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Every parasite has its protection Stings or prickles Growing in alliance,
Making it difficult to start. At last it’s done: The tree no longer burdened.
Space cleared: The beauty of its trunk revealed: The biggest anaconda of them all.
A tree with space Grows ten years in two, Breathing sky unhindered,
Vibrations Running through both hands to say: People need freedom like a tree.

NOAH’S ARK

(On 12 January 1987, at 2230GMT, I took down an Italian news agency message in morse sent out specially to ships. The text said that Noah’s Ark was no longer to be found on Mount Ararat, and gave details. The report originated in Tokyo, and the following lines are based on it.)

Earphones fed a message to the hand, Hurried writing came through pat: NOAH’S ARK IS NO LONGER FOUND ON MOUNT ARARAT.
Words in Italian, sparks of Aaron’s Rod Rained across the page in morse Like intelligence from God: NOAH’S ARK IS NOT FOUND ON MOUNT ARARAT.
Morse flowed like splintered glass The text unfinished, rattling on: BUT IN ALL PROBABILITY YOU WILL FIND NOAH’S ARK ON A HILL FIVE HUNDRED METRES HIGH ON THE BANKS OF THE TIGRIS BETWEEN SYRIA AND TURKEY.
Rome International Radio informed all ships Swaying the emerald Atlantic waves Urgent news of Ararat, And Marconi operators wrote the gen And typed it with the morning news, Sailors with shocked eyes and lips atremble said: L’ARCA DI NOÈ NON SI TROVA SUL MONTE ARARAT!
Perhaps Noah’s Ark had been not lost But one dark night dissected And put on donkeys for a secret destination. Hot-footed morse did not originate from God: A Japanese expedition from an Electronics Firm Led by YOSHIO KOU had combed The scrub of Chaldees with a Bible and a map Finally concluding that NOAH’S ARK IS NO LONGER ON MOUNT ARARAT
Kids at school threw down their pens Church and Synagogue were worried And the Zurich bourse was flurried. But fact and inspiration tell How the Ark came on to Ararat because The navigation of the Pilot was spot-on. A dove and olive twig to guide the rudder: And travelling all night above Lake Van The snowy light was not one cloud of many But glinting Araratic glaciers in the dawn.
Anchored by a terminal moraine Noah ordered animals and humans to disperse. God camouflaged the Ark from archaeologists Who scour the land with lamp and map. What YOSHIO KOU found by the Tigris Was not an Ark but a canoe, Though matters Biblical led him to state NOAH’S ARK IS NO LONGER BEACHED ON ARARAT.
The story in the Bible’s better: Of how the Ark on Day Seventeen After the flood that God begat Bumped against the banks of Ararat.
The Ark, in spite of YOSHIO KOU, lies under rocks On tufic Ararat, below a Turkish post That looks on Persia. I saw it in a dream, and sent a message back By telegraphic key Feet tapping to its rhythm on the mat: NOAH’S ARK’S STILL HIDDEN ON MOUNT ARARAT.

A Biography of Alan Sillitoe by Ruth Fainlight

Not many of the “Angry Young Men” (a label Alan Sillitoe vigorously rejected but which nonetheless clung to him until the end of his life), could boast of having failed the eleven plus exam not only once, but twice. From early childhood Alan yearned for every sort of knowledge about the world: history, geography, cosmology, biology, topography, and mathematics; to read the best novels and poetry; and learn all the languages, from Classical Greek and Latin to every tongue of modern Europe. But his violent father was illiterate, his mother barely able to read the popular press and when necessary write a simple letter, and he was so cut off from any sort of cultivated environment that, at about the age of ten, trying to teach himself French (unaware books existed that might have helped him), the only method he could devise was to look up each word of a French sentence in a small pocket dictionary. It did not take long for him to realize that something was wrong with his system, but there was no one to ask what he should do instead.

So, like all his schoolmates, he left school at fourteen and went to work in a local factory. Alan never presented himself as a misunderstood sensitive being, and always insisted that he had a wonderful time chasing girls and going with workmates to the lively Nottingham pubs. He also joined the Air Training Corps (ATC) where he absorbed information so quickly that by the age of seventeen he was working as an air traffic controller at a nearby airfield. World War II was still being fought, and his ambition was to become a pilot and go to the Far East, but before that could be realized it was VE Day. As soon as possible he volunteered for the Royal Air Force. It was too late to become a pilot or a navigator, but he got as far as Malaya, where as a radio operator he spent long nights in a hut at the edge of the jungle.

The Morse code he learned during this time stayed with Alan all his life; he loved listening to transmissions from liners and cargo ships (although he never transmitted himself), and whenever invited to speak, he always took his Morse key along. Before beginning his talk, he would make a grand performance of setting it up on the table in front of him and then announce that if anyone in the audience could decipher the message he was about to transmit, he would give that person a signed copy of one of his books. As far as I remember, this never happened.

In Malaya, Alan caught tuberculosis — only discovered during the final physical examination before demobilization. He spent the next eighteen months in a military sanatorium, and was awarded a 100 percent disability pension. By then Alan was twenty-three years old, and it was not long until we met. We fell in love and soon decided to leave the country, going first to France and then to Mallorca, and stayed away from England for more than six years. That pension was our only reliable income until, after several rejections, the manuscript of Saturday Night and Sunday Morning was accepted for publication. Afterward, Alan would say that during those apprentice years he had been kept by a very kind woman: the Queen of England.

It is said that an artist must choose between life and art; sometimes Alan would tell whomever questioned him that after his first book was published and he became a recognized writer, he stopped living — there was not enough time to do both. I hope that was not entirely true. But writing was his main activity: He would spend ten to twelve hours a day at his desk, reading or answering letters when he needed a break from working on his current novel. And there were poems, essays, reviews — and scripts for the films of his first two books, Saturday Night and Sunday Morning and The Loneliness of the Long-Distance Runner, and later others. He was extremely productive. But certainly he also enjoyed social life with our friends and going to concerts or the theatre. This was the heyday of the young British dramatists at the Royal Court Theatre.