. These last few weeks, the cancer took away his looks. Make him look good in the coffin. Alphonse always liked to look good. His hair needs a trim and his color is bad.”
“Don’t you worry, Mrs. DiGregorio,” I said reassuringly.
Tyler and I spent a few minutes going over the funeral arrangements. Though my Home would be providing all the services, they would provide the coffin. They chose a top of the line mahogany that retailed at nearly eight thousand dollars. As for the burial, it would take place in the family plot in Elm Grove cemetery. We would handle the embalming, preparation and visitation. Tyler had an expensive gray suit, white dress shirt, necktie, tie pin, T-shirt, underpants, shoes and socks waiting for me, all folded neatly as if prepared by a professional laundry. He walked me downstairs to Wilt, saying only “I’ve counseled so many people through this phase but I can’t say anything to myself to make me feel better.”