Now I found myself looking at young women and even young men on the street and in cafés. When, on my way down an escalator, a woman on her way up smiled and gestured at me, I pursued her into the street. I would, this time, follow my impulses. I approached her with a courage I’d never had as a young man. Then, my desire had been so forceful and strange — which I experienced as a kind of chaos — I’d found it difficult to contain or enjoy. For me to want someone had meant to get involved in maddening and intense negotiations with myself.
I asked the girl to join me for a drink. Later, we walked in the park before retiring to her room in a cheap hotel. Later still, we ate, saw a film and returned to her room. She loved my body and couldn’t get enough of it. Her pleasure increased mine. She and I looked at and admired each other’s bodies — bodies which did as much as two willing bodies could do, several times, before parting for ever, a perfect paradigm of impersonal love, both generous and selfish. We could imagine around each other, playing with our bodies, living in our minds. We became machines for making pornography of ourselves. I hoped there’d be many more occasions like it. How fidelity interferes with love, at times! What were refinement and the intellect compared to a sublime fuck?
As we lay in each other’s arms, and, when she was asleep, I kissed her and said, ‘Goodbye, whoever you are’, creeping out at dawn to walk the streets for a couple of hours, it occurred to me that this was an excellent way to live.
4
Next morning I was on the train to Paris, my new rucksack on the rack above me. Before we reached Dover I had helped people with their heavy luggage, eaten two breakfasts and read the newspapers in two languages. For the rest of the journey I studied guidebooks and timetables.
For a few weeks before I became a Newbody, I had been in what I called an ‘experimental’ frame of mind. After finishing Too Late, I’d been failing as a writer. I’d become more skilful, but not better. I wouldn’t have minded the work getting worse if I’d been able to find interesting ways to make it more difficult. Urgency and contemporaneity make up for any amount of clumsiness, in literature as in love. I had stopped work and had been drawing, taking photographs and talking to people I’d normally flee. I would see what occurred, rather than hide in my room. Despite these efforts, there was no doubt I was becoming isolated, as if it were the solitude of my craft I had become attached to, and it was that I couldn’t get away from.
There are few things more depressing than constant pain, and there were certain physical agonies I thought I would never be without. Flannery O’Connor wrote, ‘Illness is a place where there is no company.’ Perhaps I had been unconsciously preparing for death, as I recall preparing for my parents’ deaths. I realised what a significant part of my life my own death had become. As a badly off young man I had constantly thought: do I have the money to do this? As an older man I had constantly thought: do I have the time for this; or, is this what I really want to do with my remaining days?
Now, a renewed physical animation, combined with mental curiosity, made me feel particularly energetic. In this incarnation I would go everywhere and see everything.
When I first had children I was inspired to think about my own childhood and parents; now, this transformation was making me reflect on the sort of young man I had been. I hadn’t travelled much then. I had been too absorbed in the theatre, working in any capacity, reading scripts, running the box office and serving tyrannical directors. The rest of the time I was having tragic, complicated affairs, and trying to write. I forfeited a lot of pleasure for my craft; at times I found the deferment and discipline intolerable. I’d break out and go mad, before retiring to my room for long periods — for too long, I’d say now. But those years of habit and repetition served me welclass="underline" I gained invaluable experience of writing, not only of the practical difficulties, but of the terrors and inhibitions that seem to be involved in any attempt to become an artist.
My excitements then had never been pure; they had always been anxieties. In later life I wondered whether I had been too constrained and afraid for my future, too focused on the success I yearned for and too determined to become established. Travelling unworriedly through Europe had been the least of my concerns.
Did I regret it now, or wish it otherwise? At least I had the sense to understand that there couldn’t be a life without foolishness, hesitation, breakdown, unbearable conflict. We are our mistakes, our symptoms, our breakdowns.
The thing I missed most in my new life was the opportunity to discuss — and, therefore, think about properly — the implications of becoming a Newbody. I doubted whether Ralph would have been interested in going into it further. Perhaps such a transformation, like face-lifts, worked better for people who didn’t have theories of authenticity or the ‘natural’, people who didn’t worry about its meaning at the expense of its obvious pleasures.
It was its pleasures I was in search of. Soon, I was tearing across Paris; then I went to Amsterdam, Berlin; Vienna. I did the churches and museums of Italy, and they did me. It wasn’t long before I’d had my fill of degraded, orgasmically violated bodies strung from walls, and vaults full of old bones. On most days I woke up in a different place. I travelled by train and bus, in the slowest possible way. Sometimes I just walked across mountains, beaches or fields, or got off trains when I fancied the view from the window. If I liked a bus — the route, the thoughts it provoked, the width of the seat or a sentence in a book I was reading on it — I’d sit there until the end of the line. There was no rush.
I stayed in cheap hotels, hostels and boarding houses. I had money, but I didn’t want opulence. As a young man I’d wanted that — as a measure of success and of how far I had escaped my childhood. Now it seemed confining to be overconcerned with furnishings.
I talked only to strangers, making friends easily for the first time in years. I met people in cafés, museums and clubs, and went to their houses when I could. If I had been too fastidious before, now I stayed with anyone who would have me, to see how they lived. Unlike most young people, I was interested in people of all ages. I’d go to the house of a Dutch guy of my age, and end up chatting to his parents all weekend. It was the mothers I got along with because I was interested in children and how you might get through to them. The mothers talked about children, but I learned they were talking about themselves, too, and this moved me.
I did, at least, know how to look after myself. I could escape anyone boring. People were more generous than I had noticed. If you could listen, they liked to talk. Perhaps being ambitious and relatively well known from a young age had put the barrier of my reputation, such as it was, between me and others.
The days in each city were full. I could drink, have sex with people I picked up or with any prostitute whose body took my fancy, visit galleries, queue for cheap seats to the theatre or opera, or merely read and walk. In the former East Berlin all I did was walk and take photographs. In a bar in Paris, I met a young Algerian guy who modelled occasionally. The male models didn’t earn anything like as much as the girls, and most of them had other jobs. My friend got me a catwalk show during Fashion Week, and I took my turn parading on the narrow aisle, as the flash-bulbs exploded and the unprepossessing journalists scribbled. Was it the clothes or really the bodies they were looking at? Backstage, it was a chaos of semi-naked girls and boys, dressers, the designer and numerous assistants.