The Japanese Project Director had decreed a few days” rest for everyone. The nearest city of any size was Obihiro, a pretty place at the confluence of the Yubetsu and Toka-chi rivers. Some went to ski on strips of unmelted snow on Mount Asahi; others to dam thermal streams with a makeshift rock wall, warming themselves with the decay of radioactive elements cooked in some supernova explosion billions of years before. A few of the project personnel went to the Bamba races, in which massive draft horses pulled heavy ballasted sledges over parallel strips of farmland. But for a serious celebration, the Five flew by helicopter to Sapporo, the largest city on Hokkaido, situated less than 200 kilometers away.
Propitiously enough, they arrived in time for the Tana-bata Festival. The security risk was considered small, because it was the Machine itself much more than these five people that was essential for the success of the project. They had undergone no special training, beyond thorough study of the Message, the Machine, and the miniaturized instruments they would take with them. In a rational world, they would be easy to replace, Ellie thought, although the political impediments in selecting five humans acceptable to all members of the World Machine Consortium had been considerable.
Xi and Vaygay had “unfinished business,” they said, which could not be completed except over sake. So she, Devi Sukhavati, and Abonneba Eda found themselves guided by their Japanese hosts along one of the side streets of the Odori Promenade, past elaborate displays of paper streamers and lanterns, pictures of leaves, turtles, and ogres, and appealing cartoon representations of a young man and woman in medieval costume. Between two buildings was stretched a large piece of sailcloth on which had been painted a peacock rampant.
She glanced at Eda in his flowing, embroidered linen robe and high stiff cap, and at Sukhavati in another stunning silk sari, and delighted in the company. The Japanese Machine had so far passed all the prescribed tests, and a crew had been agreed upon that was not merely representative—if imperfectly—of the population of the planet, but which included genuine individuals not stamped out by the official cookie cutters of five nations. Every one of them was in some sense a rebel.
Eda, for instance. Here he was, the great physicist, the discoverer of what was called superunification— one elegant theory, which included as special cases physics that ran the gamut from gravitation to quarks. It was an achievement comparable to Isaac Newton's or Albert Einstein's, and Eda was being compared to both. He had been born a Muslim in Nigeria, not unusual in itself, but he was an adherent of an unorthodox Islamic faction called the Ahmadiyah, which encompassed the Sufis. The Sufis, he explained after the evening with Abbot Utsumi, were to Islam what Zen was to Buddhism. Ahmadiyah proclaimed “a Jihad of the pen, not the sword.”
Despite his quiet, indeed humble demeanor, Eda was a fierce opponent of the more conventional Muslim concept of Jihad, holy war, and argued instead for the most vigorous free exchange of ideas. In this he was an embarrassment for much of conservative Islam, and opposition to his participation in the Machine crew had been made by some Islamic nations. Nor were they alone. A black Nobel laureate—said occasionally to be the smartest person on Earth—proved too much for some who had masked their racism as a concession to the new social amenities. When Eda visited Tyrone Free in prison four years earlier, there was a marked upsurge in pride among black Americans, and a new role model for the young. Eda brought out the worst in the racists and the best in everyone else.
“The time necessary to do physics is a luxury,” he told Ellie. “There are many people who could do the same if they had the same opportunity. But if you must search the streets for food, you will not have enough time for physics. It is my obligation to improve conditions for young scientists in my country.” As he had slowly become a national hero in Nigeria, he spoke out increasingly about corruption, about an unfair sense of entitlement, about the importance of honesty in science and everywhere else, about how great a nation Nigeria could be. It had as many people as the United States in the 1920s, he said. It was rich in resources, and its many cultures were a strength. If Nigeria could overcome its problems, he argued, it would be a beacon for the rest of the world. Seeking quiet and isolation in all other things, on these issues he spoke out.
Many Nigerian men and women—Muslims, Christians, and Animists, the young but not only the young— took his vision seriously.
Of Eda's many remarkable traits, perhaps the most striking was his modesty. He rarely offered opinions.
His answers to most direct questions were laconic. Only in his writings—or in spoken language after you knew him well—did you glimpse his depth. Amidst all the speculation about the Message and the Machine and what would happen after its activation, Eda had volunteered only one comment: In Mozambique, the story goes, monkeys do not talk, because they know if they utter even a single word some man will come and put them to work.
With such a voluble crew it was strange to have someone as taciturn as Eda. Like many others, Ellie paid especial attention to even his most casual utterances. He would describe as “foolish errors” his earlier, only partly successful version of superunification. The man was in his thirties and, Ellie and Devi had privately agreed, devastatingly attractive. He was also, she knew, happily married to one wife; she and their children were in Lagos at the moment.
A stand of bamboo cuttings that had been planted for such occasions was adorned, festooned, indeed weighed down with thousands of strips of colored paper. Young men and women especially could be seen augmenting the strange foliage. The Tanabata Festival is unique in Japan for its celebration of love.
Representations of the central story were displayed on multipaneled signs and in a performance on a makeshift outdoor stage: Two stars were 61 love, but separated by the Milky Way. Only once a year, on the seventh day of the seventh month of the lunar calendar, could the lovers contrive to meet—provided it did not rain. Ellie looked up at the crystalline blue of this alpine sky and wished the lovers well. The young man star, the legend went, was a Japanese sort of cowboy, and was represented by the A7 dwarf star Altair. The young woman was a weaver, and represented by Vega. It seemed odd to Ellie that Vega should be central to a Japanese festival a few months before Machine activation. But if you survey enough cultures, you will probably find interesting legends about every bright star in the sky. The legend was of Chinese origin, and had been alluded to by Xi when she had heard him years ago at the first meeting of the World Message Consortium in Paris.
In most of the big cities, the Tanabata Festival was dying. Arranged marriages had ceased to be the norm, and the anguish of the separated lovers no longer struck so responsive a chord as it once had. But in a few places—Sapporo, Sendai, a few others—the Festival—grew more popular each year. In Sapporo it had a special poignancy because of the still widespread outrage at Japanese-Ainu marriages. There was an entire cottage industry of detectives on the island who would, for a fee, investigate the relatives and antecedents of possible spouses for your children. Ainu ancestry was still held to be a ground for summary rejection. Devi, remembering her young husband of many years before, was especially scathing. Eda doubtless had heard a story or two along the same line, but he was silent.
The Tanabata Festival in the Honshu city of Sendai was now a staple on Japanese television for people who now could rarely see the real Altair or Vega. She wondered if the Vegans would continue broadcasting the same Message to the Earth forever. Partly because the Machine was being completed in Japan, it received considerable attention in the television commentary accompanying this year's Tanabata Festival. But the Five, as they were now sometimes called, had not been required to appear on Japanese television, and their presence here in Sapporo for the Festival was not generally known. Nevertheless, Eda, Sukhavati, and she were readily recognized, and they made their way back to the Obori Promenade to the accompaniment of polite scattered applause by passersby. Many also bowed. A loudspeaker outside a music shop blared a rockand-roll piece that Ellie recognized. It was “I Wanna Ricochet Off You,” by the black musical group White Noise. In the afternoon sun was a rheumy-eyed, elderly dog, which, as she approached, wagged its tail feebly.