We made our way left, passing between two Edaville cars on our way to the museum office. There was no one else in the building, but the steel door at the front entrance banged noisily against the frame as the wind blew and the rain continued to fall.
In the darkness beneath the walkway connecting the tool works and the museum building, a black Ford sedan was parked, its windows obscured by the falling rain. I recognized it from the crime scene outside Rita Ferris's apartment.
"It's the feds," I said. "They must have found Celli's guys."
"That, or they were listening in on you as well," muttered Louis.
"Great," said Angel. "Is there anybody who isn't here? Billy Purdue's so fucking popular, he should have his own holiday."
The rear door of the car opened and a figure in a dark raincoat stepped out, head down, closing the door softly behind him. He walked quickly in our direction, one hand deep in his pocket, the other holding a black umbrella above his head. A light from the tool works briefly illuminated him as he passed through its beam.
"And this would be…?" said Angel wearily.
"Eldritch, the Canadian cop. Stay here."
I stepped from the shadows and Eldritch stopped, a puzzled look on his face as he tried to place me.
"Parker?" he said at last. "You want to bring your friends out of the shadows too?"
From behind me, Louis and Angel appeared and stood beside me, Louis regarding Eldritch with relaxed interest.
"Well, you going to get out of this rain?" asked the Canadian.
"After you, officer," I replied. Something had caught my eye over by the Ford when Eldritch stepped from the car, the interior light casting a faint glow on the ground below. There was a small pool of red beneath the driver's door, which was not fully closed, and, as I watched, something dripped steadily from the crack.
Eldritch stepped by me, one hand still holding the umbrella, exposing a gold cuff link and a white shirtsleeve. There was a dark spot spreading on the cuff as he turned to watch my progress toward the car.
I glanced back at Louis but something else had caught his eye.
"You got something on your collar, officer," he said quietly, as Eldritch stood beneath the light.
Eldritch's shirt collar showed above the lapel of his coat. At its edge, and just above the knot of his tie, there were spots of black, like soot. But as Louis spoke, Eldritch lowered his umbrella, trying to block my view as he made his move, the gun visible to me only briefly as he removed his right hand from his pocket. I could see Louis already raising his own gun as Eldritch began to turn, the umbrella now tumbling in midair between them, Angel to one side looking on. But I fired first, the bullet tearing a hole in the umbrella and hitting Eldritch low on the thigh, the gunshot masked by the suppressor and the driving rain. I fired again, this time hitting him in the side. The gun fell from his hand and he tumbled against the wall of the museum, sliding down with his back against it until he sat on the ground, his teeth gritted in pain and his hand clutching at the red stain which was spreading across the front of his raincoat. Beside him, Louis picked up his gun by slipping a pen through the trigger guard and examined the weapon with professional detachment.
"Taurus," he said. "Brazilian. Looks like our friend might have vacationed in South America."
I walked to the car. There were two star-shaped bullet holes in the windshield surrounded by twin sunbursts of blood. I opened the driver's door with a gloved hand and stepped back as Agent Samson fell sideways onto the ground, a dark hole at the bridge of his ruined nose where the bullet had exited. Beside him, Agent Doyle's forehead rested against the dashboard, blood pooling at his feet. Both were still warm.
Carefully, I lifted Samson into the car, closed the door and walked back to where Angel and Louis stood over the bleeding man.
"Abel," said Louis. Despite his pain, the man on the ground regarded us with dark, hateful eyes, but didn't speak.
"He's not going anywhere," I said. "We put him in the trunk of the Ford, call the cops, let them take care of him after we're done."
But neither Angel nor Louis appeared to be listening to me. Instead, Angel shook his head and tut-tutted: "A man your age dyeing his hair," he said to Abel. "That's just vanity."
"And you know what they say about vanity," said Louis softly.
Abel looked up at him, his eyes widening.
"Vanity kills," concluded Louis. Then he shot him once, the Colt jumping in his hand. Abel's head bumped against the wall behind him, his eyes closed tightly, and then his chin slumped forward on his chest.
For the first time in my life, I touched Louis in anger. Reaching out, I pushed him hard on the chest. He took a step back, his expression unchanged.
"Why?" I shouted. "Why did you kill him? Jesus, Louis, do we have to kill everybody?"
"No," said Louis. "Just Abel and Stritch."
And then I understood why Louis and Angel had come here, and the realization was like a punch in the stomach.
"It's a contract," I said. "You took on the hit." I knew now why Leo Voss had been killed, why Abel and Stritch had chosen this time to recede into the shadows, and it was only partly to do with the opportunity offered by Billy Purdue and the money he had stolen. Abel and Stritch were running, and they were running from Louis.
He nodded once. Beside him, Angel looked at me with a kind of sorrow, but also determination. I knew whose side he was on.
"How much?" I asked.
"A dollar," said Louis simply. "I'd have taken fifty cents, but the man didn't have no change."
"A dollar?" It was strange, but I almost smiled despite myself. He had taken a dollar, yet their lives were worth even less than that. I looked back at Abel's body and thought of the two agents in the car and the real Eldritch, who had probably never made it as far as Maine.
"They're that bad, Bird," said Angel. "These guys are the fucking worst. Don't let them come between us."
I shook my head. "You should have told me, that's all. You should have trusted me."
Now Louis spoke. "You're right. It was my call. I called wrong."
He stood before me, waiting for me to respond, and I knew why he had kept it from me. After all, I was an ex-cop, with cop friends. Maybe Louis still had doubts. I had saved Angel's life while he was in prison and, in return, they had stood by me when Jennifer and Susan were killed, had put their own lives on the line in the hunt for their killer and the killers of others, and asked nothing in return. I had no reason to doubt them; they, on the other hand, a burglar and an assassin, could be forgiven for having concerns about me.
"I understand," I said at last.
Louis nodded his head once in response, but in that gesture and the look in his eyes he said all that he needed to say.
"Okay," I said. "Time to find Billy Purdue." And as we walked to the vacant building, the rain falling heavily now, I took a last look at Abel's body and shivered slightly. His huddled form, and the remains of Berendt in the railroad museum, were mute testament to the fact that the squat, grotesque figure of Stritch could not be far away.
There were two cars parked farther up on Fore Street, across from a new development of gray wood houses half-clad in red brick. It was too dark to see if anyone remained inside the vehicles. When we reached the main door to the unoccupied building, the lock had already been broken open and the door stood slightly ajar. Staying close to the wall, I peered around the corner to the front of the building. There, the windows on the top floor were boarded up, while a wooden walkway led from the grass border to a locked door on the second story. Because of the gradient of the slope, the ground floor was actually below the grass, its windows masked with more screens.
I came back to where Angel and Louis were waiting by the door, where we agreed that Angel should leave us and return in the Mercury, so that if we came out with Billy Purdue we could leave quickly.