Crybbe aka Curfew

'What would you have done, Warren, if that woman hadn't come out of the studio before we got started? Or if she'd come out in the middle?'

'Woulda made no difference. Or I coulda saved some for 'er, couldn't I? Takin' a chance, she is, comin' yere this time a' night. An' she wouldn't say a word, see, 'cause I seen what 'appened by the river, 'ow they killed poor Jonathon. Poor Jonathon.'

Warren started to grin. 'Oh, you should've seen 'im, Tess. Lying there with 'is tongue out. Just about as wet and slimy as what 'e was when 'e was alive. I couldn't 'ardly keep a straight face. And – you got to laugh, see – fuckin' 'Young Farmers'…

Warren did laugh. He placed both hands flat on the brick wall and almost beat his head into it with laughing.

'… fuckin' Young Farmers' needs a new chairman now, isn't it? Oh, shit, what a bloody crisis!'

'You going to volunteer, Warren?'

'No.' Warren wiped his streaming eyes with the back of a hand. 'I'm goin' into the Plant Hire business.' He went into another cackle. 'I'm gonna hot-wire me a bulldozer.'

She was the kind of woman who, in normal circumstances, he would have taken care to avoid, like sunstroke. She was vain, pretentious, snobbish and too bony in the places where one needed it least.

But these were not normal circumstances. On a wet Saturday evening in Crybbe, Jocasta Newsome was almost exotic.

Guy had her on the hearthrug, where damp logs spat the occasional spark into his buttocks.

She was tasty.

And grateful. Guy loved people to be grateful for him. She was voracious in a carefree sort of way, as if all kinds of pent-up emotions were being expelled. She laughed a lot; he made her laugh, even with comments and questions that were not intended to be funny.

Like, 'And your husband – is he an artist?'

Jocasta squealed in delight and ground a pelvic bone fully into his stomach.

Guy said, just checking, 'You're sure there's no chance he'll be back tonight?'

'Tonight,' said Jocasta, 'Hereward will be in one of those awful restaurants where the candles on the tables are stuck in wine-bottles and some unshaven student is hunched up in the corner fumbling with a guitar. He'll be holding forth at length to a bunch of artists about the beauty of Crybbe and how well in he is with the local yokels. He'll be telling them all about his close friend Max Goff and the wonderful experiment in which he, Hereward, is playing a pivotal role. The artists will drink bottle after bottle of disgusting plonk paid for. of course, by Hereward and they'll think, "What a sucker, what an absolutely God-sent wally." And they'll be mentally doubling their prices.'

Jocasta propped herself up on one arm, her nipples rather redder than the feebly smouldering logs in the grate.

'Oh yes,' she assured him. 'We are utterly alone and likely to remain so for two whole, wonderful days. How long have you got, Guy? Inches and inches, if I'm any judge. Oh my God, what am I saying, I must be demob happy.'

The thought of two whole days of Jocasta Newsome didn't lift Guy to quite the same heights. He reached for his trousers.

Dismay disfigured her. 'What are you doing? I didn't mean…'

'Just going to the loo, if you could direct me. Guy Morrison never goes anywhere without trousers. Not the kind of risk one takes.'

'Oh.' Jocasta relaxed. 'Yes. We're having a downstairs cloakroom made, but it isn't quite… Up the stairs, turn left and there's a bathroom directly facing you at the end of the passage. Don't be long, will you?'

Thankfully, she didn't qualify the final entreaty with another dreadful double entendre.

Guy slithered into his trousers and set off barefoot up the stairs, slightly worried now. Happily married women were fine. Unhappily married women were worse than unattached women. They clutched you as if you were a lifebelt. They were seldom afraid of word getting out about you and them. And while it might be all right for pop stars, scandal was rarely helpful to the careers of responsible producer-presenters in Features and Documentaries.

Bare-chested on the stairs, he shivered. The walls had been stripped to the stonework. Too rugged for Guy Morrison. He probably wouldn't come here again. He decided he'd open the exhibition tomorrow night and slide quietly away. A one-night stand was OK, but a two-night stand carried just a hint of commitment.

The lights went out.

'Oh, blast!' he heard from the drawing-room.

'What's happened?'

'Power cut,' Jocasta shouted. 'Happens all the time. Take it slowly and you'll be OK. When you get to the bathroom you'll find a torch on top of the cabinet.'

Guy stubbed his toe on the top banister-post and tried not to cry out.

But he found his way to the bathroom quite easily because of a certain greasy phosphorescence oozing out of the crack between the door and its frame.

'Funny sort of power cut,' he said, not thinking at all.

'Police say there are no suspicious circumstances, but they still can't explain how Mr Preece, whose family has been farming in the area for over four hundred years, came to be in the river.'

'That report,' the Offa's Dyke newsreader said, 'from Fay Morrison in Crybbe. Now sport, and for Hereford United…'

Fay switched off Powys's radio.

It was thirty-three minutes past ten and almost totally dark.

'Must've been awkward for you.' J. M. Powys rammed a freshly dried log into the Jotul and slammed the iron door on it.

Fay, in a black sweat-suit, was cross-legged on the hearth, by the stove.

'Not really,' she said, in cases like this you're not expected to probe too hard. If it had been a child, I'd be spending most of the night talking to worried mothers about why the council needed to fence off the river. Then tomorrow, this being Crybbe, I'd have to explain to Ashpole why the worried mothers were refusing to be interviewed on tape. But in a case like this, it's just assumed he killed himself. Be an open verdict. Unless…'

'Unless they find the gun.' Powys switched on a green-shaded table-lamp. Rachel drew the curtains against the night and the rain and the river.

Fay said, if anybody had any suspicions, we'd have heard from the police by now. All the same, Jack Preece…'

'His father,' Powys said.

'Yes. Jack Preece knows. I could see it in his eyes when we were down by the river, with the body.'

'Knows what?'

'I think he knows Jonathon had gone out to shoot Arnold.'

Rachel sat down on the sofa. 'What makes you…?'

'Just a minute. Hang on.' Powys stood up. 'You say Jonathon had gone out to shoot Arnold. You're saying he'd deliberately targeted Arnold?'

Fay nodded.

'Do I get the feeling there's a history to this?'

Fay swallowed, 'If I tell you this, you're going to switch to small talk for a few minutes and then look for an excuse to get rid of me. It's so weird.'

'Fay.' Powys spread his arms. 'I'm the bloke who wrote The Old Golden Land. Nothing's too weird.'

There was a longish silence. Then the green-shaded table-lamp went out.

'Bugger,' Rachel said.

'OK,' Fay said slowly. 'You can't see my face now, and I won't be able to see the incredulity on yours.'

She took a long breath. She told them about dogs in Crybbe.

'How long have you known this?' Powys asked.

'Only a day or so. I should be doing a story on it, shouldn't I? A town with no dogs' Jesus, it's not common, is it? But life here is so much like a bad dream, I'm sure if I sold it to the papers, when all the reporters arrived to check it out, there'd be dogs everywhere, shelves full of Chum at the grocer's, poop-scoops at the ironmonger's, posters for the Crybbe and District Annual Dog Show…'