So firm, through a long endurance, has been the hold taken upon the popular mind (at least so far as we may consider the popular mind reflected in ephemeral letters) by the laudatory system which we have deprecated, that what is, in its own essence, a vice, has become endowed with the appearance, and met with the reception of a virtue. Antiquity, as usual, has lent a certain degree of speciousness even to the absurd. So continuously have we puffed, that we have, at length, come to think puffing the duty, and plain speaking the dereliction. What we began in gross error, we persist in through habit. Having adopted, in the earlier days of our literature, the untenable idea that this literature, as a whole, could be advanced by an indiscriminate approbation bestowed on its every efforthaving adopted this idea, we say, without attention to the obvious fact that praise of all was bitter although negative censure to the few alone deserving, and that the only result of the system, in the fostering way, would be the fostering of folly- we now continue our vile practice through the supineness of custom, even while, in our national self-conceit, we repudiate that necessity for patronage and protection in which originated our conduct. In a word, the press throughout the country has not been ashamed to make head against the very few bold attempts at independence which have from time to time been made in the face of the reigning order of things. And if in one, or perhaps two, insulated cases, the spirit of severe truth, sustained by an unconquerable will, was not to be so put down, then, forthwith, were private chicaneries set in motion; then was had resort, on the part of those who considered themselves injured by the severity of criticism (and who were so, if the just contempt of every ingenuous man is injury), resort to arts of the most virulent indignity, to untraceable slanders, to ruthless assassination in the dark. We say these things were done while the press in general looked on, and, with a full understanding of the wrong perpetrated, spoke not against the wrong. The idea had absolutely gone abroadhad grown up little by little into toleration- that attacks, however just, upon a literary reputation, however obtained, however untenable, were well retaliated by the basest and most unfounded traduction of personal fame. But is this an age- is this a day- in which it can be necessary even to advert to such considerations as that the book of the author is the property of the public, and that the issue of the book is the throwing down of the gauntlet to the reviewer- to the reviewer whose duty is the plainest; the duty not even of approbation, or of censure, or of silence, at his own, will but at the sway of those sentiments and of those opinions which are derived from the author himself, through the medium of his written and published words? True criticism is the reflection of the thing criticized upon the spirit of the critic.
But a nos moutons- to "The Quacks of Helicon." This satire has many faults besides those upon which we have commented. The title, for example, is not sufficiently distinctive, although otherwise good. It does not confine the subject to American quacks, while the work does. The two concluding lines enfeeble instead of strengthening the finale, which would have been exceedingly pungent without them. The individual portions of the thesis are strung together too much at random- a natural sequence is not always preserved- so that, although the lights of the picture are often forcible, the whole has what, in artistical parlance, is termed an accidental and spotty appearance. In truth, the parts of the poem have evidently been composed each by each, as separate themes, and afterwards fitted into the general satire in the best manner possible.
But a more reprehensible sin than an or than all of these is yet to be mentioned- the sin of indiscriminate censure. Even here Mr. Wilmer has erred through imitation. He has held in view the sweeping denunciations of the Dunciad, and of the later (abortive) satire of Byron. No one in his senses can deny the justice of the general charges of corruption in regard to which we have just spoken from the text of our author. But are there no exceptions? We should, indeed, blush if there were not. And is there no hope? Time will show. We cannot do everything in a day- Non se gano Zonora en un ora. Again, it cannot be gainsaid that the greater number of those who hold high places in our poetical literature are absolute nincompoops- fellows alike innocent of reason and of rhyme. But neither are we all brainless, nor is the devil himself so black as he is painted. Mr. Wilmer must read the chapter in Rabelais's "Gargantua," "de ce qu'est signifie par les couleurs blanc et bleu,"- for there is some difference after all. It will not do in a civilized land to run a-muck like a Malay. Mr. Morris has written good songs. Mr. Bryant is not all a fool. Mr. Willis is not quite an ass. Mr. Longfellow will steal, but, perhaps, he cannot help it (for we have heard of such things), and then it must not be denied that nil tetigit quod non ornavit.
The fact is that our author, in the rank exuberance of his zeal, seems to think as little of discrimination as the Bishop of Autun* did of the Bible. Poetical "things in general" are the windmills at which he spurs his Rozinante. He as often tilts at what is true as at what is false; and thus his lines are like the mirrors of the temples of Smyrna, which represent the fairest images as deformed. But the talent, the fearlessness, and especially the design of this book, will suffice to preserve it from that dreadful damnation of "silent contempt," to which editors throughout the country, if we are not much mistaken, will endeavour, one and all to consign it.
* Talleyrand.
EXORDIUM
[Graham's Magazine, January, 1842]
IN Commencing, with the New Year, a New Volume, we shall be permitted to say a very few words by way of exordium to our usual chapter of Reviews, or, as we should prefer calling them, of Critical Notices. Yet we speak not for the sake of the exordium, but because we have really something to say, and know not when or where better to say it.
That the public attention, in America, has, of late days, been more than usually directed to the matter of literary criticism, is plainly apparent. Our periodicals are beginning to acknowledge the importance of the science (shall we so term it?) and to disdain the flippant opinion which so long has been made its substitute.