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"Put your guns down," he said. Somehow, he had found a way to hide from his pursuers, and from us, among the old furniture and office waste. We did as we were told, casting cautious looks both at Billy's gun and the staircase above us.

"You brought them here," he said, his voice shaking with anger. "You sold me out." There were tears running down his cheeks.

"No, Billy," I said. "We came to get you to safety. You're in a lot of trouble here. Put the gun down and we'll try to get you out of it."

"No. Fuck you. There's nobody here for me now." With that, he fired two bursts from the shotgun, spraying the wood and plaster behind us and forcing us to dive to the ground. When we looked up again, splinters and grit in our hair, Billy was nowhere to be seen but I could hear his running footfalls as he headed back in the direction in which we had come. Louis immediately sprang to his feet and moved after him.

More shots came from the floor above as I rose, automatic fire followed by a single shot. I took the steps slowly, my neck craned to one side, my hands slick with sweat. At the top of the stairs, beside the elevator, another of Celli's men lay huddled in a corner. Blood flowed from the bullet wound in his neck. There was something else about him too, something I almost did not see.

His trousers were opened, the zipper pulled down, and his genitals partially exposed.

Before me was a doorway, and beyond the doorway was total darkness. In that darkness, I knew that Stritch waited. I could smell his cheap, sickly cologne and the dark, earthy odor he used it to conceal. I could sense his watchfulness, the tendrils he sent out to test the air around him for prey. And I could feel his desire, the sexual charge he took from hurting and bringing lives to an end, the aberrant sexuality that had led him to touch and expose the young man in the corner as he lay dying.

And I knew with absolute certainty that if I set foot beyond that doorway Stritch would take me and kill me, and that he would touch me as I died. I felt the shadows move around me, and a child laughed in the dim reaches below. It seemed to summon me back from the brink, or perhaps it was my own fear making me believe that was the case. I chose to leave Stritch in the darkness and return to the light.

Louis approached as I made my way backward down the stairs. His pants were torn at the knee, and he was limping slightly. "I slipped," he said, spitting the words from his mouth. "He got away. What about Stritch?"

I indicated the floor above. "Maybe Tony Celli will do you a favor."

"You think?" said Louis, in a tone that said he didn't believe it was likely. He looked at me more closely. "You okay, Bird?"

I moved past him so that he could not see my face. I was ashamed at my weakness, but I knew what I had felt, and what I had seen in the blood red eyes of a dead woman.

"My concern is Billy Purdue," I said. "When Stritch finds out that his buddy is dead, he won't go anywhere until he's settled the score. You'll get another chance."

"I'd prefer to take this one," he replied.

"It's pitch black up there. You set foot on that top floor, and he'll kill you."

Louis remained standing, watching me, but he did not speak. In the distance, I heard the wail of approaching sirens. I saw Louis hesitate, balancing the risk of the police and the shadows on the floor above with the opportunity to try to take out Stritch. Then slowly, with just one glance back to the stairs leading up to the darkness of the third floor, Louis followed me.

We reached the main bay where we had met the old man. "We go out the front, we may run into Tony Celli's wheelmen, or the cops," I said. "And if Billy went out that way, then he's already dead."

Louis nodded in agreement and we headed down to the door at the back of the warehouse, where the man Stritch had killed lay half in, half out of the doorway, one arm across his eyes as if he had glimpsed the heart of the sun. Across the lot, I could see the Mercury. It growled into life as Angel shot across the lot and turned the car, then stopped to allow us to get in.

"Any sign of Billy?"

"No, least none that I saw. You two okay?"

"Fine," I said, although I was still shaken by the fear I had felt on the top floor. "Stritch was in there. Came from the back of the building."

"Seems like everybody knows your business except you," remarked Angel as we tore out of the lot and followed the tracks back in the direction of India Street. Just before they ended, he swung the wheel to the right and sped through the gap in the wire fence to bring us into the parking lot at One India. He killed the lights as sirens wailed and two black and white police cars raced up Fore Street. Then we waited to see if Billy Purdue might show.

While we sat in silence, I tried to piece together what had happened. The feds had either been monitoring my phone or had managed to find some trace of Tony Celli's crew. When they moved, Abel contacted Stritch and told him where to go, with the intention of joining him after taking care of the feds. With three different groups of men after him in one enclosed space, Billy Purdue had still managed to get away.

And I thought too of the figure I had glimpsed in the shadows. Rita Ferris was dead and, soon, the snow would be falling on her grave. Yet something of her still remained, her presence like a ripple on still water.

No one came toward us on foot from the direction of the complex. If any of Tony Celli's men had survived, I figured that they would head north instead of coming straight back into town and risk meeting the cops.

"You think he's still in there?" I asked Louis.

"Who? Stritch? If he is, it's because he's dead, and I don't believe Tony Celli has anyone that good on his side, assuming anyone was left alive in there," replied Louis. Again, I caught that thoughtful look in his eyes as he examined my face in the rearview mirror.

"I tell you this," he said. "He knows now that Abel is dead, and he's gonna be real pissed."

CHAPTER FIFTEEN

Louis and Angel dropped me at my Mustang, and then followed me to Java Joe's. I felt drained, and sick inside. I thought of the look in Abel's eyes before he died, and the sight of the young gunman violated at the moment of his death, and an old man loaded with sneakers and copper wiring running into the cold, wet night.

At the coffee shop, Louis and Angel decided to stay outside in the Mercury drinking take-out mochas. Lee Cole was seated by the window, her jeans tucked into shin-high fur-lined boots and a white wool top buttoned to the neck. As she stood to greet me, the light caught the streaks of silver in her hair. She kissed me softly on the cheek and held me tightly. Her body started to shake and I could hear her sobbing into my shoulder. I pushed her gently away, my hands on her shoulders, and watched as she shook her head in embarrassment and searched through her pockets for a tissue. She was still beautiful. Walter was a lucky man.

"She's gone, Bird," she said, as she sat. "We can't find her. Help me."

"But she was with me only a few days ago," I said. "She stopped off here for a few hours with her boyfriend."

She nodded. "I know. She called us from Portland, told us she was heading on with Ricky. Then she rang us one more time on the way to some place farther north and that was the last we heard from her. She was under strict instructions to call us each day, just so we'd know she was okay. But when we didn't hear…"

"Have you been in touch with the police?"

"Walter has. They think she may have run off with Ricky. Walter argued with her about him last month, about how she should be concentrating on her study and not on chasing boys. You know how Walter can be, and retirement hasn't made him any more tolerant."