Behind him Khardov came up and placed himself against the kitchen door with his hands at his sides and his head slightly forward on his neck. “Do I look well, Khardov?” he asked without turning around.
“Yes, sir,” the man replied. “You look splendid.”
His awareness of himself was confused now with a new deep consciousness of the medallion he wore. It seemed to him that the medallion, even more than himself, had achieved an insular security beneath the fine clothes. It had become inviolate, immured, like the precious metal in Khardov’s casket, not so much by the thickness of the covering as by the implicit delicacy of its surroundings. One ripped valuables from a paper bag, but did not touch the pearl at the throat of the great lady fallen in the street.
He discovered later that the packages he frequently found on his bed were paid for by the steady depletion of the gold and silver in Khardov’s box. It was almost as if it, rather than Khardov, were his benefactor (as a young boy he thought of the power of the metals to transform themselves into visible symbols he could wear as somehow self-generative, an implicit condition built comfortably into the very premise of wealth), for as he grew and his needs multiplied, it was, as he by that time knew, only at the expense of the wealth that glittered beneath the ornate surfaces of the carved casket that they were met. Khardov no longer sat in the dark back room solacing his fingers in the rich depths of the box, stirring the opulent shards as he ate his lunch. One day, of course, their little treasury was empty and there were no more packages. As a child he had thought of the metals as fragments broken by main force from heavy sheets of silver and gold, and it saddened him to realize that even these were susceptible of a further and final depletion. He had become used to the silky luxury of the gifts and it was a disappointment to him that they should stop; but in a way, forced as he was to wear clothing that was still fine though no longer new, he was made aware of a subtle shift in his status which was not at all unpleasant to him. With use, the clothing, too substantial ever to become threadbare, gradually lost its gloss, its stiff novelty. An aura of respectable solidity settled over it. The jackets and suits were not old, but aged, and had about them now an aspect of classic and somewhat ancient fashionableness, and although Khardov still managed to find money for fresh and expensive linen — this, somehow, was perishable, like the brittle and yellowing paper notes Khardov traded to obtain it — its silken crispness seemed only to deepen the musty gentility of the rest of his clothing.
Thinking now of the clothes always in relation to the thick casket and its contents, he began to view his life as a syllogism proceeding with a calm deliberateness from the premise of the medallion. From the first the medallion had seemed to hint at some mystery about himself which sooner or later he would have to solve. Even the handsome clothes which had drained the box had gone, not so much to dress him, as to set off the medallion, as though all arrangements in his life were controlled finally by the eccentric object which hung about his neck. There was something curiously effeminate about his position, ludicrously not unlike a woman’s commitment to a strangely colored handbag which, accessory to nothing, makes ceaseless demands on her wardrobe. He told Khardov about his feelings, and although the old man laughed he had seemed angry. Later Khardov came to him. “You were right, sir,” he said. “It was perceptive in you to see that. The poor man’s rags are given outright, but golden raiments are always lent. They are a responsibility. If this seems to diminish you, remember they are a responsibility only the very few can have.”
Increasingly he enjoyed going out among the few people he knew. It may have seemed to others that he glided too smoothly among them. Like a man on ice skates nodding to friends who stand by less sure of themselves, he went from one to the other, asking of this one’s health, desiring to be remembered to that one’s family. He sensed that others hung back from him and assumed at first that it was his dress, so different from their own, which had made him seem somehow too forbidding and caused their caution, forcing them apart from him, as one steps aside for a man in a uniform one has never worn. He understood later, however, that his interest must have seemed patronizing to them, and he was hurt that they should misinterpret his sincere affection. Gradually, though, he concluded that their suspicion of him was not entirely unjustified, that he had held something of himself in reserve. It was, he decided, a flaw in his character. He resolved to correct it. But once, after he was a grown man, a mistress of his, having had too much to drink, refused to use his name in talking to him. Instead, she kept on calling him “Jehovah.” Finally, in some anger, he asked her why she did this. “Because,” she said, “you show me only your behind.”
In the evenings, even from the first, he read a good deal. Khardov brought him the books — elaborate, heavy treatises on government; heroic, copious histories of an older world; statements of political philosophy; royalist tracts; the diaries and secret papers of personages in famous courts; and novels, many novels. It was the novels which he read with an increasing absorption. Gradually he began to return more and more of the other books unread and to demand of Khardov that he bring him still more novels. These were always romances, books with involved, old-fashioned plots. He had no illusions about their art, but he experienced a never diminishing satisfaction and excitement in the stories of depressed but golden lovers whose difficulties were invariably that they lived in worlds of frozen status. He read with a double tension. Delighted with the tales of the sons of struggling merchants, of traveling circus performers, and the strong, tanned boys of gamekeepers, he sensed in them, in their careful language, in their unaccountable benevolence in worlds fraught with evil and terror, in their almost jejune resistance to temptation, what their petite, soprano-throated girl friends sensed in them — a quality, an essence which would not submerge, which popped like a cork to the surface in even the wildest storms and displacements of their condition. For him it was not the wart or mole or scarlet pimpernel which in the last act of their drama finally brought recognition even from the enemy who stood to lose because the prince was found. It was not the superficial deformity, scar of quality so important to others that was important to him. It was rather a concept, the validity of which he came increasingly to recognize as he raced through the novels — a concept of blood itself. He knew his man long before the dullard others did, spotting them their familiarity with the telltale wound inflicted on the inner thigh by ruffians at birth. A man’s blood was his character, he knew. At the same time he experienced a real anxiety that for once the heroine would not find out in time, that the gypsy would be killed before things could work themselves out. But it was not the hero’s marriage which he longed for; he did not yearn for the pale and distant princess. He wanted one thing for the hero, one thing only. He wanted restoration. To him it was a daring and delicious word. He said it under his breath.
It was a pleasant life, but he knew, even from the beginning, that the sense of special condition he felt so deeply was not forever to be enjoyed passively. All right, he reasoned. I have known for a long time that I am different. But I know no more about myself than does a small child. I have no facts.
Instead of gratitude to Khardov he felt a growing resentment. The quality, the essence he could identify so easily in the heroes he read about, he recognized in himself. He was something—a prince of the blood — something other than what he seemed. To be grateful for a few fine clothes, for Khardov’s open deference, for the leisure he enjoyed, for the promise swinging on his chest, was foolish. Like feeling gratitude toward the clerk who hands out the money when one makes a withdrawal from the bank. What he wanted now, needed, was not the small change of personal assurance, nor Khardov’s blank checks on his specialness — conspiratorial drafts on a vague but somehow splendid future. He needed only what his blood demanded: restoration. If one wanted it for stranger/heroes in foolish romances, one insisted upon it for oneself.