Just a week ago, Ghosh had been shocked to see Bachelli drunk and singing the “Giovinezza,” goose-stepping down the middle of the road in the heart of the Piazza. It was near midnight, and Ghosh had stopped his car then and tried to get him off the street. Bachelli became loud and boisterous, screaming about Adowa, which was enough to get him beaten up if he persisted. Bachelli was lost in the memory of boarding his troop ship in Naples in 1934; he was a young officer again in the 230th Legion of the National Fascist Militia, off to fight for Il Duce, off to capture Abyssinia, off to expunge the shame of being defeated at the battle of Adowa by Emperor Menelik in 1896. At Adowa, ten thousand Italian soldiers, with as many of their Eritrean askaris, poured down from their colony to invade and take Ethiopia. They were defeated by Emperor Menelik's barefoot Ethiopian fighters armed with spears and Remingtons (sold to them by none other than Rimbaud). No European army had ever been so thoroughly thrashed in Africa. It stuck in the Italian craw, so that even men who weren't born at the time of Adowa, like Bachelli, grew up wanting vengeance.
Ghosh didn't understand any of this till he came to Africa. He hadn't realized that Menelik's victory had inspired Marcus Garvey's Back to Africa Movement, and that it had awakened Pan-African consciousness in Kenya, the Sudan, and the Congo. For such insights, one had to live in Africa.
The Italians never forgot their humiliation, and so on the next try, some forty years later, Mussolini took no chances; his motto was Qualsi-asi mezzo!—win by any means. The monkey-maned Ethiopian horsemen with leather shields and spears and single-shot rifles found the enemy was a cloud of phosgene gas that choked them to death, Geneva protocol be damned. Bachelli had been part of that. And looking at Bachelli's face, so flushed with liquor and pride, as he did his victory march in the Piazza, Ghosh had realized it must have been Bachelli's proudest moment.
Ghosh sat trying to be inconspicuous at the bar, but watching the couple in the mirror. When Ghosh first met Helen, he'd fallen madly in love with her—for a few days. Every time Helen saw him she'd say, “Give me money, please.” When he asked for what, she'd blink and then pout as if the question were unreasonable. She'd say, “My mother died,” or “I need abortion”—whatever came into her head. Most bar girls had hearts of gold and eventually married well, but Helen's heart was of baser metal.
Poor Bachelli was smitten by Helen and had been for years, even though he had a common-law Eritrean wife. He gave Helen money. He expected and accepted her selfishness. He called her his donna delin-quente, offering the mole on her cheek as proof. Ghosh meant to ask Bachelli if he actually believed anything in Lombroso's abominable book, La Donna Delinquente. Lombroso's “studies” of prostitutes and criminal women uncovered “characteristics of degeneration”—such things as “primitive” pubic hair distribution, an “atavistic” facial appearance, and an excess of moles. It was pseudoscience, utter rubbish.
Ghosh slipped out abruptly without finishing his beer, because suddenly the idea of making small talk with either of them that evening was intolerable.
THE AVAKIANS WERE LOCKING UP their bottled-gas store, and beyond their shop the lights of the Piazza, the transitory illusion of Roma, came to an end. Now it was all darkness, and the road ran past the long, gloomy, fortresslike stone wall that held up the hillside. A gash in the moss-covered stones was Säba Dereja—Seventy Steps—a pedestrian shortcut to the roundabout at Sidist Kilo, though the steps were so worn down that it was more a ramp than stairs, treacherous when it rained. He drove past the Armenian church, then around the obelisk at Arat Kilo— another war monument at a roundabout—past the Gothic spires and domes of the Trinity Cathedral and then the Parliament Building, which took its inspiration from the one on the banks of the Thames. At the Old Palace, because he was not quite ready to head home, he turned down to Casa INCES, a neighborhood of pretty villas.
He wasn't in the mood for the Ibis or one of the big bars in the Piazza that employed thirty hostesses. He saw a simple cinder-block building up ahead. It appeared to be partitioned into four bars. There were hundreds of such places all over Addis. A soft neon glow showed from two doorways. A plank forded the open gutter. He chose the door on the right, pushing through the bead curtain. It was, as he had suspected given the size, a one-woman operation. The tube light had been painted orange, creating a womblike interior, exaggerated by the frankincense smoking on the charcoal brazier. Two padded bar stools fronted a short wooden counter. The bottles on the shelf on the back wall were impressive—Pinch, Johnny Walker, Bombay gin—even if they were filled with home-brewed tej. His Majesty Haile Selassie the First, in Imperial Bodyguard uniform, gazed down from a poster on one wall. A leggy woman in a swimsuit smiled back at His Majesty from a Michelin calendar.
What little floor space remained held a table and two chairs. Here the barmaid sat with a customer who held her hand; the man seemed intent on keeping her attention. Just when Ghosh decided there was no point in staying, she wrenched her hand free, scraped her chair back, stood, and bowed. High heels to show off her calves. Dark polish on her toenails. Very pretty, he thought. The smile seemed genuine and suggested a better disposition than Helen's. The other man pushed sullenly past Ghosh and left without a word.
The land of milk and honey, Ghosh thought. Milk and honey, and love for money.
Now she and Ghosh traded how-are-yous and I-am-wells, bowing, the deep excursions diminishing till the last few were mere inclinations of the head. Ghosh eased onto the bar stool as she circled behind the counter. She was perhaps twenty, but with big bones, and the fullness of her blouse suggested she had mothered at least one child.
“Min the tetalehf she asked, thrusting her finger at her mouth, in case he didn't understand Amharic.
“I deeply regret that I drove your admirer away. Had I known he was here, or how much he cared for you, I could never have intruded on such a tryst.”
She gasped with surprise.
“Him! He wanted to keep that one beer going till daylight without buying me one. He is from Tigre. Your Amharic is better than his,” she said, gushing, relieved that it would not be a night of sign language.
Her gauzy white cotton skirt ended just below her knees. The colorful border was repeated on the piping of the blouse, and again in the frill of the shama over her shoulders. Her hair was straightened and permed, a Western do. A collar of tattoos in the form of closely spaced wavy lines made her neck look longer. Pretty eyes, Ghosh thought.
Her name was Turunesh, but he decided to call her what he was in the habit of calling all women in Addis: Konjit, which meant “beautiful.”
“I'll have blessed St. George's. And please serve one for yourself. We must celebrate.”
She bowed her thanks. “Is it your birthday, then?”
“No, Konjit, even better.” He was about to say, It is the day that I have freed myself from the chains of a woman who has deviled me for over a decade. The day I have decided my sojourn in Africa ends and America awaits.
“It is the day I have set eyes on the most beautiful woman in Addis Ababa.”
Her teeth were strong and even. A rim of upper gum showed when she laughed. She was self-conscious about this because she brought her hand to her mouth.
Something inside him melted at the sound of her happy laughter, and for the first time since waking that morning, he felt almost normal.