The whole incident rich with possibility. My responsibility in library is to keep up with scientific and technical literature, so that I may order books I deem essential. Most of my professional reading confined to scientific journals, technical periodicals, and institutional proceedings, but peruse many books as well, in a broad range of subjects, from psychology of hysteria to structure of the constant-pressure dynamo; my interests are wide. Still, it cannot have failed to strike Kistenmacher that I had removed from shelves a study directly related to his investigations in Box. Kistenmacher perfectly well aware that everyone knows of his secretive experiments, about which many rumors. Is said to enjoy such rumors and even to contribute to them by enigmatic hints of his own. Once told Earnshaw, who reported it to me, that there would soon be no human sensation that could not be replicated mechanically. At time I imagined a machine for production of odors, a machine of tastes. Knows of course that I keep a record of books borrowed by staff, each with name of borrower. Now knows I have been reading Giesinger on musculo-cutaneous feeling.
What else does he know? Can Earnshaw have said something?
OCTOBER 26. A slow day. Reading. From my desk in alcove I can see Wizard’s rolltop desk with its scattering of books and papers, the railed galleries of second and third levels, high up a flash of sun on a glass-fronted cabinet holding mineral specimens. The pine-paneled ceiling. Beyond Wizard’s desk, the white marble statue brought back from Paris Exposition. Winged youth seated on ruins of a gas street-lamp, holding high in one hand an incandescent lamp. The Genius of Light. In my feet a rumble of dynamos from machine shop beyond stockroom.
OCTOBER 28. In courtyard, gossip about secret experiments in Photographic Building, Room 8, the Box. A machine for extracting nutrients from seaweed? A speaking photograph? Rumors of hidden workrooms, secret assistants. In courtyard one night, an experimental assistant seen with cylinders under each arm, heading in direction of basement.
OCTOBER 29. For the Wizard, there is always a practical consideration. The incandescent lamp, the electric pen, the magnetic ore-separator. The quadruplex telegraph. Origin of moving photographs in study of animal motion: Muybridge’s horses, Marey’s birds. Even the phonograph: concedes its secondary use as instrument of entertainment, but insists on primary value as business machine for use in dictation. And the haptograph? A possible use in hospitals? A young mother dies. Bereft child comforted by simulated caresses. Old people, lingering out their lives alone, untouched. Shake of a friendly hand. It might work.
NOVEMBER 3. A momentous day. Even now it seems unlikely. And yet, looked at calmly, a day like any other: experimenters in their rooms, visitors walking in courtyard, a group of school-children with their teacher, assistants passing up and down corridors and stairways, men working on grounds. After a long morning decided to take walk in courtyard, as I sometimes do. Warmish day, touch of autumn chill in the shade. Walked length of courtyard, between electrical lab and chemical lab, nodding to several men who stood talking in groups. At end of yard, took a long look at buildings of Phonograph Works. Started back. Nearly halfway to main building when aware of sharp footsteps not far behind me. Drawing closer. Turned and saw Kistenmacher.
“A fine day for a walk,” he said. Falling into step beside me.
Hidden significance of Kistenmacher’s apparently guileless salutation. His voice addressed to the air — to the universe — but with a ripple of the confidential meant for me. Instantly alert. Common enough of course to meet an experimenter or machinist in courtyard. Courtyard after all serves as informal meeting place, where members of staff freely mingle. Have encountered Kistenmacher himself innumerable times, striding along with great arms swinging. No, what struck me, on this occasion, was one indisputable fact: instead of passing me with habitual brisk nod, Kistenmacher attached himself to me with tremendous decisiveness. So apparent he had something to say to me that I suspected he’d been watching for me from a window.
“My sentiment exactly,” I replied.
“I wonder whether you might accompany me to Room 8,” he then said.
An invitation meant to startle me. I confess it did. Kistenmacher knows I am curious about experimental rooms on second floor, just up stairs from library. These rooms always kept open — except Room 5, where photographic experiments continue to be conducted secretly, in addition to those in new Photographic Building — but there is general understanding that rooms are domain of experimenters and assistants, and of course of the Wizard himself, who visits each room daily in order to observe progress of every experiment. Kistenmacher’s invitation therefore highly unusual. At same time, had about it a deliberate air of mystery, which Kistenmacher clearly enjoying as he took immense energetic strides and pulled himself forward with great swings of his absurd arms.
Room 8: Kistenmacher’s room on second floor. On a table: parts of a storage battery and samples of what I supposed to be nickel hydrate. No sign of haptograph. This in itself not remarkable, for experimenters are engaged in many projects. Watched him close door and turn to me.
“Our interests coincide,” he said, speaking in manner characteristic of him, at once direct and sly.
I said nothing.
“I invite you to take part in an experiment,” he next remarked. An air of suppressed energy. Had sense that he was studying my face for signs of excitement.
His invitation, part entreaty and part command, shocked and thrilled me. Also exasperated me by terrible ease with which he was able to create inner turmoil.
“What kind of experiment?” I asked: sharply, almost rudely.
He laughed — I had not expected Kistenmacher to laugh. A boyish and disarming laugh. Surprised to see a dimple in his left cheek. Kistenmacher’s teeth straight and white, though upper left incisor is missing.
“That,” he said, “remains to be seen. Nine o’clock tomorrow night? I will come to the library.”
Noticed that, while his body remained politely immobile, his muscles had grown tense in preparation for leaving. Already absolutely sure of my acceptance.
When I returned to library, found Wizard seated at his desk, in stained laboratory gown, gesturing vigorously with both hands as he spoke with a reporter from the New York World.
NOVEMBER 5. I will do my utmost to describe objectively the extraordinary event in which I participated on the evening of November 4.
Kistenmacher appeared in library with a punctuality that even in my state of excitement I found faintly ludicrous: over fireplace the big clock-hands showed nine o’clock so precisely that I had momentary grotesque sense they were the false hands of a painted clock. Led me into stockroom, where Earnshaw had been relieved for night shift by young Benson, who was up on a ladder examining contents of a drawer. Looked down at us intently over his shoulder, bending neck and gripping ladder-rails, as if we were very small and very far away. Kistenmacher removed from pocket a circle of keys. Held them up to inform Benson of our purpose. Opened door that led down to basement. I followed him through dim-lit cellar rooms piled high with wooden crates until we reached door of Box. Kistenmacher inserted key, stepped inside to activate electrical switch. Then turned to usher me in with a sweep of his hand and a barely perceptible little bow, all the while watching me closely.
The room had changed. No glove: next to table an object that made me think of a dressmaker’s dummy, or top half of a suit of armor, complete with helmet. Supported on stand clamped to table edge. The dark half-figure studded with small brass caps connected by a skein of wires that covered entire surface. Beside it the cylinder machine and the copper-oxide battery. Half a dozen additional cylinders standing upright on table, beside machine. In one corner, an object draped in a sheet.