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Matthew Frey wears a wrinkled trench coat over a white shirt and khakis. He had hurriedly dressed in the bathroom of his Clinton, Maryland rambler after hanging up from the call from the president of the Fraternal Order of Police. Gently shaking his wife awake, he told her where he was going. He has defended police officers for eighteen years. In his office desk in Largo, he keeps a twenty-inch billy club that his grandfather used when he was on the force in Baltimore. Matthew Frey stands before Carson, trying to gather quickly how much he can handle, if he is an officer who will fall apart because of this night or one who will turn to stone. No matter how long he looks at Carson, he cannot tell for sure.

Carson sees Matthew Frey’s longish gray-white hair and his pencil-thin lips and reads in the man’s blue eyes that he is perhaps the only person present whose job is to protect him.

Frey walks with Carson to his Volvo, and they sit in the front seats.

“You smoke?” he asks Carson, offering him a cigarette.

“Naw.”

“Then I won’t. You called your family?”

“I can’t bring myself to do that just yet.”

“I understand. You okay?”

“Not really.” This is the first time Carson has answered the question. The first time he has spoken what he knows unalterably to be the truth.

“When you’re ready, I want you to tell me what happened. Take your time. Tell me everything just as it happened, as much as you can recall.”

Carson recounts the incident, filling the narrative with all the questions and the doubts that plague him, working through the silences that strangle him and hurtle him back into the moment with the retelling. “I know now that I should’ve waited for Jordan. He radioed he was on the way. It all happened so fast. So goddamned fast. I lost control. I mean, before I knew it he was reaching into his waistband and had turned around and was on his feet. On his feet, facing me. It couldn’t have been more than a few seconds before I lost control of the stop. That’s not supposed to happen, I know. But once he was on his feet, facing me, he was holding this object — he wouldn’t drop it like I kept telling him to. He kept trying to tell me something, but I wouldn’t listen, I couldn’t take the chance. He looked like a good kid. He gave me some lip, but he wasn’t at all what I was expecting. I was afraid for my life. I thought he had a gun.”

Frey listened, knowing that memory is fractured and heightened, made suspect by the lingering effects of trauma. Every time an officer tells him details of a shooting he’s been involved in, Frey recalls the conclusion of his favorite writer, Gabriel García Márquez, that life is not what one lives but what one remembers. Carson tells him much more than he needs to know. The days and weeks and months looming ahead of Carson will be even more crucial than this moment, as he helps him to remember the incident in ways that would render what happened inevitable rather than criminal. “You don’t have to make a statement when you go back to CID. Get one of the other officers to take you and I’ll meet you there. I’ll help you fill out the Discharge of Firearms report. You’ll be asked what happened. You’re not to say anything. Do you understand?”

“Yeah.”

“Have you ever fired your weapon before?”

“No.” Then Carson asks, “What’s gonna happen to me?”

“I don’t want you to worry about that tonight. I’ll protect your rights. Just know that.”

Carson has been in CID many times but never like this, with the eyes of the few officers in the building offering him so much compassion, never with those same officers stopping in the hall to pat him on the back, tell him he’ll be okay, to ask how he is.

In an office next to the area where roll call is held, Carson is asked by a Colin Barnes if he wants to make a statement. Barnes at two-thirty in the morning wears a cashmere jacket over a cream-colored shirt with a silk navy-blue tie and large silver cuff links, stylish as always amid the grimy gray funk, the stale, listless air, the battered furniture and indifferent decor that Carson knows too well and that weigh on him with an awful heaviness at this moment.

Then Barnes reads Carson the Advise of Rights form: You have the right to remain silent. Anything you say can and will be used against you. Carson is now a cop who has been Mirandized. He signs the form.

“Don’t people know when you say ‘Drop what you’re holding,’ we mean drop what you’re holding?” Colin murmurs irritably as he places the form before Carson to sign.

The Discharge of Firearms report asks everything from the type of weapon used in the incident to how much sleep Carson had in the last twenty-four hours. The single eight-line paragraph that Frey tutors him on will be used for a press release that the Office of Communications will send to the media.

Carson agonizes over the brief paragraph, which contains the sketchiest rendering of the event even as it answers the primary who, what, when, where. The only question left unanswered is why. Carson hands Barnes the form studded with erasures, damp with sweat, the cursive script small and tortured.

“You been given a replacement weapon?” Barnes asks.

“No, not yet.”

The gun used in the shooting is now evidence. He can’t leave CID without a gun. On administrative leave, he is still a police officer. Still expected to protect and serve if he sees a “situation,” while gassing up his car or shopping for a new pair of shoes. He’s got to have a gun. He could be on some thug’s kill list. Maybe he’s got enemies he doesn’t even know about among all the people he’s arrested and helped send to jail. He’s responsible for his life. The lives of others. And his Beretta gives him all the authority he needs. The one or two times he’s left home without his weapon he’s felt naked, like a moving target. His Beretta is a strap-on body part. He wants a gun but can’t imagine holding it without remembering how he held it moments before the shooting, with focused, unfamiliar horror and dread. If he had to fire his weapon again he is not sure that he could.

Matthew Frey waits with Carson for Derek Stinson, the armorer who provides officers with new weapons. Stinson, a small, monklike man who like Matthew Frey was awakened from sleep, arrives carrying the metal case that is with him at all times. He’s an ex-cop who keeps a collection of guns in his St. Mary’s County home.

Stinson places the metal case on the same desk that Carson used to sign the Miranda forms and to write the report of the shooting. The four guns lie in the case embedded in foam, with magazines for each gun. Stinson gently lifts the Beretta and a magazine from the hold of the foam and offers them to Carson. Carson holds them in his dry, ashen palms with a reverence that stills the moment. Derek Stinson tells him, “In situations like the one you were in tonight, this is your only friend.”

After Carson has put the new Beretta in his holster he tells Stinson, “I’d never fired my weapon at a suspect before. I never wanted to have to do it, but still I wondered what it would be like. Now I’d give anything not to know.”

At 5:30 a.m., Carson unlocks the door to his house, weak with the desire to see the faces of his children. It is a desire that fills him like hunger. Like thirst. He walks quietly in the dark to his twin daughters’ room, which he painted pink for their birthday. The night-light plugged into the wall socket casts an eerie frosting of muted half-light over the room’s darkness. Barbie posters claim nearly all the space on the walls. Stuffed teddy bears, dolls, and Beanie Babies are scattered all over the carpeted floor. Standing in the doorway, Carson is stunned by the cheeriness of the room and it nearly buckles his knees, nearly sends him crashing onto the floor, but he steadies himself and walks to the bed of Roseanne, lying on her side, sucking her thumb reflexively in her sleep, her body curled, snail-like, beneath the sheet. Carson wipes the tiny beads of sweat from her forehead with his fingertips. Leaning closer, he listens to the heavy grunt of her breathing. He closes his eyes and allows that sound, the slightly asthmatic, ragged breathing of his daughter, to drench him like rain.