The questions had to be answered. Why had Boyd attacked those two cops? Why and by what means was Boyd physically strong enough to tear a grown man’s arm out of the socket? How had he then exsanguinated them? Why had he done that? What had he done with the blood? Why had he broken into the morgue? Why steal Ruger’s body? Why disfigure the cops? On the videotape it had clearly shown Boyd limping on what appeared to be a badly broken leg. If his leg was broken, how had he carried Ruger—the man weighed two hundred pounds—and if his leg was not broken, why fake it? Then there was the matter of the broken pipes in the morgue. It was also very odd that they had taken that moment to disconnect, just in time to prevent the autopsy of Karl Ruger and to delay the autopsies of Castle and Cowan. Was that coincidence? That had happened when Crow and Val were still there at the hospital, which meant that there were plenty of police all over the building. It seemed unlikely that anyone could have slipped past all that security and gone down to the morgue to kick loose some pipes. He’d brought the matter up to Ferro, but the detective hadn’t seemed convinced that it was anything suspicious, especially since the morgue door had been locked. Odd, though. Far too many odd things.
Weinstock was a practical physician, and in his years as a doctor he had seen very little to support a belief in coincidence. Everything was cause and effect. If you don’t know the cause, look at the effect and backtrack in the same way you look at the symptoms to diagnose the disease. He told his residents that all the time. So, if the effect of this is two corpses drained of all blood, visible bite marks on the body, and two clearly visible puncture wounds on each throat, then what is the cause?
He shook his head and sat back in his chair. “You’re a goddamned idiot,” he told himself, saying it out loud, putting as much mockery as he could into it, trying to shame himself out of that kind of fanciful stupidity. Then in a quieter voice, he said, “You’re crazy.”
(3)
Coming home to the farm was the hardest thing Val Guthrie had ever done, and Crow knew it. The place wasn’t hers anymore—Ruger had made it his that night—and now she would have to reclaim it.
When Sarah’s Humvee crunched to a slow stop on the gravel in the half-circle drive in front of the big porch, Val’s hand closed around Crow’s thigh and squeezed. It wasn’t tight at first, but by the time the engine stopped and the silence of the late October morning settled over them, it felt to him as if she had diamond-tipped drills on the end of each fingertip. He didn’t let on, though, either in expression or word; if it would help her deal with the moment, Crow would have given her a saw and let her cut the damn leg off. Sarah seemed to sense it, too, and sat there behind the wheel, door closed, hands resting quietly in her lap.
Eventually Val’s grip eased and Crow took her hand in his. “Whenever you’re ready, baby. No rush.”
The house was huge, gabled, recently painted white with dark green window trimming and shutters. Gigantic oaks stood like brooding sentinels on either corner of the house, and smaller arborvitae flanked the broad front stairs. The porch was also painted green and there was a porch swing that Henry had made by hand for his wife fifteen years ago. Crow saw that all of the crime scene tape had been removed. Score one for Diego.
“I guess I can’t sit out here forever,” Val said.
Sarah turned in her seat. “Honey, you can sit there until the cows come home and the national budget is balanced. In fact, I can turn this puppy around and you guys can come back home with me, which would make a lot more sense.” It was the third time Sarah had made the suggestion.
Val reached out and gave Sarah’s forearm a squeeze. “Thanks, sweetie,” Val said, “I’ll be fine.” She absently touched her silver cross, tracing the shape of it over her heart.
“We could do a hotel,” Crow said.
She shook her head, took a breath, jerked the handle up and, with slow care for her aches, got out. Crow got out on his side and walked around to stand beside her. Above them the house was immense and filled with ghosts.
“Damn,” she breathed, and then walked toward the front door, chin down, jaw set, as if she were wading through waist-deep water. When they got to the front door, though, Val stopped. The door was new and still smelled of fresh paint. Val reached out to touch the new door, then turned to Crow. “You?”
“Diego. I called him, asked if he would tidy things up a bit.”
Val kissed him and there was a single glittering tear in her left eye. “Thank you,” she said. Taking a long, deep breath, she reached out and opened the door, hesitated one last moment, and went inside. Crow glanced at Sarah, eyebrows raised, and followed.
That was just before noon. Now it was midafternoon, and Val was asleep on her father’s bed. She had gone in there to be among his things, not even wanting Crow’s company. He heard her crying a few minutes later and every atom in him burned to go in and hold her, but he knew that it was the wrong thing to do. Sometimes grief should be private.
The interior of the house was spotless. Diego, as usual, had been better than his word and his promise to “tidy up a bit” had resulted in a house that fairly gleamed from polish and soap. There was no trace of the violence of that night, and none of the leavings of the army of cops that had passed through since. Sarah and Crow had a quick lunch and then she left, and ten minutes later Val drifted downstairs and silently came to sit on Crow’s lap at the kitchen table. Her eyes were puffy from crying, and when he wrapped his arms around her and held her close, she started crying again. Not the heavy sobs of earlier, but softer tears. He stroked her hair and held his tongue.
(4)
The lab work from the autopsies had come back and was spread across his desk, but Saul Weinstock was staring through it as if he couldn’t see it. He held a tumbler of Glenfiddich in his hands, the level having dropped over the last half hour from six fingers to two. Weinstock’s eyes were red-rimmed and bright, as if he had a fever. The flush in his cheeks supported that look, but Weinstock was not sick, nor was he drunk. What he felt was a shock so profound that it reverberated through his chest like the echo of a gunshot.
He was mortally afraid; and the thing that had really driven a wire right into Weinstock’s brain—and that had moved him from coffee to Scotch—was the lab report on the scrapings taken from beneath Nels Cowan’s fingernails. Apparently the officer had fought back pretty hard, and during that struggle he’d raked his fingernails across his attacker’s exposed skin. Weinstock had gotten good scrapings, more than enough for lab purposes. The report on them had come back with a handwritten note from Dr. Ito, the senior technician, paperclipped to it:
Saul
Not sure how these samples got contaminated, but the tissue scrapings you sent me are probably not from the crime scene, as you’ll see in my report. It’s that or someone’s playing a pretty sick joke. Personally I find this kind of joke fairly inappropriate considering the circumstances. When you find the prankster, kick his ass for me.
Don